Wedding Cantata / Peasant Cantata / Masses BWV 233, 234, 236

~ Release by J.S. Bach (see all versions of this release, 1 available)

Annotation

I had to "guess" a lot of the tracks. Based on IMSLP search. They are not listed on the CD or the insert.

Annotation last modified on 2017-08-06 08:26 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Weichet nur, betrubte Schatten
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:59
2Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Die Welt wird wieder neu
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:34
3Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Phoebus eilt mit schnellen Pferden
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:57
4Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Drum sucht auch Amor sein Vergnugen
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:42
5Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Wenn die Fruhlingslufte streichen
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:04
6Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Und dieses ist das Glucke
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:50
7Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:32
8Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:31
9Cantata, BWV 202 "Weichet nur, betrübte Schatten": Gavotte: Sehet in Zufriedenheit tausend helle Wohlfahrstage
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:42
10Cantata, BWV 212 "Mer hahn en neue Oberkeet": Overture
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:45
11Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet aria: Mer hahn en neue Oberkeet
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
12Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Nu, Miecke, gieb dein Guschel immer her
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:10
13Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Ach, es schmeckt doch gar zu gut
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:15
14Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Der Herr ist gut: Allein der Schosser
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
15Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Ach Herr Schosser, geht nicht gar zu schlimm
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
16Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Es bleibt dabei, dass unser Herr der beste sei
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
17Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Unser trefflicher, lieber Kammerherr
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:15
18Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Er hilft uns allen, alt und jung
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
19Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Das ist galant, es spricht Niemand von den caducken Schocken
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:23
20Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Und unsre gnad'ge Frau ist nicht ein prinkel stolz
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:46
21Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Und unsre gnad'ge Frau ist nicht ein prinkel stolz
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:57
22Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Im Ernst ein Wort!
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
23Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Klein-Zschocher musse so zart und susse
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:08
24Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Das ist zu klug vor dich
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
25Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Es nehme zehntausend Ducaten der Kammeherr
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:57
26Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Das klingt zu liederlich
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
27Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Gib, Schone, viel Sohne von art'ger Gestalt
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
28Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Du hast wohl recht
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
29Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Dein Wachstum sei feste und lache vor Luft
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:42
30Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Und damit sei es auch genug
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
31Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Und dass ihr's alle wisst
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:48
32Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Mein Schatz, erraten!
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
33Cantata, BWV 212 "Mer hahn en neue Oberkeet": Chorus: Wir gehn nun, wo der Tudelsack
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Ursula Buckel (soprano)
orchestra:
Württembergisches Kammerorchester (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:15
2CD
3CD