Deadpool & Wolverine: Original Score (necklace artwork)

~ Pubblicazione di Rob Simonsen (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Copyright: © 2024 20th Century Studios/MARVEL
℗ 2024 Marvel Music, Inc.

Annotazione modificata l'ultima volta il 2025-05-25 12:30 UTC.

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1Supporto digitale
#TitoloValutazioneDurata
1LFG
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
LFG
compositore:
Rob Simonsen (American score composer)
1:50
2Deadpool Has a Theme
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Deadpool Has a Theme
compositore:
Rob Simonsen (American score composer)
2:29
3It’s Been a While
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
It’s Been a While
compositore:
Rob Simonsen (American score composer)
0:39
4Reaching Too High
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Reaching Too High
compositore:
Rob Simonsen (American score composer)
2:15
5Make a Wish
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Make a Wish
compositore:
Rob Simonsen (American score composer)
1:26
6Walk With Me
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Walk With Me
compositore:
Alan Silvestri (US score composer) e Rob Simonsen (American score composer)
cita la musica di:
The Avengers (The Avengers)
2:26
7Two Choices
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Two Choices
compositore:
Rob Simonsen (American score composer)
2:32
8Eating My Feelings
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Eating My Feelings
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
2:30
9They’re Coming
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
They’re Coming
compositore:
Rob Simonsen (American score composer)
2:26
10Family Feud
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Family Feud
compositore:
Rob Simonsen (American score composer)
0:51
11I Love This Part
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Love This Part
compositore:
Rob Simonsen (American score composer)
2:13
12Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
3:05
13Your Fingers Are Inside Me, but Not in a Good Way
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Your Fingers Are Inside Me, but Not in a Good Way
compositore:
Rob Simonsen (American score composer)
3:41
14You Were Chest F’d by a Tree
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
You Were Chest F’d by a Tree
compositore:
Rob Simonsen (American score composer)
0:34
15Hideout
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Hideout
compositore:
Rob Simonsen (American score composer)
1:52
16That’s Her
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
That’s Her
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
0:52
17The Heroes We Were
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
The Heroes We Were
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
1:04
18You Were Always the Wrong Guy
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
You Were Always the Wrong Guy
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
3:24
19Name for Myself
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Name for Myself
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
2:02
20Death or Enslavement
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Death or Enslavement
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
1:49
21I Walked Away
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Walked Away
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
2:11
22My Brother Loved You
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
My Brother Loved You
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
3:29
23We Have Company
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
We Have Company
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
2:56
24I Called Some Friends
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Called Some Friends
compositore:
Rob Simonsen (American score composer)
1:01
25Steadily Great Since Endgame
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Steadily Great Since Endgame
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
1:29
26Enjoy My Peter
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Enjoy My Peter
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
1:11
27Let’s Up the Stakes
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Let’s Up the Stakes
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
2:11
28He’s Not Gonna Make It
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
He’s Not Gonna Make It
compositore:
Rob Simonsen (American score composer)
3:18
29Ripper Carnage
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Ripper Carnage
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
1:01
30There’s Nothing to Fix
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
There’s Nothing to Fix
compositore:
Rob Simonsen (American score composer)
1:24
31Special Sock
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Special Sock
compositore:
Rob Simonsen (American score composer)
2:11
32Name for Myself (alternate version)
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Name for Myself (alternate version)
compositore:
Rob Simonsen (American score composer)
1:33
33Fallen Heroes
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Fallen Heroes
compositore:
Rob Simonsen (American score composer)
3:15