Singers & Songwriters: Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1For What It's Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:40
2Sundown
assistierende(r) Techniker(in):
Chris Skene
Produzent(in):
Lenny Waronker
Akustikgitarre:
Terry Clements und Gordon Lightfoot
Bassgitarre:
John Stockfish
E-Gitarre:
Red Shea
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:35
3Everybody's Talkin'
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson3.92:44
4Your Mama Don't Dance
zusätzliche(r) Techniker(in):
John Fiore
recording of:
Your Mama Don’t Dance
Verfasser(in):
Kenny Loggins und Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:50
5Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.754:03
6Still Crazy After All These Years
recording engineer:
Glenn Berger und Burt Szerlip
Techniker(in):
Phil Ramone
Produzent(in):
Phil Ramone und Paul Simon (of Simon & Garfunkel)
Bassgitarre [bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Hybrid-Piano:
Barry Beckett
Schlagzeug:
Roger Hawkins (drummer and producer)
Solo-Saxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Paul Simon (of Simon & Garfunkel)
Saiteninstrumente und Holzblasinstrumente arranger:
Bob James (US jazz keyboardist, arranger and producer)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Still Crazy After All These Years
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) und Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Paul Simon4.653:25
7Lowdown
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Minimoog und Synthesizer:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Hintergrundgesang:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) und Carolyn Willis (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 4)
recording of:
Lowdown (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs45:18
8StillCommodores25:51
9Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:06
10Anticipation
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2015)
recording of:
Anticipation
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon33:20
11Tonight's the Night
Produzent(in):
Tom Dowd
Tenorsaxophon:
Jerry Jumonville
Sprecher [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976, in 2009) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 21)
recording of:
Tonight’s the Night (Gonna Be Alright)
Texter und Komponist(in):
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart43:57
12So Far Away
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
Akustikgitarre:
James Taylor (singer-songwriter and guitarist) (in 1971-01)
E-Bass:
Charles Larkey (in 1971-01)
flute:
Curtis Amy (in 1971-01)
Klavier:
Carole King (in 1971-01)
Schlagzeug:
Russ Kunkel (session drummer) (in 1971-01)
vocals:
Carole King (in 1971-01)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971-01)
recording of:
So Far Away (in 1971-01)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc.
Carole King3.653:58
13Abraham, Martin and John
Produzent(in):
Phil Gernhard (songwriter and producer)
arranger:
John Abbott (American arranger)
cover recording of:
Abraham, Martin and John
Texter und arranger:
Dick Holler
Komponist(in):
Dick Holler (in 1968)
publisher:
Regent Music (BMI) und TJ Musicservice GmbH
Dion43:22
14Leaving on a Jet Plane
Produzent(in):
Albert B. Grossman und Milt Okun
vocals:
Noel Paul Stookey, Mary Travers (American folk singer-songwriter) und Peter Yarrow
cover recording of:
Leaving on a Jet Plane
Texter und Komponist(in):
John Denver
publisher:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Peter, Paul & Mary4.353:29
15Both Sides Now
recording of:
Both Sides Now
Texter und Komponist(in):
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:18
16(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
17If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:50
18Everything I Own
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
19I'm Sorry
assistierende(r) Produzent(in) und zusätzliche(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milt Okun
Sologesang:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011)
recording of:
I’m Sorry (am 1975-07-04)
Texter und Komponist(in):
John Denver
John Denver33:32
20Leader of the BandDan Fogelberg24:17

Nennungen

Veröffentlichungsgruppe

enthalten in:Singers & Songwriters
Teil von:Singers and Songwriters (Time-Life Music) (Nummer: R144-31) (Reihenfolge: 36)