The Classic Years

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Three O’Clock in the Morning
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
instrumental recording of:
Three O'Clock in the Morning (in 1950)
Texter:
Dorothy Terriss (née Strandberg)
Komponist(in):
Julian Robledo
3:35
2Oscar Blues
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
recording of:
Oscar’s Blues (in 1950)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
3:15
3Sleepy Time Gal
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Austen Roberts (jazz bassist)
Schlagzeug:
Clarence Jones (jazz drummer)
instrumental recording of:
Sleepy Time Gal (in 1949)
Texter:
Joseph R. Alden und Raymond B. Egan
Komponist(in):
Ange Lorenzo und Richard A. Whiting (composer)
3:00
4Margie
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Albert King (jazz bassist)
Schlagzeug:
Mark ‘Wilkie’ Wilkinson (jazz drummer)
instrumental recording of:
Margie (aka “My Little Margie”) (in 1947)
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1920)
Komponist(in):
Con Conrad (songwriter and producer) (in 1920) und J. Russel Robinson (in 1920)
2:43
5All the Things You Are
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1950)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
3:34
6Tico Ticco
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Major Holley
instrumental recording of:
Tico-tico no fubá (original Portuguese version) (in 1950)
Texter:
Aloysio de Oliveira
Komponist(in):
Zequinha de Abreu (in 1917)
3:01
7Debut
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
recording of:
Debut (in 1950)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
2:52
8In the Middle of a Kiss
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Major Holley
instrumental recording of:
In the Middle of a Kiss (in 1950)
Verfasser(in):
Sam Coslow
3:13
9I Only Have Eyes for You
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
live instrumental recording of:
I Only Have Eyes for You (in 1950)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
7:13
10Back Home Again in Indiana
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Albert King (jazz bassist)
Schlagzeug:
Mark ‘Wilkie’ Wilkinson (jazz drummer)
instrumental recording of:
Indiana (Back Home Again in Indiana) (in 1947)
Texter:
Ballard MacDonald (in 1917)
Komponist(in):
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:12
11Stairway to the Stars
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Austen Roberts (jazz bassist)
Schlagzeug:
Clarence Jones (jazz drummer)
instrumental recording of:
Stairway to the Stars (in 1947)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:05
12Nameless
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1950-05-08)
Kontrabass [bass]:
Major Holley (am 1950-05-08)
recording of:
Nameless (am 1950-05-08)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
2:57
13If I Could Be With You One Hour Tonight
Gitarre:
Armand Sampson
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Bert Brown (double bassist)
Schlagzeug:
Roland Verdon (drummer)
instrumental recording of:
If I Could Be With You (One Hour Tonight) (in 1945)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:10
14Lover
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Major Holley
instrumental recording of:
Lover (in 1950)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:51
15Get Happy
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Major Holley
instrumental recording of:
Get Happy (in 1950)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
2:31
16Little White Lies
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Major Holley
instrumental recording of:
Little White Lies (in 1950)
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:10
17Fine and Dandy
Gitarre:
Ben Johnson (jazz guitarist)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Austen Roberts (jazz bassist)
live instrumental recording of:
Fine and Dandy (in 1950)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
3:49
18Oop-Bop Sh’Bam
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Austen Roberts (jazz bassist)
Schlagzeug:
Clarence Jones (jazz drummer)
cover recording of:
Oop-Bop Sh’Bam (in 1949)
Verfasser(in):
Gil Fuller (jazz composer & arranger) und Dizzy Gillespie
2:55
19Poor Butterfly
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Austen Roberts (jazz bassist)
Schlagzeug:
Clarence Jones (jazz drummer)
instrumental recording of:
Poor Butterfly (in 1947)
Texter:
John L. Golden (in 1916)
Komponist(in):
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
2:49
20Runnin’ Wild
Gitarre:
Armand Sampson
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Bert Brown (double bassist)
Schlagzeug:
Russ Dufort (drummer)
instrumental recording of:
Runnin’ Wild (in 1946)
Texter:
Joe Grey (in 1922) und Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
Komponist(in):
Arthur Harrington Gibbs (in 1922)
2:49
21How High the Moon
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
instrumental recording of:
How High the Moon (in 1951)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:02
22The Nearness of You
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
instrumental recording of:
The Nearness of You (in 1951)
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:17
23They Can’t Take That Away From Me
Gitarre:
Irving Ashby
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [bass]:
Ray Brown (jazz bassist)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1952)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:38

Nennungen

Veröffentlichung

liner notes:Keith C. Thomas
design:Glen Leighton
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Prestige Elite Records Limited (in 2006)
remastered at:Peter J. Reynolds Mastering in Colchester, Essex, England, Vereinigtes Königreich
ASIN:UK: B000HT39A2 [Info]