Big Band Classics, Volume Two

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Opus One
registrazione di:
Opus One (1943 song)
paroliere:
Sidney Reginald Garris
compositore:
Sy Oliver
editore:
Embassy Music Corp. (il 1943-06-23)
parte di:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey3:03
2On the Sunny Side of the Street
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Tommy Dorsey3:21
3Flyin’ Home
registrazione di:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
paroliere:
Sid Robin (US lyricist & composer)
compositore:
Benny Goodman (clarinetist and bandleader) e Lionel Hampton
editore:
Boosey & Hawkes Music Publishers, Ltd e Regent Music (BMI)
versione di:
Flying Home (instrumental version)
Glenn Miller3:15
4I’ve Got a Girl in Kalamazoo
registrazione di:
(I’ve Got a Gal in) Kalamazoo
paroliere:
Mack Gordon
compositore:
Mack Gordon e Harry Warren (US composer and lyricist)
parte di:
The 15th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1942 nominee)
Glenn Miller3:23
5Perfidia
registrazione di:
Perfidia
paroliere e compositore:
Alberto Domínguez
Glenn Miller3:24
6Don’t Sit Under the Apple Tree
Glenn Miller3:19
7St. Louis Blues
registrazione di:
St. Louis Blues
paroliere e compositore:
William Christopher Handy (nel 1913)
editore:
Handy Bros. Music Co., Inc.
sub-editore:
Reuter & Reuter Förlags AB
Glenn Miller3:52
8Chattanooga Choo Choo
registrazione di:
Chattanooga Choo Choo
paroliere:
Mack Gordon (nel 1941)
compositore:
Harry Warren (US composer and lyricist) (nel 1941)
editore:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
Glenn Miller43:35
9Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw3:18
10Serenade to a Savage
registrazione di:
Serenade to a Savage
compositore:
Joe Garland (saxophonist, composer)
Artie Shaw2:41
11Frenesi
clarinetto :
Artie Shaw
registrazione di:
Frenesí
paroliere e compositore:
Alberto Domínguez
Artie Shaw3:08
12Traffic Jam
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1939-06-12)
basso e contrabbasso :
Sid Weiss (il 1939-06-12)
batteria :
Buddy Rich (il 1939-06-12)
chitarra :
Al Avola (il 1939-06-12)
clarinetto :
Artie Shaw (il 1939-06-12)
pianoforte :
Bob Kitsis (il 1939-06-12)
sassofono contralto :
Hank Freeman (American jazz saxophonist) (il 1939-06-12) e Les Robinson (il 1939-06-12)
sassofono tenore :
Georgie Auld (il 1939-06-12) e Tony Pastor (il 1939-06-12)
tromba :
Johnny Best (jazz trumpeter) (il 1939-06-12), Chuck Peterson (trumpet) (il 1939-06-12) e Bernie Privin (il 1939-06-12)
trombone :
George Arus (il 1939-06-12), Harry Rogers (US big-band trombonist and arranger) (il 1939-06-12), Les Jenkins (il 1939-06-12) e Les Jerkins (il 1939-06-12)
orchestra:
Artie Shaw and His Orchestra (il 1939-06-12)
direttore d'orchestra:
Artie Shaw (il 1939-06-12)
registrazione di:
Traffic Jam (il 1939-06-12)
compositore:
Teddy McRae e Artie Shaw
Artie Shaw2:19
13It Don’t Mean a Thing (If It Ain’t Got That Swing)
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington3:06
14I’m Beginning to See the Light
registrazione di:
I’m Beginning to See the Light
paroliere:
Don George (US songwriter/composer, 1909–1987) (nel 1944)
autore:
Duke Ellington (US composer, pianist & jazz bandleader)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1944), Johnny Hodges (nel 1944) e Harry James (US big band leader, trumpeter & actor) (nel 1944)
editore:
Anne-Rachel Music Corp.
Duke Ellington3:18
15C Jam Blues
batteria :
Sonny Greer (il 1942-01-21)
chitarra :
Fred Guy (il 1942-01-21)
clarinetto e sassofono tenore :
Barney Bigard (il 1942-01-21)
contrabbasso :
Junior Raglin (bass) (il 1942-01-21)
cornetta :
Rex Stewart (il 1942-01-21)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1942-01-21)
sassofono contralto :
Otto Hardwick (il 1942-01-21)
sassofono contralto e clarinetto :
Johnny Hodges (il 1942-01-21)
sassofono contralto, sassofono baritono e clarinetto :
Harry Carney (il 1942-01-21)
sassofono tenore :
Ben Webster (il 1942-01-21)
tromba :
Wallace Jones (il 1942-01-21)
tromba e violino :
Ray Nance (il 1942-01-21)
trombone :
Lawrence Brown (jazz trombonist) (il 1942-01-21) e Joe "Tricky Sam" Nanton (il 1942-01-21)
trombone a pistoni :
Juan Tizol (il 1942-01-21)
registrazione di:
“C” Jam Blues (il 1942-01-21)
compositore:
Barney Bigard e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1942)
Duke Ellington2:45
16I’m Just a Lucky So ’n’ So
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter) (il 1961-04-04)
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-04)
registrazione di:
I’m Just a Lucky So and So (il 1961-04-04)
paroliere:
Mack David (American lyricist and songwriter) (nel 1945)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1945)
editore:
Paramount Music Corporation e PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Duke Ellington43:16
17Things Ain’t What They Used to Be
registrazione di:
Things Ain’t What They Used to Be
paroliere:
Ted Persons
compositore:
Mercer Ellington (nel 1942)
editore:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Duke Ellington3:15
18Come to Baby Do!
voce:
Joya Sherrill
registrazione di:
Come to Baby, Do
autore:
Inez James e Sidney Miller (songwriter, director and actor)
Duke Ellington2:51
19Don’t Get Around Much Any More
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
voce:
Louis Armstrong (il 1961-04-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-03)
registrazione di:
Don’t Get Around Much Anymore (il 1961-04-03)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
Duke Ellington3:24
20When Buddha Smiles
registrazione di:
When Buddha Smiles
compositore:
Nacio Herb Brown (US songwriter)
Benny Goodman3:14
21Flat Foot Floogee
registrazione di:
The Flat Foot Floogie
compositore:
Slim Gaillard, Bud Green e Slam Stewart
Benny Goodman3:24
22After You’ve Gone
registrazione cover di:
After You’ve Gone
paroliere:
Henry Creamer (Lyricist) (nel 1918)
compositore:
Turner Layton (nel 1918)
editore:
Francis, Day & Hunter Ltd. e Morley Music Corp.
parte di:
For Me and My Gal (1942 movie)
registrazione strumentale di:
After You’ve Gone
paroliere:
Henry Creamer (Lyricist) (nel 1918)
compositore:
Turner Layton (nel 1918)
editore:
Francis, Day & Hunter Ltd. e Morley Music Corp.
parte di:
For Me and My Gal (1942 movie)
registrazione di:
After You’ve Gone
paroliere:
Henry Creamer (Lyricist) (nel 1918)
compositore:
Turner Layton (nel 1918)
editore:
Francis, Day & Hunter Ltd. e Morley Music Corp.
parte di:
For Me and My Gal (1942 movie)
Benny Goodman2:49

Accreditamenti

Pubblicazione

fabbricata a:England, Regno Unito
fabbricata da:PDO (Philips DuPont Optical, Blackburn, UK)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Kaz Records Ltd. (not for release label use, only for copyrights and other legal credits) (nel 1992)
licenziata da:BMG Records (UK) Ltd. (1987–1996)
Discogs:https://www.discogs.com/release/35082146 [info]