80s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Available on Apple Music, but not iTunes.

Anmerkung zuletzt geändert am 2020-07-09 08:52 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Reflex (single version; 2010 remaster)
Duran Duran4:27
2Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:04
3Holiday
recording of:
Holiday
Verfasser(in):
Curtis Hudson und Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna33:51
4West End Girls (2001 remaster)
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
Hintergrundgesang, Sologesang und Sprecher:
Neil Tennant
zusätzlich vocals:
Helena Springs
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
Musikvideos:
West End Girls von Pet Shop Boys
recording of:
West End Girls (in 1985)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys3.84:05
5Everywhere (2017 remaster)
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:46
6What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:46
7I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
8Love Shack (single version)
Produzent(in):
Don Was
Bearbeitung von:
Love Shack von The B‐52s
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s3.654:20
9Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:45
10La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
11Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
12It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:02
13Money’s Too Tight (to Mention)
recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
14I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:56
15Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
16Big in Japan
recording engineer und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin (von 1984-07 bis 1984-08) und Thomas Beck (technical assistant, likely German) (von 1984-07 bis 1984-08)
Programmierung:
Wolfgang Loos (von 1984-06 bis 1984-08)
Produzent(in):
Andreas Budde, Wolfgang Loos und Colin Pearson (producer and violinist)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Wednesday (German‐English rock band active from 1975–1980) (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
Musikvideos:
Big In Japan von Alphaville (German synth pop band)
recording of:
Big in Japan (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:46
17True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
18Listen to Your Heart
Techniker(in):
Anders Herrlin (in 1988-08) und Alar Suurna (in 1988-08)
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
E-Gitarre:
Jonas Isacsson (in 1988-08)
Keyboard:
Clarence Öfwerman (in 1988-08)
Schlagzeug:
Pelle Alsing (in 1988-08)
Hintergrundgesang:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) und Clarence Öfwerman (in 1988-08)
Sologesang:
Marie Fredriksson (in 1988-08)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-08) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Listen to Your Heart (Roxette song) (in 1988-08)
Texter:
Per Gessle (Swedish singer and guitarist)
Komponist(in):
Per Gessle (Swedish singer and guitarist) und Mats Arne Persson (“M.P.”)
publisher:
Jimmy Fun Music
Roxette3.65:28
19Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.43:04
20I Feel for You
Bass, drum machine und Gitarre:
Reggie Griffin (in 1984)
chromatische Mundharmonika:
Stevie Wonder (in 1984)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) und Philippe Saisse (in 1984)
Schlagzeug:
Steve Ferrone (in 1984)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1984)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 395)
cover recording of:
I Feel for You (in 1984)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:43
21Chain Reaction
assistierende(r) Techniker(in):
Scott Glasel und John Haig (engineer)
Techniker(in):
Jack Joseph‐Puig, Karl Richardson und Brian Tench
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Mix:
Jack Joseph‐Puig
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1985), Maurice Gibb (in 1985) und Robin Gibb (in 1985)
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten
recording of:
Chain Reaction
Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music Publishing Ltd. und Gibb Brothers Music
Diana Ross4.253:50
22Give Me the Night
recording engineer und Mix:
Bruce Swedien
assistierende(r) Techniker(in):
Sheridan Eldridge, Ralph Osborne (engineer) und Mark Sackett
Produzent(in):
Quincy Jones
Bass-Synthesizer:
Richard Tee
Bassgitarre:
Abraham Laboriel
flute und Saxophon:
Kim Hutchcroft und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.655:01
23Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.34:06
24You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:15
25Major Tom
Techniker(in):
Frank Reinke (Germany based engineer) (in 1982) und Peter Schmidt (recording engineer) (in 1982)
assistierende(r) Produzent(in):
Frank Hieber (in 1982)
Produzent(in):
Armin Sabol (in 1982) und Peter Schilling (German synthpop musician) (in 1982)
Mix:
Holger J. Magnussen (in 1982)
E-Bass:
Günther Gebauer (in 1982)
E-Gitarre:
Armin Sabol (in 1982)
Keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
Schlagzeug:
Curt Cress (in 1982)
Sologesang:
Peter Schilling (German synthpop musician) (in 1982)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
aufgenommen bei:
Peer Studio in Hamburg, Deutschland (in 1982)
recording of:
Major Tom (Völlig losgelöst) (in 1982)
Texter und Komponist(in):
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag GmbH (Peermusic Musikverlag GesmbH) (in 1982)
Peter Schilling4:59
26Got to Get
Interpret(in):
Leila K (Swedish Eurodance singer)
recording of:
Got to Get
Texter:
Leila El Khalifi (Swedish Eurodance singer) und Martin Carboo
Komponist(in):
Rasmus Lindwall, Martin Carboo und Robert Waatz
Rob’n’Raz feat. Leila K2.53:21
27I Can’t Wait
Mix:
Peter Slaghuis
Bass:
Gary Fountaine (Oregon-based bassist) und Nate Phillips (jazz bassist)
Gitarre [guitars]:
John Smith (Nu Shooz)
Keyboard [keyboards]:
Jeff Lorber, Ron Regan (keyboardist, saxophonist), Steve Reid (guitarist, The Associates) und John Smith (Nu Shooz)
Perkussion und Sologesang [vocals]:
Valerie Day (singer, musician, songwriter, producer)
Saxophon [sax]:
Ron Regan (keyboardist, saxophonist)
Schlagzeug:
Marty Higgins
Trompete:
Lewis Livermore (trumpet player)
Hintergrundgesang [backing vocals]:
Shannon Day und Lori Lamphear
zusätzlich arranger:
Jeff Lorber
Musikvideos:
I Can't Wait von Nu Shooz
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.755:26
28Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:53
