Highlights

~ Veröffentlichung von Stan Getz (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The CD-release lists three different catalog-numbers altogether:

"847430-2" on the cover (both spines and the back-cover)
"847431-2" on the first CD
"847432-2" on the second CD

Anmerkung zuletzt geändert am 2012-09-14 12:23 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Gold Rush
baritone saxophone:
Lars Gullin (am 1958-09-16)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (am 1958-09-16)
Kontrabass:
Gunnar Johnson (am 1958-09-16)
Posaune:
Åke Persson (am 1958-09-16)
Schlagzeug:
William Schiöpffe (am 1958-09-16)
Tenorsaxophon:
Stan Getz (am 1958-09-16) und Erik Nordström (saxophone, arranger) (am 1958-09-16)
Trompete:
Benny Bailey (am 1958-09-16)
4:22
2Goodbye
3:41
3’round Midnight
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
’Round Midnight (in 1960-03)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:06
4I’m Late, I’m Late
recorded in:
New York, New York, Vereinigte Staaten (am 1961-07-14)
Bratsche / Viola:
Jacob Glick (American violist) (am 1961-07-14)
Cello:
Bruce Rogers (am 1961-07-14)
Geige / Violine:
Norman Carr (am 1961-07-14), Alan Martin (am 1961-07-14) und Gerald Tarack (am 1961-07-14)
Kontrabass [bass]:
John Neves (am 1961-07-14)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1961-07-14)
Tenorsaxophon:
Stan Getz (am 1961-07-14)
conductor:
Hershy Kay (am 1961-07-14)
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
I’m Late, I’m Late
Komponist(in):
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
Teil von:
Focus
8:12
5Desafinado
recording engineer:
Edward Green (engineer) (am 1962-02-13)
Produzent(in):
Norman Granz und Creed Taylor
Bass und Gitarre:
Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Bassgitarre:
Gene “Joe” Byrd (jazz lyrical bassist)
Gitarre:
Charlie Byrd (am 1962-02-13)
Kontrabass:
Keter Betts (am 1962-02-13)
Perkussion:
Bill Reichenbach (jazz drummer) (am 1962-02-13)
Schlagzeug:
Buddy Deppenschmidt (American jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Stan Getz (am 1962-02-13)
aufgenommen bei:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., Vereinigte Staaten (am 1962-02-13)
instrumental cover recording of:
Desafinado (am 1962-02-13)
Texter:
Newton Mendonça
Komponist(in):
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
45:52
6Manha de Carnaval
recorded in:
New York, New York, Vereinigte Staaten (am 1962-08-28)
Altflöte:
Eddie Caine (saxophone player, not the rapper) (am 1962-08-28)
Bass:
Tommy Williams (jazz bassist) (am 1962-08-28)
Bassklarinette:
Romeo Penque (am 1962-08-28)
Bassposaune:
Arthur Clarke (baritone saxophonist) (am 1962-08-28) und Tony Studd (am 1962-08-28)
cabasa:
Carmen Costa (am 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (am 1962-08-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-08-28)
Klarinette:
Ray Beckenstein (saxophonist and flute player) (am 1962-08-28), Arthur Clarke (baritone saxophonist) (am 1962-08-28) und Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (am 1962-08-28)
Klavier und Perkussion:
Hank Jones (piano) (am 1962-08-28)
Posaune:
Bob Brookmeyer (am 1962-08-28), Willie Dennis (am 1962-08-28), Joe Ferrante (am 1962-08-28), Tony Studd (am 1962-08-28) und Nick Travis (am 1962-08-28)
Schlagzeug:
Johnny Rae (US jazz drummer/vibraphonist) (am 1962-08-28)
Tamburin:
José Paulo (percussionist) (am 1962-08-28)
Tenorsaxophon:
Stan Getz (am 1962-08-28)
Trompete:
Joe Ferrante (am 1962-08-28), Doc Severinsen (am 1962-08-28), Clark Terry (American swing trumpeter) (am 1962-08-28) und Nick Travis (am 1962-08-28)
Waldhorn:
Ray Alonge (french horn) (am 1962-08-28)
Orchester:
Gary McFarland and His Orchestra (am 1962-08-28)
conductor:
Gary McFarland (am 1962-08-28)
arranger:
Luiz Bonfá und Gary McFarland
instrumental recording of:
Manhã de Carnaval (am 1962-08-28)
Texter:
Antônio Maria
Komponist(in):
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
5:51
7Girl From Ipanema
recording engineer:
Phil Ramone
Produzent(in):
Creed Taylor
Bassgitarre:
Tommy Williams (jazz bassist) (von 1963-03-18 bis 1963-03-19)
Gast-Klavier und Klavier:
Antônio Carlos Jobim (von 1963-03-18 bis 1963-03-19)
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Kontrabass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
Schlagzeug:
Milton Banana (von 1963-03-18 bis 1963-03-19)
Schlagzeug [drums]:
Milton Banana (in 1963-03)
Tenorsaxophon:
Stan Getz (von 1963-03-18 bis 1963-03-19)
vocals:
Astrud Gilberto (von 1963-03-18 bis 1963-03-19) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Interpret(in):
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) und Antônio Carlos Jobim
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (von 1963-03-18 bis 1963-03-19)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 461)
recording of:
The Girl From Ipanema (von 1963-03-18 bis 1963-03-19)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
45:15
8Corcovado
5:15
9Melinda
Produzent(in):
Creed Taylor
Bass:
Richard Davis (American jazz bassist) (am 1964-05-05)
Klavier:
Bill Evans (pianist) (am 1964-05-05)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1964-05-05)
Tenorsaxophon:
Stan Getz (am 1964-05-05)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1964-05-05)
instrumental cover recording of:
Melinda (On a Clear Day You Can See Forever) (am 1964-05-05)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
10I Didn’t Know What Time It Was
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1966-12-08)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1966-12-08)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (am 1966-12-08)
Perkussion:
Artie Butler (am 1966-12-08) und Bobby Rosengarden (am 1966-12-08)
Schlagzeug:
Grady Tate (am 1966-12-08)
Tenorsaxophon:
Stan Getz (am 1966-12-08)
conductor:
Claus Ogerman (am 1966-12-08)
arranger:
Claus Ogerman
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1966-12-08)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1966-12-08)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:28
11Sweet Rain
7:12
12I Remember Clifford
Gitarre:
René Thomas (Belgian jazz guitarist) (in 1971-03)
Orgel:
Eddy Louiss (in 1971-03)
Schlagzeug:
Bernard Lubat (in 1971-03)
Tenorsaxophon:
Stan Getz (in 1971-03)
live recording of:
I Remember Clifford (in 1971-03)
Texter:
Jon Hendricks
Komponist(in):
Benny Golson (American jazz saxophonist and composer)
Version von:
I Remember Clifford (instrumental original)
5:25
13Communication 72
2:31

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/463115 [Info]