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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Lady Marmalade
produttore:
John Benson (songwriter, notably tracks for All Saints), Johnny Douglas (composer, producer, drummer) e Neville Henry
tecnico di missaggio:
John Benson (songwriter, notably tracks for All Saints) e Ruadhri Cushnan
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1998) e Radiofandango Srl (nel 2011)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1998)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
All Saints44:00
2Mmm Bop
programmazione e tecnico:
Mac Quale (US composer)
produttore:
The Dust Brothers (production duo John King & Mike Simpson)
produttore aggiunto:
Stephen Lironi
registrazione di:
MMMBop
autore:
Isaac Hanson, Taylor Hanson e Zachary Hanson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Hanson3.23:52
3Tell Me Ma
registrazione di:
I’ll Tell Me Ma
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 2649)
Sham Rock23:48
4Sex on the Beach
registrazione di:
Sex on the Beach
paroliere:
Humphrey G. Mijland (Dutch reggae/rap artist)
autore:
Remy de Groot, Serge Ramaekers (Belgian producer), Dominic Sas (Belgian 1980/90s new beat & euro house producer) e Shalamon Baskin (American-born, Belgium-based vocalist)
editore:
EMI Music Publishing (do not use as a release label!) e More Music (publisher)
T‐Spoon23:43
5Doctor Jones
produttore e tecnico di missaggio:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
arrangiatore:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
registrazione di:
Doctor Jones
paroliere:
Claus Norreen, Anders Øland, Søren Rasted e René Dif
compositore:
Claus Norreen, Anders Øland e Søren Rasted
editore:
MCA Music Scandinavia AB, Universal MCA Music Publishing (France), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner Chappell Music France, Warner/Chappell Music Denmark, A/S (KODA), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aqua3.453:21
6Cruel Summer
tecnico di registrazione e programmazione:
Joe Belmaati
produttore:
Cutfather & Joe
tecnico di missaggio:
Cutfather & Joe e Mads Nilsson
piano Rhodes [Rhodes] :
Tue Roh
tastiera [keyboards] :
Joe Belmaati
voce di accompagnamento:
Jenny Berggren, Susanne Carstensen e Linn Berggren
voce principale:
Jenny Berggren e Linn Berggren
arrangiatore:
Cutfather & Joe
parte di:
The Downloader’s Music Source Book (numero: 125)
registrazione cover di:
Cruel Summer
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ace of Base3.83:32
75, 6, 7, 8
assistente tecnico:
Bradlee Spreadborough e Al Unsworth
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Les Sharma
banjo :
Sean Lyons
batteria [drums] :
Chris McDonnell (engineer)
chitarra [guitars] :
Mark Topham e Barry Upton (songwriter, arranger, musician, record producer)
tastiera [keyboards] :
Karl Twigg
violino :
Chris Haigh (violinist)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1997)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
5, 6, 7, 8
autore:
Steve Crosby (record producer, songwriter, music manager) e Barry Upton (songwriter, arranger, musician, record producer)
editore:
All Boys Music Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:21
8When the Lights Go Out
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (dal 1998 a oggi)
registrazione di:
When the Lights Go Out
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, John McClaughlin (British pop songwriter), Eliot Kennedy (songwriter, producer), Tim Lever, Richard Neville (British singer/songwriter, member of boy band "Five"), Mike Percy e Scott Robinson (British singer/performer/songwriter)
Five4:08
9Everybody (Backstreet's Back)
supporto a vario titolo:
Bonnie Brewster (incarico: girl crowd), Andrea M. Majied (incarico: girl crowd) e Susan McCall (incarico: girl crowd)
assistente tecnico:
Tommie Hicks, Jr.
tecnico:
Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
produttore esecutivo:
Louis J Pearlman
editor:
Chaz Harper
esecutore:
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) e Nick (US pop singer & Backstreet Boy)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
è stato produttore per:
Cheiron Productions
registrata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia e Parc Studios in Orlando, Florida, Stati Uniti
mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
editing effettuato presso:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Stati Uniti
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:41
10Could It Be Magic
registrazione cover di:
Could It Be Magic
paroliere:
Adrienne Anderson
autore:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
Take That4:24
11Saturday Night
registrazione di:
Saturday Night
paroliere:
Larry Pignagnoli
compositore:
Larry Pignagnoli e Davide Riva
editore:
A La Mode, B. Mikulski Publ. (Bernhard Mikulski Publishing) e Labelle Music (publisher and production company)
Whigfield3:53
12Show Me Love
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 9)
registrazione di:
Show Me Love
autore:
Allen George (Songwriter - producer - keyboards player) e Fred McFarlane
editore:
Champion Music e Son-A-Tron Music
Robin S.44:11
13Kung Fu Fighting
produttore:
Biddu (composer, songwriter, producer and musician) (incarico: original)
chitarra :
Carl Adie (guitarist; performs with Bus Stop)
voce ospite e esecutore ospite:
Carl Douglas
voce ospite aggiuntiva:
Sue Quin
remixer:
Zip Fm-Japan (remixer; performs with The Olivia Project, Bus Stop)
diritti fonografici (℗) detenuti da:
All Around the World (dal 1998 a oggi)
campionamenti:
Kung Fu Fighting di Carl Douglas
registrazione di:
Kung Fu Fighting (Bus Stop version)
autore:
Carl Douglas
versione di:
Kung Fu Fighting
Bus Stop feat. Carl Douglas2.353:50
14Theme From S-Express
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988)
campionamenti:
Is It Love You’re After di Rose Royce, Stacey’s Dream (a cappella) di Stacey Q e The Bottle di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express43:53
15You Make Me Feel (Mighty Real)
Byron Stingily3:42
16Boom! Shake the Room
produttore:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
voce di accompagnamento:
Tyrone Smith (NYC‐based jazz saxophonist and recording technician)
arrangiatore:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
campionamenti:
Funky Worm di Ohio Players, Movin’ (single edit) di Brass Construction e The Jones (12″ Sugery mix) di The Temptations (Motown soul vocal group)
registrazione di:
Boom! Shake the Room
autore:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) e Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff & the Fresh Prince3.253:46
17Cotton Eyed Joe
tecnico di registrazione e tecnico di missaggio:
Lee Monteverde
tecnico e produttore:
Pat Reiniz
banjo :
Ken Tacky
voce:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue e Ken Tacky
esecutore aggiunto:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg e Bosse Nilsson
diritti fonografici (℗) detenuti da:
Zomba Records (nel 1994) e Zomba Records Ltd (not strictly a label - avoid adding releases here) (nel 1994)
registrata presso e mixata presso:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Svezia
video musicali:
Cotton‐Eye Joe di Rednex (Swedish Euro-House group)
parte di:
A.Side: 10 Songs That Have Their Own Dance Moves (numero: 7)
registrazione di:
Cotton-Eye Joe (Rednex version)
autore:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) e Pat Reiniz
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
versione di:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:10
18Dance the Night Away
produttore:
Don Cook (US country producer/songwriter) e Raul Malo (The Mavericks lead singer, country music)
diritti fonografici (℗) detenuti da:
MCA Records Nashville (a division of MCA Records Inc.) (nel 1997)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1999)
registrazione di:
Dance the Night Away
paroliere e compositore:
Raul Malo (The Mavericks lead singer, country music)
editore:
EMI Blackwood Music Inc. e Rumbalo Music
The Mavericks3.44:21
19Night Fever
voce:
Adam Garcia
registrazione cover di:
Night Fever
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music e R.S.O. Publishing Ltd.
Adam Garcia23:35
20Grease Meage Mix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin' di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
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