Red, Hot and Blue

~ Veröffentlichung von Cole Porter (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:30
2It’s All Right With Me
recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Les Brown and His Orchestra2:42
3You’re Sensational
cover recording of:
You’re Sensational (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
Teil von:
High Society (stage musical)
Sammy Davis Jr.3:01
4Do I Love You?
Glenn Osser & His Orchestra3:01
5All of You
Mel Tormé2:50
6My Heart Belongs to Daddy
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (am 1953-05-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Peggy Lee2:07
7You’re the Top
recording of:
You’re the Top
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Anita O’Day2:26
8Silk Stockings
recording of:
Silk Stockings
Texter und Komponist(in):
Cole Porter (composer)
Teil von:
Silk Stockings (1955 musical)
Tommy Dorsey & His Orchestra2:45
9At Long Last Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Wilbur Schwartz
baritone saxophone:
Joe Koch
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (75- US saxophonist, the nephew)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-20)
cover recording of:
At Long Last Love (am 1956-11-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
recording of:
At Long Last Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Frank Sinatra2.52:24
10Everytime We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington2:29
11You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra2:05
12Love for Sale
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald5:54
13Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
Teil von:
High Society (1956 film)
Louis Armstrong & Bing Crosby4:21
14Anything Goes
recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Howard Lanin & His Orchestra6:18
15Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Billie Holiday2:59
16I Love Paris
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-12-10)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1954-12-10)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-12-10)
Kontrabass:
Teddy Kotick (am 1954-12-10)
Schlagzeug:
Art Taylor (am 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1954-12-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Charlie Parker5:09
17Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ella Fitzgerald33:03
18Too Darn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
Ella Fitzgerald3:47

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Veröffentlichung

ASIN:DE: B0009S2FQA [Info]