Songs aus der Werbung

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna imperatrix mundi: O Fortuna
choir vocals:
Russian State Chorus, Salzburg Boys Choir and Salzburg Mozarteum Chorus
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) and Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
phonographic copyright (℗) by:
Selcor Ltd. (for copyrights use only) (in 1989)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:50
2Klavierkonzert Nr. 5: Rondo (Teekanne)
Ludwig van Beethoven1:28
3G’schichten aus dem Wienerwald (Eduscho)
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Peter Falk
recording of:
Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 325)
Johann Strauß12:35
4Sinfonie Nr. 104 „Londoner“: Finale (Kupferberg)
Joseph Haydn5:01
5Romeo und Julia: Montagues et Capulets (Chanel Egoiste)
Serge Prokofiev1:46
6Die vier Jahreszeiten: Der Frühling (Holland Gouda)
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:24
7Sinfonie Nr. 6: Allegro ma non troppo (Bonduelle)
Ludwig van Beethoven2:16
8Die diebische Elster: Ouvertüre (Livio)
Gioachino Rossini10:38
9Peer Gynt Suite Nr. 1: Morgendämmerung (AEG)
Edvard Grieg3:44
10Feuerwerksmusik: Ouvertüre (Langnese)
Georg Friedrich Händel3:23
11Sinfonie Nr. 35 „Haffner“: Finale (Kupferberg)
Wolfgang Amadeus Mozart2:10
12Rigoletto: La donna è mobile (Schoko Crossies)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:12
13Sinfonie Nr. 101 „Die Uhr“: Andante (Merzedes Benz)
Joseph Haydn1:21
14Der Nussknacker: Russischer Tanz (DEVK‐Versicherungen)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pjotr Iljitsch Tschaikowski1:16
15La Traviata: Trinklied (Veltins)
baritone vocals and baritone vocals [Rigoletto]:
Rudolf Knoll (operatic baritone)
bass vocals:
Ernst Wiemann (operatic bass)
choir vocals:
Chorus of the Munich State Opera (Alfred Scholz related)
soprano vocals and soprano vocals [Violetta]:
Bella Jasper (soprano)
tenor vocals:
Willem Verkerk (tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:10