The Best of Billie Holiday

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
?:??
2Love Me or Leave Me
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
?:??
3Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
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4Falling in Love Again
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5That’s Life I Guess
recording of:
That’s Life I Guess
Texter:
Sam M. Lewis (1930s lyricist)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
?:??
6I Can’t Give You Anything But
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7If My Heart Could Only Talk
recording of:
If My Heart Could Only Talk
Texter:
Leonard Whitcup
Komponist(in):
Teddy Powell und Walter G. Samuels
?:??
8This Year’s Kisses
recording of:
This Year’s Kisses
Texter und Komponist(in):
Irving Berlin
?:??
9Why Was I Born?
recording of:
Why Was I Born?
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
?:??
10I Must Have That Man
recording of:
I Must Have That Man
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
?:??
11Sentimental and Melancholy
recording of:
Sentimental and Melancholy
Verfasser(in):
Johnny Mercer und Richard A. Whiting (composer)
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12(This Is) My Last Affair
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13Carelessly
recording of:
Carelessly
Verfasser(in):
Norman Ellis (songwriter), Charles Kenny (songwriter, violinist) und Nick Kenny
?:??
14How Could You?
recording of:
How Could You?
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
?:??
15Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
?:??
16They Can’t Take That Away From
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
?:??
17I Don’t Know If I’m Comin’ Or
recording of:
Don't Know If I’m Comin’ or Goin’
Verfasser(in):
Lupin Fien und Lee Wainer
?:??
18Yours and Mine
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19I’ll Get By (As long as I Have)
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20Mean to Me
recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
?:??
21Foolin’ Myself
recording of:
Foolin’ Myself
Verfasser(in):
Jack Lawrence (US songwriter) und Peter Tinturin
publisher:
Chappell Music Co. Inc.
?:??
22I’ll Never Be the Same
recording of:
I’ll Never Be the Same
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
?:??
23Te Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
?:??
24I Can’t Believe That You’re In
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25He’s Funny That Way
recording of:
She’s Funny That Way
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
?:??