Magnificat / Ascension Oratorio

~ Release by Johann Sebastian Bach; Taverner Consort, Taverner Players, Andrew Parrott (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: I. Coro: “Magnificat”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:51
2Magnificat in D major, BWV 243: II. Aria (Soprano I): “Et exultavit spiritus meus”
soprano vocals:
Emily Van Evera (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:05
3Magnificat in D major, BWV 243: III. Aria (Soprano II): “Quia respexit humilitatem”
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:09
4Magnificat in D major, BWV 243: IV. Coro: “Omnes generationes”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:17
5Magnificat in D major, BWV 243: V. Aria (Basso): “Quia fecit mihi magna”
bass vocals:
Simon Grant (bass-baritone) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:59
6Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore): “Et misericordia”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
tenor vocals:
Howard Crook (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:50
7Magnificat in D major, BWV 243: VII. Coro: “Fecit potentiam”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:40
8Magnificat in D major, BWV 243: VIII. Aria (Tenore): “Deposuit potentes”
tenor vocals:
Howard Crook (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:59
9Magnificat in D major, BWV 243: IX. Aria (Alto): “Esurientes implevit bonis”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach2:44
10Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto): “Suscepit Israel”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
soprano vocals:
Emily Van Evera (soprano) (in 1989-04) and Evelyn Tubb (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:53
11Magnificat in D major, BWV 243: XI. Coro: “Sicut locutus est”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:30
12Magnificat in D major, BWV 243: XII. Coro: “Gloria patri”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
13Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: I. Coro: “Lobet Gott in seinen Reichen”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:33
14Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: II. Evangelista: “Der Herr Jesus hub seine Hände auf”
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
15Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: III. Recitativo (Basso): “Ach, Jesu, is dein Abschied schon so nah”
bass vocals:
Stephen Charlesworth (bass-baritone) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:54
16Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IV. Aria (Alto): “Ach, bleibe doch, mein liebstes Leben”
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:58
17Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: V. Evangelista: “Und ward aufgehoben zusehends”
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:24
18Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VI. Choral: “Nun lieget alles unter dir”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1989-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:03
19Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VII. Evangelista: “Und da sie ihm nachsahen”
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:09
20Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VIII. Aria (Soprano I): “Jesu, deine Gnadenblicke”
soprano vocals:
Emma Kirkby (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:03
21Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IX. Choral: “Wenn soll es doch geschehen”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:08
22Kantate fragment “Nun is das Heil und die Kraft”, BWV 50: Coro
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 50), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 50), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 50) and Bach Compendium (number: BC A 194)
Johann Sebastian Bach3:35

Credits

Release group

included in:Magnificat / Easter Oratorio (2 CD set)