Radio Classics: Late Night Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1Mandolin Wind
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
recording of:
Mandolin Wind (in 1971-01)
Texter und Komponist(in):
Rod Stewart
publisher:
MRC Music, Inc.
Rod Stewart35:31
2After Midnight
Bassgitarre:
Norbert Putnam (am 1971-06-09)
Gitarre:
J.J. Cale (am 1971-06-09)
Klavier:
Jerry Whitehurst (session pianist) (am 1971-06-09)
Schlagzeug:
Chuck Browning (am 1971-06-09)
vocals:
J.J. Cale (am 1971-06-09)
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1971-06-09)
recording of:
After Midnight (am 1971-06-09)
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:22
3Spooky
cover recording of:
Spooky
Texter:
Buddy Buie und J. R. Cobb
Komponist(in):
Harry Middlebrooks und Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
basiert auf:
Spooky (instrumental)
Atlanta Rhythm Section44:59
4Don’t Be Afraid of the Dark
Produzent(in):
Bruce Bromberg und Dennis Walker
Gitarre:
Robert Cray (blues guitarist, singer and songwriter)
vocals:
Robert Cray (blues guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
produced for:
Hightone Records
recording of:
Don’t Be Afraid of the Dark
Texter und Komponist(in):
Dennis Walker
publisher:
Calhoun St. Music
The Robert Cray Band43:48
5Midnight and You
recording of:
Midnight and You
Verfasser(in):
Billy Page (US soul/pop songwriter & producer) und Gene Page (conductor, composer, arranger and record producer)
Barry White and The Love Unlimited Orchestra45:15
6Baby Come Back (album version)
Techniker(in):
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) und Joe Sidore
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Bassgitarre:
Ronn Moss
Clavinet, Hybrid-Piano und Synthesizer:
Wayne Cook
Conga, Maracas / Rumba-Rasseln und Schlagzeug:
John Friesen (drummer)
Gitarre:
Peter Beckett (lead singer of Player)
Hintergrundgesang und Sologesang:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) und Ronn Moss
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:12
7Every Kinda People
Produzent(in):
Robert Palmer (English singer‐songwriter)
recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer43:36
8Nightshift (album version)
Chorgesang [background vocal chorus]:
Gregory Alexander, Ambrose Price, Tracy Augcomfar, Debbie Garrett, Doris Garrett, Patricia Hamlin, Philip Ingram, William King (William Atwell King Jr. (member of Commodores)), Dennis Lambert, Ronald LaPread, J.D. Nicholas, Walter Orange, Darryl Phinnessee, Sheldon Reynolds und David Swanson (US soul/funk pianist/synthesizer)
Interpret(in):
J.D. Nicholas und Walter Orange
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.355:05
9There’s Nothing Like This
recording of:
There’s Nothing Like This
Texter und Komponist(in):
Omar Hammer
publisher:
Congo Music und PolyGram Music Publishing
Omar4:00
10After the Love Has Gone
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
Verfasser(in):
Bill Champlin, David Foster (Canadian music producer, arranger and composer) und Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music und Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:29
11Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
12Home Alone
Gladys Knight5:02
13Insensitive
recording engineer:
Ed Cherney und Duane Seykora
assistierende(r) Techniker(in):
Ronnie Rivera und Raymond Taylor-Smith
Koproduzent(in):
Jann Arden (Canadian singer‐songwriter)
Produzent(in) und Mix:
Ed Cherney
Akustikgitarre und E-Gitarre:
Dave Resnik
Bass:
Mike Lent (Canadian bassist)
Gitarre:
Bob Foster (Canadian songwriter, guitarist & music director)
Perkussion und Schlagzeug:
Kenny Aronoff
Hintergrundgesang:
Jann Arden (Canadian singer‐songwriter) und Dillon O'Brian
Sologesang:
Jann Arden (Canadian singer‐songwriter)
arranger:
Jann Arden (Canadian singer‐songwriter), Ed Cherney und C.J. Vanston
Hintergrundgesang arranger:
Dillon O'Brian
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1994)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten
mixed at:
Brooklyn Recording Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Insensitive
publisher:
Anne Loree
Texter und Komponist(in):
Anne Loree
publisher:
Frankly Shirley Music und PolyGram Songs (Canada)
Jann Arden3.754:17
14Moonshine Still
phonographisches Urheberrecht (℗) von:
Metronome Music (in 1986)
recording of:
Moonshine Still
Texter:
Simon Dale Sanders (songwriter)
Komponist(in):
Phil Carmen
publisher:
Hanseatic Musikverlag GmbH (1964–2001) und Intersong U.S.A. (publisher)
Phil Carmen6:30
15Mandolin Rain
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Hackbrett, Klavier, Synthesizer und Sologesang:
Bruce Hornsby
Mandoline:
David Mansfield
Perkussion und Schlagzeug:
John Molo
Hintergrundgesang:
George Marinelli und Joe Puerta
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986) und RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
Mandolin Rain
Verfasser(in):
B.R. Hornsby und John Hornsby (American musician, composer, and actor)
publisher:
Basically Zappo Music, BMG Music Publishing Ltd., Bob‐a‐Lew Songs (ASCAP), Warner Chappell Music Limited (2019–present), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Basically Gasp Music (in 1986) und Zappo Music (in 1986)
Bruce Hornsby and the Range55:19
16Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-03-27) und Bud Shank (am 1956-03-27)
baritone saxophone:
Chuck Gentry (am 1956-03-27)
Bassposaune:
George Roberts (american bass trombone) (am 1956-03-27)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-03-27) und Edgar Lustgarten (am 1956-03-27)
Gitarre:
Barney Kessel (am 1956-03-27)
Harfe:
Corky Hale (am 1956-03-27)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-03-27)
Kontrabass:
Joe Mondragon (am 1956-03-27)
Posaune:
Milt Bernhart (am 1956-03-27), Joe Howard (american trombone player) (am 1956-03-27) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-03-27)
Schlagzeug:
Alvin Stoller (am 1956-03-27)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-03-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-03-27)
Trompete:
Pete Candoli (am 1956-03-27), Harry “Sweets” Edison (am 1956-03-27), Maynard Ferguson (am 1956-03-27) und Conrad Gozzo (am 1956-03-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Ella Fitzgerald3:05