Bach - Everyman's Library

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied"
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
5:15
2Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet"
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
4:45
3Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten"
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
4:10
4Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not"
cello:
Richte van der Meer (cellist)
oboe:
Han de Vries (oboist)
organ:
Albert de Klerc (organ)
soprano vocals:
Elly Ameling (soprano)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
4:39
5Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht"
bass vocals:
Gregory Reinhart (operatic bass)
soprano vocals:
Rosmarie Hofmann (soprano)
tenor vocals:
Guy de Mey (Belgian operatic tenor)
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:25
6Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
8:07
7Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:30
8Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
10:41
9Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:16
10Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
4:04
11h-Moll-Messe, BWV 232: III. Sanctus
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:15
12h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:48
13h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus
tenor vocals:
Rogers Covey‐Crump (tenor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:24
14h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:50
15h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:32
16h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:07
17Choralvorspiele für Orgel in G-Dur, BWV 668 "Vor deinen Thron tret' ich hiermit"
organ:
Werner Jacob (organist)
recording of:
Vor deinen Thron tret ich hiermit, BWV 668.2 (former BWV 668, fragment)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 18), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.2) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668)
revision of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue)
5:00