Quatuor pour la fin du Temps / Le Merle noir

~ Release by Messiaen (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Quatuor pour la fin du Temps: I. Liturgie de Cristal
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : I. Liturgie de cristal (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen3:01
2Quatuor pour la fin du Temps: II. Vocalise pour l'Ange qui annonce la fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : II. Vocalise, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen5:37
3Quatuor pour la fin du Temps: III. Abîme des oiseaux
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : III. Abîme des oiseaux (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:27
4Quatuor pour la fin du Temps: IV. Intermède
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : IV. Intermède (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen1:42
5Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : V. Louange à l'Éternité de Jesus (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:59
6Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VI. Danse de la fureur pour les sept trompettes (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:39
7Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VII. Fouillis d'arc-en-ciel, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:25
8Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus (Quartet for the End of Time: VII. Praise to the Immortality of Jesus) (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:13
9Le Merle noir
producer:
Gerd Berg (producer) (in 1971)
flute:
Karlheinz Zöller (flutist) (from 1971-01-07 until 1971-01-11)
piano:
Aloys Kontarsky (pianist) (from 1971-01-07 until 1971-01-11)
balance engineer:
Johannes Matthes (sound engineer) (in 1971)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1971-01-07 until 1971-01-11)
recording of:
Le Merle noir (from 1971-01-07 until 1971-01-11)
composer:
Olivier Messiaen (composer and organist) (in 1952)
Olivier Messiaen5:54

Credits

Release

phonographic copyright (℗) by:EMI France (in 1991)