29Biggest Part of Me
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones, David Pack und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 16)
recording of:
Biggest Part of Me
Texter und Komponist(in):
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ambrosia5:24
30You’re the Inspiration (2006 remaster)
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:49
31Jump (2015 remaster)
assistierende(r) Techniker(in):
Ken Deane
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Bass:
Michael Anthony (US bassist, formerly of Van Halen)
Gitarre und Keyboard:
Edward Van Halen
Schlagzeug und Perkussion:
Alex Van Halen
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 177) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 200)
recording of:
Jump
Texter und Komponist(in):
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth und Alex Van Halen
publisher:
Mugambi Publishing, Diamond Dave Music (in 1984) und Van Halen Music (in 1984)
Van Halen4.454:01
32Holding Back the Years (2008 remaster)
assistierende(r) Techniker(in):
Chris Dickie
Techniker(in) und Mix:
Femi Jiya
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Tony Bowers (in 1985)
Gitarre:
Sylvan (in 1985)
Keyboard und Hintergrundgesang:
Fritz McIntyre (in 1985)
Perkussion und Schlagzeug:
Chris Joyce (drummer for Simply Red) (in 1985)
Trompete:
Tim Kellett (in 1985)
Sologesang:
Mick Hucknall (lead singer of Simply Red) (in 1985)
Interpret(in):
Simply Red (English soul and pop band) (in 1985)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1985)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1985) und Soundpush Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1985)
Musikvideos:
Holding Back the Years von Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Mick Hucknall (lead singer of Simply Red) und Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. und So What Ltd
Simply Red44:29
33Loving You Is Sweeter Than Ever
cover recording of:
Loving You Is Sweeter Than Ever
Texter:
Ivy Jo Hunter
Komponist(in):
Ivy Jo Hunter und Stevie Wonder
publisher:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) und Screen Gems-Columbia (publisher) (in 1967)
Nick Kamen23:45
34Geno (2000 remaster)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
35Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
36Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) und WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:50
37You Might Need Somebody
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Abraham Laboriel
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Dean Parks (American session guitarist)
Horn:
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) und Larry Williams (trumpet, flugelhorn, French horn)
Keyboard:
Leon Pendarvis
Perkussion:
Lenny Castro
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas und Phyllis St. James
Horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
Saiteninstrumente arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Randy Crawford44:18
38Love Wars
recording of:
Love Wars
Verfasser(in):
Cecil Womack und Linda Womack
Komponist(in):
Zekuumba Zekkariyas und Zeniya Zekkariyas
publisher:
Next Flight Music
Womack & Womack5:59
39Orinoco Flow
Techniker(in):
Ross Cullum und Nicky Ryan
Koproduzent(in):
Ross Cullum und Enya (Irish singer-songwriter)
Produzent(in):
Nicky Ryan
Mix:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Instrumente und vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) und Nicky Ryan
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (vom 1988 bis heute) und WEA Records Ltd. (holding company based in the UK) (in 1988)
aufgenommen bei:
Orinoco Studios in Southwark, London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Orinoco Flow von Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Enya4.34:24
40International Rescue (2012 remaster)
Techniker(in):
Richard Manwaring (Producer)
recording of:
International Rescue
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill und Liam Sternberg
Fuzzbox3:29
41Never Ending Story (2009 remaster)
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:29
42Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
43Just What I Always Wanted
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Just What I Always Wanted
Texter und Komponist(in):
Teddy Johns
Mari Wilson3:26
44Dancin’ In the Key of Life
recording of:
Dancin' in the Key of Life
Verfasser(in):
India Arrington und Steve Arrington
Steve Arrington4:57
45Veronica
Techniker(in) und Mix:
Kevin Killen
Akustikgitarre:
T‐Bone Burnett (musician, songwriter and producer)
Bassgitarre:
Paul McCartney (The Beatles)
Chamberlin und Hybrid-Piano:
Mitchell Froom
E-Gitarre und Sologesang:
Elvis Costello
Glockenspiel und Pauke:
Michael Blair (American drummer/producer/songwriter based in Sweden)
Klavier und Spinet [Baldwin spinet]:
Benmont Tench
Schlagzeug:
Jerry Marotta (drummer and composer)
recording of:
Veronica
Verfasser(in):
Declan Patrick MacManus und Paul McCartney (The Beatles)
Elvis Costello4.653:08
46Twist and Shout
cover recording of:
Twist and Shout
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:44
47Walk Out to Winter
Techniker(in):
John Brand (engineer)
Produzent(in):
John Brand (engineer) und Bernie Clarke (keyboard / producer)
Bassgitarre:
Campbell Owens
Gitarre:
Roddy Frame
Perkussion und Schlagzeug:
Dave Ruffy
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
Texter und Komponist(in):
Roddy Frame
Aztec Camera33:24
48Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
49Lip Up Fatty
Produzent(in):
Roger Lomas
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd.
recording of:
Lip Up Fatty
Verfasser(in):
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46
50Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan3.74:40
51Hand Held in Black and White
recording of:
Hand Held in Black and White
Komponist(in):
Trevor Horn und Bruce Woolley
Dollar3:23
52Nightline (single version)
Randy Crawford3:48
53Best Years of Our Lives
recording of:
Best Years of Our Lives
zusätzlicher Texter:
Rick Carey und Marvin Prosper
Verfasser(in):
Geoff Deane und David Jaymes
publisher:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Modern Romance2:37
54Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:26

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2019)
kostenlos streamen:https://www.deezer.com/album/95271222 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1460284970 [Info]