The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▼CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
#TitleRatingLength
1Aida: Atto secondo. "O Re: pei sacri Numi" (Radamès, il Re, Amneris, Ramfis, Sacerdoti, Popolo egizio)
producer:
John Culshaw
bass vocals [Il Re]:
Fernando Corena (operatic bass)
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:42
2Aida: Atto secondo. "Gloria all'Egitto, ad Iside" (Il Re, Ramfis, Aida, Radamès, Amneris, Amonasro)
producer:
John Culshaw
bass vocals [Il re]:
Fernando Corena (operatic bass) (in 1959-09)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:16
3Aida: Atto terzo. "O tu che sei d'Osiride" (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:21
4Aida: Atto terzo. "Qui Radamès verrà! ... O patria mia" (Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
7:14
5Aida: Atto terzo. "Ciel! mio padre! ... Rivedrai le foreste imbalsamate" (Aida, Amonasro)
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
8:14
6Aida: Atto terzo. "Pur ti riveggo, mia dolce Aida" (Radamès, Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:06
7Aida: Atto terzo. "Fuggiam gli ardori inospiti" (Aida, Radamès, Amonasro)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
7:07
8Aida: Atto terzo. "Tu, Amonasro!... tu, il Re?" (Radamès, Aida, Amonasro, Amneris, Ramfis)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
2:57
9Aida: Atto quarto. "L'aborrita rivale a me sfuggia" (Amneris)
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
2:59
10Aida: Atto quarto. "Già i Sacerdoti adunansi" (Amneris, Radamès)
producer:
John Culshaw
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
7:16
11Aida: Atto quarto. "Ohimè!... morir mi sento!" (Amneris, Ramfis, Sacerdoti)
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:23
12Aida: Atto quarto. "Radamès! Radamès! Radamès!" (Ramfis, Amneris, Sacerdoti)
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
7:04
13Aida: Atto quarto. "La fatal pietra sovra me si chiuse" (Radamès, Aida)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals:
Giulietta Simionato (mezzo-soprano)
soprano vocals and soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959, in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
2:18
14Aida: Atto quarto. "Oresago il core della tua condanna" (Aida, Radamès, Sacerdotesse, Sacerdoti)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:02
15Aida: Atto quarto. "O terra, addio" (Aida, Radamès, Amneris, Sacerdotesse, Sacerdoti)
producer:
John Culshaw
choir vocals:
Singverein der Gellschaft der Musikfreunde (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:13
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)