The Power of Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: You’re the Inspiration
Nr.TitelKünstlerBewertungLänge
1You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:51
2Have I Told You Lately
Produzent(in):
Bernard Edwards (American bassist and record producer) und Rod Stewart
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Jeff Golub
Keyboard:
Chuck Kentis
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug [Drums]:
Rave Calmer (drummer)
Sologesang:
Rod Stewart
Saiteninstrumente arranger:
Bruce Miller (US composer and arranger)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) und Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1995)
cover recording of:
Have I Told You Lately
Texter und Komponist(in):
Van Morrison
zusätzliche(r) Verfasser(in):
Scott Wiseman
publisher:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Intersong Music Ltd. (in 1989)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Rod Stewart4:00
3I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:01
4You Are So Beautiful
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:43
5Unforgettable
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Al Schmitt
Bass:
Ray Brown (jazz bassist)
Gitarre:
John Chiodini
Klavier:
Mike Lang (American pianist and composer) und Michael Melvoin
Schlagzeug:
Sol Gubin
Solo-Saxophon:
Pete Christlieb
vocals:
Natalie Cole und Nat King Cole (in 1951)
arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Natalie Cole und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Unforgettable
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
recording of:
Unforgettable
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Natalie Cole with Nat King Cole3:32
6Giving You the Best That I Got
recording of:
Giving You the Best That I Got
Texter und Komponist(in):
Anita Baker, Randy Holland (songwriter/engineer) und Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music und Fresh Air Music Ltd.
Anita Baker3:54
7Here and Now
recording engineer und Mix:
Ray Bardani
Produzent(in):
Jacques Fred Petrus
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Here and Now
Verfasser(in):
David L. Elliott und Terry Steele
publisher:
D.L.E. Music, EMI April Music Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Ollie Brown Sugar Music (ASCAP-affiliated) und Universal‐MCA Music Publishing (US)
Luther Vandross5:25
8Stuck on You
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:12
9Lady
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) und Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:47
10Could I Have This Dance
recording engineer:
Ken Friesen (engineer with Eastern Sound, active 1960s–1990s)
Produzent(in):
Jim Ed Norman
Mix:
Eric Prestidge
Akustikgitarre:
Aidan Mason
Bass:
Mike Bowden
E-Gitarre:
George Hebert
Hybrid-Piano:
Brian Gatto
Klavier [acoustic piano]:
Pat Riccio, Jr.
Perkussion:
John Anderson (percussionist)
Saiteninstrumente:
Alan Broadbent
Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Sologesang:
Anne Murray (Canadian pop/country singer)
conductor:
Alan Broadbent
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Could I Have This Dance
Verfasser(in):
Wayland Holyfield und Bob House (songwriter)
publisher:
Sony/ATV Tree Publishing und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Anne Murray4.53:16
11You Light Up My Life
Produzent(in):
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 3) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 12)
recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
Debby Boone53:40
12One in a Million You
recording of:
One in a Million You
Texter und Komponist(in):
Sam Dees
Larry Graham4:12
13I Swear (radio edit)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:20
14Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:26
15Somewhere Out There
recording engineer:
Allen Sides
Partner-Produzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Mix:
George Massenburg
vocals:
James Ingram (R&B singer) und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
recording of:
Somewhere Out There (An American Tail)
Texter:
Cynthia Weil
Komponist(in):
James Horner (American score composer) und Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Teil von:
An American Tail (1986 animated film)
Linda Ronstadt and James Ingram4:00
16I’ll Always Love You
recording of:
I'll Always Love You
Texter und Komponist(in):
Jimmy George (songwriter)
publisher:
Auspitz Music und Lucky Break Music
Taylor Dayne4:32
17You Make Me Feel Brand New
arranger:
Thom Bell (keyboards, songwriter, producer)
recording of:
You Make Me Feel Brand New
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.54:47
18When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52
2▶CD: How Much I Feel
3▶CD: Never Gonna Let You Go
4▶CD: Truly
5▶CD: To Love Somebody
6▶CD: Anything for You
7▶CD: I've Had the Time of My Life (disc 1)
8▶CD: I've Had the Time of My Life (disc 2)
9▶CD: Feelin’ Good

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