Aretha’s Jazz

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Ramblin’
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-24) und Frank Wess (am 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-24)
Bass:
Ron Carter (US jazz double-bassist) (am 1968-09-24)
Gitarre:
Kenny Burrell (am 1968-09-24)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-24)
Klavier:
Junior Mance (am 1968-09-24)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-24), Urbie Green (am 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-24) und Benny Powell (jazz trombonist) (am 1968-09-24)
Schlagzeug:
Bruno Carr (am 1968-09-24)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-24) und Seldon Powell (am 1968-09-24)
Trompete:
Bernie Glow (am 1968-09-24), Joe Newman (US jazz trumpeter) (am 1968-09-24), Ernie Royal (am 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-24) und Snookie Young (am 1968-09-24)
Vibraphon:
Jack Jennings (am 1968-09-24)
conductor:
Arif Mardin (am 1968-09-24)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-24)
recording of:
Ramblin’ (am 1968-09-24)
Verfasser(in):
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:10
2Today I Sing the Blues
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-04-17) und Frank Wess (am 1968-04-17)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-04-17)
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre [lead guitar]:
Tommy Cogbill (am 1968-04-17)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-17)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-04-17)
Klavier:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-04-17), Urbie Green (am 1968-04-17), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-04-17) und Benny Powell (jazz trombonist) (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-04-17) und Seldon Powell (am 1968-04-17)
Trompete:
Bernie Glow (am 1968-04-17), Joe Newman (US jazz trumpeter) (am 1968-04-17), Ernie Royal (am 1968-04-17), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-04-17) und Snookie Young (am 1968-04-17)
Vibraphon:
Jack Jennings (am 1968-04-17)
conductor:
Arif Mardin (am 1968-04-17)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
cover recording of:
Today I Sing the Blues (am 1968-04-17)
Verfasser(in):
Curley Hamner
Komponist(in):
Curtis Lewis (US songwriter)
publisher:
Bess Music und BMG Music Publishing Ltd.
4:25
3Pitiful
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-24) und Frank Wess (am 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-24)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-24)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-24), Urbie Green (am 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-24) und Benny Powell (jazz trombonist) (am 1968-09-24)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-24) und Seldon Powell (am 1968-09-24)
Trompete:
Bernie Glow (am 1968-09-24), Joe Newman (US jazz trumpeter) (am 1968-09-24), Ernie Royal (am 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-24) und Snookie Young (am 1968-09-24)
Vibraphon:
Jack Jennings (am 1968-09-24)
conductor:
Arif Mardin (am 1968-09-24)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-24)
recording of:
Pitiful (am 1968-09-24)
Verfasser(in):
Charlie Singleton (composer/lyricist) und Rose Marie McCoy
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
53:04
4Crazy He Calls Me
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-26) und Frank Wess (am 1968-09-26)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-26)
Bass:
Ron Carter (US jazz double-bassist) (am 1968-09-26)
Gitarre:
Kenny Burrell (am 1968-09-26)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-26)
Klavier:
Junior Mance (am 1968-09-26)
Orgel:
Joe Zawinul (jazz and fusion keyboard player) (am 1968-09-26)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-26), Urbie Green (am 1968-09-26), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-26) und Benny Powell (jazz trombonist) (am 1968-09-26)
Schlagzeug:
Bruno Carr (am 1968-09-26)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-26) und Seldon Powell (am 1968-09-26)
Trompete:
Bernie Glow (am 1968-09-26), Joe Newman (US jazz trumpeter) (am 1968-09-26), Ernie Royal (am 1968-09-26), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-26) und Snookie Young (am 1968-09-26)
Vibraphon:
Jack Jennings (am 1968-09-26)
conductor:
Arif Mardin (am 1968-09-26)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-26)
cover recording of:
Crazy He Calls Me (am 1968-09-26)
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:26
5Bring It On Home to Me
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-25) und Frank Wess (am 1968-09-25)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-25)
Bass:
Ron Carter (US jazz double-bassist) (am 1968-09-25)
Gitarre:
Kenny Burrell (am 1968-09-25)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-25)
Hybrid-Piano:
Joe Zawinul (jazz and fusion keyboard player) (am 1968-09-25)
Klavier:
Junior Mance (am 1968-09-25)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-25), Urbie Green (am 1968-09-25), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-25) und Benny Powell (jazz trombonist) (am 1968-09-25)
Schlagzeug:
Bruno Carr (am 1968-09-25)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-25) und Seldon Powell (am 1968-09-25)
Trompete:
Bernie Glow (am 1968-09-25), Joe Newman (US jazz trumpeter) (am 1968-09-25), Ernie Royal (am 1968-09-25), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-25) und Snookie Young (am 1968-09-25)
Vibraphon:
Jack Jennings (am 1968-09-25)
conductor:
Arif Mardin (am 1968-09-25)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-25)
cover recording of:
Bring It On Home to Me (am 1968-09-25)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
3:44
6Somewhere
recording engineer:
Phil Schier (in 1972-04)
Techniker(in):
Phil Schier
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Quincy Jones und Phil Schier
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1972-04)
Klavier:
Aretha Franklin (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1972-04)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
6:17
7Moody’s Mood
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
conductor:
Quincy Jones
remixer:
Quincy Jones und Phil Schier
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m in the Mood for Love (in 1972-04)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:00
8Just Right Tonight
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Klavier:
Billy Preston (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones und Phil Schier
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Right Tonight (in 1972-04)
Verfasser(in):
Robert Bruce (US jazz composer/publisher of the 40s/50s), Buddy Feyne, Aretha Franklin, Quincy Jones und Avery Parrish
publisher:
Intersong Music, Popular Music Co. und Rightsong Music
basiert auf:
Blues After Hours
7:43

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Bob Defrin (US art director & graphic designer)
Zusammensteller:İlhan Mimaroğlu (Turkish-American electronic composer)
illustration:David Wilcox (artwork)
hergestellt von:WEA Manufacturing Inc.
urheberrechtlich geschützt (©) von:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984)
Discogs:https://www.discogs.com/release/3265778 [Info]