Satie: Piano Music

~ Release by Erik Satie; Peter Lawson - Angela Brownridge (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Three Gymnopédies: No. 1, lent et douloureux
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:13
2Three Gymnopédies: No. 2, lent et triste
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:25
3Three Gymnopédies: No. 3, lent et grave
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:27
4Croquis et agaceries d'un gros bonhomme en bois: 1. Tyrolienne turque
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : I. Tyrolienne turque
composer:
Erik Satie (French composer) (in 1913)
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:34
5Croquis et agaceries d'un gros bonhomme en bois: 2. Danse maigre (à la manière de ces messieurs)
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre (à la manière de ces messieurs)
composer:
Erik Satie (French composer) (in 1913)
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie2:00
6Croquis et agaceries d'un gros bonhomme en bois: 3. Españaña (sorte de valse)
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : III. Españana
composer:
Erik Satie (French composer) (in 1913)
version of:
San Bernardo
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:21
7Sonatine bureaucratique: I. Allegro
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Sonatine bureaucratique : I. Allegro
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie1:00
8Sonatine bureaucratique: II. Andante
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Sonatine bureaucratique : II. Andante
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie1:10
9Sonatine bureaucratique: III. Vivache
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Sonatine bureaucratique : III. Vivache
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie1:27
10Le Fils des étoiles: Act II Prelude
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le Fils des étoiles: Préludes - II. L’Initiation (avec calme)
composer:
Erik Satie (French composer) (in 1891-12)
part of:
Le Fils des étoiles (Three Preludes for Piano)
part of:
Le Fils des étoiles
Erik Satie2:57
11Chapitres tournés en tous sens: 1. Celle qui parle trop
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Chapitres tournés en tous sens : I. Celle qui parle trop
composer:
Erik Satie (French composer) (in 1913)
part of:
Chapitres tournés en tous sens
Erik Satie0:39
12Chapitres tournés en tous sens: 2. Le porteur de grosses pierres
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Chapitres tournés en tous sens : II. Le Porteur de grosses pierres
composer:
Erik Satie (French composer) (in 1913)
part of:
Chapitres tournés en tous sens
Erik Satie2:23
13Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude)
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Chapitres tournés en tous sens : III. Regrets des enfermés
composer:
Erik Satie (French composer) (in 1913)
part of:
Chapitres tournés en tous sens
Erik Satie2:05
14Gnossienne No. 2, avec étonnement
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Gnossienne no. 2
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie1:51
15Gnossienne No. 4, lent (sans presser ♪ = 54)
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Gnossienne no. 4
composer:
Erik Satie (French composer) (in 1891)
Erik Satie2:12
16Passacaille
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Passacaille (pas trop vif)
composer:
Erik Satie (French composer)
Erik Satie2:26
17Heures séculaires et instantanées: 1. Obstacles venimeux
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Heures séculaires et instantanées : No. 1. Obstacles venimeux
composer:
Erik Satie (French composer)
part of:
Heures séculaires et Instantanées
Erik Satie1:33
18Heures séculaires et instantanées: 2. Crépuscule matinal (de midi)
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Heures séculaires et instantanées : No. 2. Crépuscule matinal (de midi)
composer:
Erik Satie (French composer)
part of:
Heures séculaires et Instantanées
Erik Satie0:54
19Heures séculaires et instantanées: 3. Affolements granitiques
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Heures séculaires et instantanées : No. 3. Affolements grantiques
composer:
Erik Satie (French composer)
part of:
Heures séculaires et Instantanées
Erik Satie0:42
20Nouvelles Pièces froides: 1. Sur un mur
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Nouvelles pièces froides : I. Sur un mur
composer:
Erik Satie (French composer)
part of:
Nouvelles pièces froides
Erik Satie2:08
21Nouvelles Pièces froides: 2. Sur un arbre
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Nouvelles pièces froides : II. Sur un arbre
composer:
Erik Satie (French composer)
part of:
Nouvelles pièces froides
Erik Satie1:32
22Nouvelles Pièces froides: 3. Sur un pont
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Nouvelles pièces froides : III. Sur un pont
composer:
Erik Satie (French composer)
part of:
Nouvelles pièces froides
Erik Satie2:15
23Le Piège de Méduse: 1. Quadrille
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 1. Quadrille
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:27
24Le Piège de Méduse: 2. Valse
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 2. Valse
