Carré blanc : Les Disques calins des nuits calines

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
174-75
recording engineer und Mix:
Lou Giordano (Boston engineer)
Techniker(in):
David Cook (engineer, producer)
Produzent(in):
The Connells und Lou Giordano (Boston engineer)
phonographisches Urheberrecht (℗) von:
TVT Records (in 1993)
recording of:
’74–’75
Texter und Komponist(in):
Mike Connell
publisher:
EMI Music Publishing (do not use as a release label!)
The Connells2.84:34
2Girl, You'll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:10
3A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
4Piensa en mí
cover recording of:
Piensa en mí
Verfasser(in):
Agustín Lara (in 1935) und María Teresa Lara (in 1935)
Luz Casal4:28
5The Perfect Moment
recording of:
The Perfect Moment (The Christians song)
Verfasser(in):
Mark Herman und Henry Priestman
The Christians4:50
6Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.654:07
7Me & Mrs Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
8Night Calls
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
andere Instrumente [all other instruments]:
Jeff Lynne (in 1991)
Gitarre:
Mike Campbell (US funk guitarist for Change & M-Zee Band) (in 1991)
Schlagzeug:
Jim Keltner (in 1991)
Hintergrundgesang und Hintergrundgesang [backing vocals]:
Cydney Davis (in 1991) und Maxine Sharp (in 1991)
Sologesang:
Joe Cocker (in 1991)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
recording of:
Night Calls (in 1991)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc.
Joe Cocker3.653:28
9Don't It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:32
10Où trouver les violons
Art Mengo4:34
11Je l'aime comme je mens
Bea-Ba4:10
12Aime moi encore
Charlélie Couture3:45
13Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 89)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:06