Przekrój Muzyki: Korzenie Hip-Hopu

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Rapper's Delight
recording of:
Rapper’s Delight (am 1979-08-02)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang7:11
2The Breaks
Produzent(in):
James B. Moore (producer, composer) und Robert Ford Jr. (hip hop writer and producer)
recording of:
The Breaks
Verfasser(in):
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) und Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow47:47
3Jazzy Sensation
Afrika Bambaataa & The Jazzy 55:43
4The Message
Produzent(in):
Clifton Chase und Ed Fletcher
vocals:
Duke Bootee und Melle Mel (Melvin Glover aka Melle Mel)
Musikvideos:
The Message von Grandmaster Flash & The Furious Five
a cappella versions:
The Message (a cappella) von Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
instrumental versions:
The Message (instrumental) von Grandmaster Flash & The Furious Five
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 59)
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.37:11
5It's Like That
assistierende(r) Produzent(in):
Roddey Hui
Produzent(in):
Larry Smith (US hip hop producer) und Russell Simmons
Interpret(in):
Orange Krush
recording of:
It’s Like That
Verfasser(in):
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) und Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C.44:47
6Hold It Now, Hit It
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
recording of:
Hold It Now Hit It
Texter:
Michael Diamond (member of Beastie Boys) und Rick Rubin (US record producer, former co‐president of Columbia Records)
Komponist(in):
Adam Horovitz und Adam Yauch
Beastie Boys33:26
7I Know You Got Soul
Techniker(in):
Patrick Adams (US disco, soul, boogie songwriter and producer) und Elai Tubo
Produzent(in):
Eric B. und Rakim (William Michael Griffin Jr., American rapper)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1987)
aufgenommen bei und mixed at:
Power Play Studios in New York, New York, Vereinigte Staaten
Samples:
I Know You Got Soul von Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 386)
recording of:
I Know You Got Soul
Verfasser(in):
Eric B. und Rakim (William Michael Griffin Jr., American rapper)
Eric B. & Rakim3.54:43
8Raw
Produzent(in):
Marley Marl (QB hip hop producer & DJ of Juice Crew)
Big Daddy Kane54:07
9Don't Believe the Hype
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
I Got Ants in My Pants, Part 1 von James Brown (The Godfather of Soul) und Synthetic Substitution von Melvin Bliss
recording of:
Don’t Believe the Hype (in 1987)
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee und William Jonathan Drayton
Public Enemy3.55:19
10Mona Lisa
Slick Rick4:05
11Talkin' All That Jazz
Keyboard-Programmierung:
Donald "Kid Wonder" Newkirk
Techniker(in):
Bob Coulter
Produzent(in):
Delite
Editing:
"Oh Oh" Omar Santana
zusätzlich remixer:
Daddy‐O (Glenn K. Bolton of Stetsasonic), DBC (Stetsasonic member Marvin Nemley), Rodd Houston und Tyrone Perkins
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1988)
Samples:
Expansions von Lonnie Liston Smith
recording of:
Talkin’ All That Jazz
Texter und Komponist(in):
Glenn K. Bolton
publisher:
IQ Music Ltd. und Tee Girl Music
Stetsasonic34:48
12Ladies First (feat. Monie Love)
Produzent(in):
DJ Mark the 45 King (aka DJ Mark)
Gast vocals und zusätzliche(r) Interpret(in):
Monie Love (English rapper, actress & radio personality)
Interpret(in):
Monie Love (English rapper, actress & radio personality)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1989)
recording of:
Ladies First
Verfasser(in):
Anthony Peaks (US rapper Anthony Peaks), Mark Howard James (aka DJ Mark), Queen Latifah, Shane Harbin Faber und Simone Johnson (English rapper, actress & radio personality)
Queen Latifah23:55
13Me, Myself and I
Koproduzent(in):
De La Soul
Produzent(in):
Prince Paul (US hip hop DJ & producer)
Mix:
P.A. Pasemaster Mase (US rapper Vincent Mason, member of De La Soul)
arranger:
P.A. Pasemaster Mase (US rapper Vincent Mason, member of De La Soul) und Trugoy the Dove
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1989)
Samples:
(Not Just) Knee Deep von Funkadelic (original funk band)
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1990)
recording of:
Me Myself and I
Verfasser(in):
George Clinton (US funk musician), Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), Paul Huston (US hip hop DJ & producer), Vincent Mason (US rapper Vincent Mason, member of De La Soul) und Philippe Wynn
De La Soul3.63:44
14The Choice Is Yours
Black Sheep4.53:23
15How I Could Just Kill a Man
recording engineer:
Jason Roberts (engineer)
Techniker(in):
Joe “The Butcher” Nicolo
Produzent(in):
DJ Muggs
Mix:
DJ Muggs und Joe “The Butcher” Nicolo
arranger:
DJ Muggs
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991)
aufgenommen bei:
Image Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at und engineered at:
Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, Vereinigte Staaten
Samples:
Are You Experienced? von The Jimi Hendrix Experience, Midnight Theme von Manzel (’70s US instrumental funk band), Reading the Comics - July, 1945 von Fiorello La Guardia (American politician) und Tramp von Lowell Fulson
recording of:
How I Could Just Kill a Man
Texter:
Louis Freese und Senen Reyes
Komponist(in):
Larry Muggerud
publisher:
BMG Songs, Inc., Budget Music, Bug Music (music publishing), Careers–BMG Music Publishing, Inc., Cypress Phuncky Music (Cypress Hill publisher), Soul Assassins Music und Universal‐MCA Music Publishing (US)
Cypress Hill3.654:08
16Jump Around
Produzent(in):
DJ Muggs
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
Samples:
Harlem Shuffle von Bob & Earl und Shoot Your Shot von Jr. Walker & the All Stars
Musikvideos:
Jump Around von House of Pain
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 442)
recording of:
Jump Around
Verfasser(in):
Dave Appell, Kal Mann, Larry Muggerud und Erik Schrody
House of Pain4.23:36