Top of the Pops 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Starman
Sound-Engineering:
Dennis MacKay (70s–present UK producer/engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
Akustikgitarre, E-Gitarre, Klavier und Hintergrundgesang:
Mick Ronson (British guitarist) (am 1972-02-04)
Bassgitarre:
Trevor Bolder (British bassist) (am 1972-02-04)
Händeklatschen, zwölfsaitige Gitarre und Sologesang:
David Bowie (English singer‐songwriter) (am 1972-02-04)
Schlagzeug:
Mick Woodmansey (British drummer) (am 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) und Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-02-04)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Starman (am 1972-02-04)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.44:16
2Sweetest Thing
recording engineer:
Pat McCarthy und Joe O’Herlihy
zusätzlich recording engineer:
Steve Harris (mixer/producer)
Produzent(in):
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Steve Lillywhite
Mix:
Steve Harris (mixer/producer)
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Saiteninstrumente:
Nicola Cleary, Nicholas Milne, Aengus O’Connor und Una O’Kane
Sologesang:
Bono (singer of U2)
Saiteninstrumente arranger:
Daragh O’Toole (composer/arranger)
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1998)
Musikvideos:
Sweetest Thing von U2 (Irish rock band)
recording of:
Sweetest Thing
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. und Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U23.33:00
3Sweet Dreams (Are Made of This)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1982, in 1991), BMG Records (UK) Ltd. (1987–1996) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Sweet Dreams (Are Made of This)
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. und Universal Music–MGB Songs
Eurythmics4.554:50
4Regret
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Stephen Hague und New Order (UK synth pop band)
Mix:
Mike “Spike” Drake und Stephen Hague
phonographisches Urheberrecht (℗) von:
Qwest Records (in 1993)
recording of:
Regret
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Notting Hill Music (UK) Ltd., Vitalturn Co., Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
New Order3.64:07
5Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:18
6Let Me Entertain You
recording of:
Let Me Entertain You
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Robbie Williams3:28
7Caroline
recording of:
Caroline
Verfasser(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo3:41
8Amateur Hour
recording of:
Amateur Hour
Texter und Komponist(in):
Ron Mael
publisher:
Island Music Ltd.
Sparks3:31
9Teenage Kicks
Techniker(in):
Roger Bechirian
Produzent(in):
Roger Bechirian und The Undertones (Northern Irish punk rock band)
aufgenommen bei:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, Vereinigtes Königreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 59)
recording of:
Teenage Kicks
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:25
10Rotterdam (or Anywhere)
Musikvideos:
Rotterdam (or Anywhere) von The Beautiful South
recording of:
Rotterdam (or Anywhere)
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
The Beautiful South43:22
11Father and Son
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1970-07)
instrumental version of:
Father and Son von Giacomo Bucci
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens4.253:38
12Here Comes My Baby
cover recording of:
Here Comes My Baby
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Angusa Music Ltd.
The Mavericks43:10
13Turn It On Again
Techniker(in):
David Hentschel
assistierende(r) Produzent(in):
David Bascombe
Produzent(in):
Genesis (English rock band) und David Hentschel
Bassgitarre und Gitarre:
Mike Rutherford (von 1979-11 bis 1979-12)
Keyboard:
Tony Banks (Genesis) (von 1979-11 bis 1979-12)
Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1979-11 bis 1979-12)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (vom 1980 bis heute) und Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1994 bis heute)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1979-11 bis 1979-12)
mixed at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich
recording of:
Turn It On Again (von 1979-11 bis 1979-12)
Texter:
Mike Rutherford
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (vom 1980 bis heute) und Philip Collins Ltd. (vom 1980 bis heute)
Genesis3:45
14Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:23
15Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
Produzent(in):
Warne Livesey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Deacon Blue44:02
16I Don’t Like Mondays
Produzent(in):
Phil Wainman
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
I Don’t Like Mondays von The Boomtown Rats
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 66)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats44:15
17Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:06
18There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:41
19Sunflower
Bassgitarre:
Marco Nelson
flute:
Jacko Peake
Gitarre, mellotron, Moog und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Schlagzeug:
Steve White (Style Council drummer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
aufgenommen bei:
Finsbury Park in Haringey, London (Greater London), England, Vereinigtes Königreich (am 1996-06-09)
recording of:
Sunflower
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Stylist Music Ltd. und Universal Music Careers
Paul Weller2.54:07
20Whole Lotta Love
Produzent(in):
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
zusätzlicher Texter:
Willie Dixon
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
You Need Love
CCS53:28

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