The Clearing

~ Release by Craig Armstrong (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1The Clearing Main Theme (solo violin)
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
violin:
Clio Gould (violinist, soloist‐director and orchestra‐leader)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Clearing: Main Theme
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:20
2Arnold Gets Dressed
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Arnold Gets Dressed
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:21
3Arnold on His Way
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Arnold on His Way
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:49
4Wayne, Please Don't Be Late
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Wayne, Please Don't Be Late
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:00
5Arnold Kidnaps Wayne
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Arnold Kidnaps Wayne
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:26
6The Clearing Main Theme (solo piano)
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Clearing Main Theme (solo piano)
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:44
7The Journey Into the Forest
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Journey Into the Forest
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:09
8A Cigarette Break
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
A Cigarette Break
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:50
9Do You Know Louise Miller?
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Do You Know Louise Miller?
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:34
10Have Always Had That Mustache
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Have Always Had That Mustache
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:23
11I Love My Wife
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
I Love My Wife
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:35
12Tim Yells at Fuller
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Tim Yells at Fuller
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:21
13Wayne's Cell Phone Rings
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Wayne's Cell Phone Rings
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:35
14I Love Him and She Admires Him
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
I Love Him and She Admires Him
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:28
15At the Stream
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
At the Stream
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
5:45
16It's Blood
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
It's Blood
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:48
17Wayne Makes a Run for It
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Wayne Makes a Run for It
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:08
18She's on the Move
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
She's on the Move
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:54
19Stop Here Please
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Stop Here Please
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:53
20You Need a Sign of Life
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
You Need a Sign of Life
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
5:39
21Don't Forget the Trash
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Don't Forget the Trash
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:43
22The Interrogation
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Interrogation
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:45
23Wayne's Murder
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Wayne's Murder
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:46
24I Have Everything I Need
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
I Have Everything I Need
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
3:13
25The Clearing Main Theme (orchestral version)
recording engineer:
Rupert Coulson (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
mixer:
Geoff Foster (sound engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Clearing Main Theme (orchestral version)
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
3:05

Credits

Release

additional mixer:Nick Cervonaro
Adam Noble (engineer, producer & mixer)
mixer:Geoff Foster (sound engineer)
additional engineer:Cenda Kotzmann
Oldřich Slezák (engineer)
executive producer:Robert Townson (soundtrack producer)
producer and programming:Craig Armstrong (Scottish score composer)
David Donaldson (Scottish engineer/producer and musician)
recording engineer:Rupert Coulson (sound engineer)
Geoff Foster (sound engineer)
orchestrator:Matt Dunkley
keyboard:David Donaldson (Scottish engineer/producer and musician)
piano:Craig Armstrong (Scottish score composer)
conductor:Matt Dunkley
Discogs:https://www.discogs.com/release/491932 [info]
ASIN:US: B0002BO0SU [info]