101 Power Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I’m Not in Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:38
2Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Jennifer Warnes & Joe Cocker3.53:46
3Still Got the Blues
assistierende(r) Techniker(in) und assistierende(r) Mix:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris und Greg Muden
Techniker(in) und Mix:
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Bassgitarre:
Andy Pyle
Gast-Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard:
Don Airey
Klavier:
Nicky Hopkins (pianist and organist)
Schlagzeug:
Graham Walker (UK drummer)
conductor:
Don Airey
Saiteninstrumente arranger:
Don Airey und Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs und Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:02
4Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recorded by:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:50
5One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne44:09
6Have a Little Faith in Me
Produzent(in):
Jay Faires und Tricia Holloway
Akustikgitarre:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
E-Bass:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) (in 1987-02)
E-Gitarre:
Ry Cooder (in 1987-02)
Schlagzeug:
Jim Keltner (in 1987-02)
vocals:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
recording of:
Have a Little Faith in Me (in 1987-02)
Texter und Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
recording of:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
übersetzte Version von:
Have a Little Faith in Me
John Hiatt23:56
7Womankind
recording of:
Womankind
Verfasser(in):
Toby Jepson
Little Angels4:32
8High on Emotion
phonographisches Urheberrecht (℗) von:
Rondor Music (London) Ltd. (in 1984) und A&M Records, Ltd. (in 1985)
recording of:
High on Emotion
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hornall Brothers Music Ltd. (limited company) und Irving Music (BMI)
Chris de Burgh4.254:14
9I Was Made for Lovin’ You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:20
10You’re the Best
recording of:
You’re the Best
Verfasser(in):
Bill Conti und Allee Willis
Joe Esposito32:53
11Cocaine
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:41
12The Ballad of Jayne
recording of:
Ballad of Jayne
Verfasser(in):
Mick Cripps, Tracii Guns, Phil Lewis (heavy metal vocalist), Kelly Nickels und Steve Riley (US metal drummer for W.A.S.P./L.A. Guns)
L.A. Guns4:23
13Sister Christian
Techniker(in):
John Van Nest
Produzent(in):
Pat Glasser
Mix:
Mills Logan
Bass:
Jack Blades (of Night Ranger)
Gitarre:
Brad Gillis
Instrumente:
Francis Alan Fitzgerald
Schlagzeug:
Kelly Keagy
Synthesizer:
Jeff Watson
recording of:
Sister Christian
Texter und Komponist(in):
Kelly Keagy
publisher:
Figs. D Music, Kid Bird Music, Inc. und Rough Play Music
Night Ranger54:10
14House of the Rising Sun
recording of:
House of the Rising Sun
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
Frijid Pink4:35
15In the Heat of the Night
Diamond Head4:49
16Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.753:53
17Tearin’ Out My Heart
Techniker(in):
Nick Blagona (engineer/producer)
Produzent(in):
Roger Glover
Mix:
Nick Blagona (engineer/producer) und Roger Glover
Bassgitarre:
Roger Glover (in 1981-12)
Gitarre:
Ritchie Blackmore (in 1981-12)
Keyboard:
David Rosenthal (US keyboardist) (in 1981-12)
Schlagzeug:
Bob Rondinelli (in 1981-12)
Sologesang:
Joe Lynn Turner (US rock vocalist) (in 1981-12)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1981-12)
recording of:
Tearin’ Out My Heart (in 1981-12)
Texter und Komponist(in):
Ritchie Blackmore, Roger Glover und Joe Lynn Turner (US rock vocalist)
Rainbow3:58
18What Love Can Be
recording of:
What Love Can Be
Texter:
Lenny Wolf und Martin Wolff (co‐writer on “Living out of Touch” by Kingdom Come)
Komponist(in):
Bruce Gowdy und Lenny Wolf
publisher:
Blue Vision Music, Making Betts Music, Universal–Songs of PolyGram International, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Kingdom Come5:10
19Maggie May
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:38
205.7.0.5.
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
recording of:
5.7.0.5.
Texter:
Lol Mason
Komponist(in):
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:13
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