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:32
25Le Piège de Méduse: 3. Pas vite
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 3. Pas vite
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:31
26Le Piège de Méduse: 4. Mazurka
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 4. Mazurka
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:25
27Le Piège de Méduse: 5. Un peu vif
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 5. Un peu vif
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:12
28Le Piège de Méduse: 6. Polka
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 6. Polka
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:22
29Le Piège de Méduse: 7. Quadrille
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Le piège de Méduse: 7. Quadrille
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:29
30Nocturne No. 2, simplement
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Cinq Nocturnes : No. 2. Simplement
composer:
Erik Satie (French composer) (in 1919)
part of:
Cinq Nocturnes
Erik Satie1:50
31Nocturne No. 4, ♪ = 92
producer:
Barry McCann (Producer)
piano:
Peter Lawson (British classical pianist, 1950-)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1979-10-15 until 1979-10-16)
recording of:
Cinq Nocturnes : No. 4. ♪ = 92
composer:
Erik Satie (French composer) (in 1919)
part of:
Cinq Nocturnes
Erik Satie2:19
32Gnossienne No. 1, lent
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Gnossienne no. 1 (in 1985-02)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:25
33Gnossienne No. 3, lent
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Gnossienne no. 3 (in 1985-02)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:37
34Je te veux
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Je te veux (for piano solo) (in 1985-02)
composer:
Erik Satie (French composer) (in 1897)
arranger:
Erik Satie (French composer)
arrangement of:
Je te veux (for voice and piano)
Erik Satie5:10
35Valse-Ballet
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Valse-ballet, op. 62 (in 1985-02)
composer:
Erik Satie (French composer) (from 1885 until 1887)
Erik Satie1:50
36Fantaisie-Valse
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Fantaisie‐valse (in 1985-02)
composer:
Erik Satie (French composer) (in 1885)
dedicated to:
J.P. Contamine de Latour (Catalan Poet)
Erik Satie2:22
37Sports et divertissements No. 11 « Le golf »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XI. Le Golf
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:36
38Sports et divertissements No. 13 « Les courses »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XIII. Les Courses
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:23
39Sports et divertissements No. 15 « Pique-nique »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XV. Le Pique-nique
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:30
40Sports et divertissements No. 16 « Water-chute »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XVI. Le Water-Chute
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:33
41Sports et divertissements No. 17 « Le tango »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XVII. Le Tango
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie1:30
42Sports et divertissements No. 18 « Traîneau »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XVIII. Le Traîneau
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:28
43Sports et divertissements No. 19 « Flirt »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XIX. Le Flirt
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:38
44Sports et divertissements No. 20 « Feu d'artifice »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XX. Le Feu d’artifice
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:23
45Sports et divertissements No. 21 « Le tennis »
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Sports et divertissements : XXI. Le Tennis
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
Erik Satie0:37
46Le Piccadilly (La Transatlantique)
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist) (in 1985-02)
phonographic copyright (℗) by:
Music for Pleasure (in 1985)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Le Piccadilly (in 1985-02)
composer:
Erik Satie (French composer) (in 1904)
Erik Satie1:48
47Embryons desséchés: 1. d'holoturie
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Embryons desséchés : I. d’Holothurie
composer:
Erik Satie (French composer) (on 1913-06-30)
part of:
Embryons desséchés
Erik Satie1:55
48Embryons desséchés: 2. d'edriophthalma
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Embryons desséchés : II. d’Edriopthalma
composer:
Erik Satie (French composer) (on 1913-07-01)
part of:
Embryons desséchés
Erik Satie2:22
49Embryons desséchés: 3. de podophthalma
producer:
Andrew Keener (engineer/editor/producer)
piano:
Angela Brownridge (pianist)
balance engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint)
recorded at:
St. Barnabas's, Finchley (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Embryons desséchés : III. de Podophthalma
composer:
Erik Satie (French composer) (on 1913-07-04)
part of:
Embryons desséchés
Erik Satie1:50