Star Wars Episode IV: A New Hope

~ Release by John Williams (see all versions of this release, 33 available)

Annotation

Sony Classical Digital Remaster Original Release (no longer for sale)

Annotation last modified on 2024-02-27 04:00 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Main Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
55:25
2Imperial Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Imperial Attack, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Imperial Attack, Part 2 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
6:19
3Princess Leia’s Theme
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas and Tom Null
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16) and Abravanel Hall in Salt Lake City, Utah, United States (from 1983-06-21 until 1983-06-22)
recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2.754:24
4The Desert and the Robot Auction
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Desert (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Robot Auction (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:55
5Ben’s Death and TIE Fighter Attack
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Ben’s Death (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
3:52
6The Little People Work
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Little People Work (Star Wars)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:06
7Rescue of the Princess
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Chasm Crossfire (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Shootout in the Cell Bay (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:50
8Inner City
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Tales of a Jedi Knight, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Death Star (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
partial recording of:
The Millennium Falcon (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:16
9Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
3.92:48
10The Land of the Sandpeople
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Attack of the Sand People (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Landspeeder Search (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:53
11Mouse Robot and Blasting Off
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Blasting Off (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bregman, Vocco & Conn, Inc., Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and WC Music Corp.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Mouse Robot (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:04
12The Return Home
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Return Home (Star Wars)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:49
13The Walls Converge
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Dianoga (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Trash Compactor (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:35
14The Princess Appears
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Binary Sunset (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
revision of:
Binary Sunset (alternate) (Star Wars archival bonus track)
recording of:
The Hologram (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:07
15The Last Battle
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
compilation of:
The Last Battle, Part 1 by John Williams (American score composer and conductor) and The Last Battle, Part 2 by John Williams (American score composer and conductor)
recording of:
Detention Block Ambush (Star Wars, Episode IV: A New Hope)
orchestrator:
Al Woodbury
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Tractor Beam (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Use the Force (Star Wars, Episode IV: A New Hope)
orchestrator:
Angela Morley
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
X-Wings Draw Fire (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
12:09
16The Throne Room and End Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
composer:
John Williams (American score composer and conductor)
is based on:
End Title (Star Wars, Episode IV: A New Hope)
is based on:
The Throne Room (Star Wars, Episode IV: A New Hope)
5:29