Operamania

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Die Walküre: La Chevauchée des Walkyries / Ride of the Valkyries
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1965-11)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1965-11)
edit of:
Die Walküre: The Ride of the Valkyries by Helga Dernesch (Austrian soprano and mezzo‐soprano), Brigitte Fassbaender (mezzo-soprano), Claudia Hellmann (contralto), Berit Lindholm (soprano), Vera Schlosser, Marilyn Tyler (soprano), Helen Watts (contralto), Wiener Philharmoniker (Vienna Philharmonic), Georg Solti (Sir Georg Solti, conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1965-11)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:03
2Tannhäuser: „O du, mein holder Abendstern”
baritone vocals [Wolfram]:
Tom Krause (bass-baritone)
orchestra:
Vienna Opera Orchestra (Vienna State Opera Orchestra)
conductor:
Argeo Quadri (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner3:22
3Don Giovanni: “Là ci darem la mano”
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals [Don Giovanni]:
Tom Krause (bass-baritone) (on 1971-10-06)
soprano vocals [Zerlina]:
Lucia Popp (soprano) (on 1971-10-06)
orchestra:
Vienna Haydn Orchestra (on 1971-10-06)
conductor:
István Kertész (conductor) (on 1971-10-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1971-10-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1971-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:21
4Carmen : « La fleur que tu m'avais jetée »
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
tenor vocals [Don José]:
Plácido Domingo (tenor) (from 1975-07 until 1975-12)
vocals:
The John Alldis Choir (from 1975-07 until 1975-12), Plácido Domingo (tenor) (from 1975-07 until 1975-12) and Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:52
5Madama Butterfly: Chœur à bouche fermée / Humming Chorus
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:56
6L'elisir d'amore: “Una furtiva lagrima”
tenor vocals and tenor vocals [Nemorino]:
Giuseppe Di Stefano (tenor) (in 1955)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1955)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1955)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:47
7Samson et Dalila : « Mon cœur s'ouvre à ta voix »
mezzo-soprano vocals [Dalila]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Orchester der Wiener Volksoper (in 1967-10), Wiener Opernorchester (Vienna State Opera Orchestra) (on 1967-10-13) and Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1967-10-13)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (on 1967-10-13)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns6:29
8Aida: “O terra, addio”
engineer:
René Boux and Lewis Layton (engineer) (in 1961)
producer:
Richard Mohr (producer)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:42
9Adriana Lecouvreur: “La dolcissima effigie”
soprano vocals [Adriana]:
Renata Tebaldi (soprano)
tenor vocals [Maurizio]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Franco Capuana (conductor)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio, Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea2:01
10La traviata: “Sempre libera”
soprano vocals [Violetta]:
Pilar Lorengar (soprano)
orchestra:
Orchestra of the Deutsche Oper, Berlin (Orchestra of the German Opera Berlin)
conductor:
Lorin Maazel (conductor)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:51
11Les Contes d'Hoffmann : Barcarolle: « Belle nuit, ô nuit d'amour »
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:10
12Martha: “M'apparì tutt'amor”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-06)
tenor vocals [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow3:28
13La fille du régiment : « La, la, la … Chacun le sait »
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Marie]:
Joan Sutherland (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Fille du régiment : Acte I, Scène 4. Ronde “Chacun le sait, chacun le dit” (Marie, Sulpice, Tonio, chœur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti3:45
14Carmen : « Les voici, les voici ! »
choir vocals:
John Alldis Chorus (The John Alldis Choir)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet4:14
15Don Giovanni: “Finch'han dal vino”
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1971-10)
orchestra:
Wiener Haydn‐Orchester (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:25
16Die Zauberflöte: „Der Hölle Rache”
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1994-05 until 1994-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-05 until 1994-12)
conductor:
Sir Georg Solti (conductor) (from 1994-05 until 1994-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1994-05 until 1994-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1994-05 until 1994-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
17Die Walküre: Incantation du feu / Magic Fire Music
bass vocals [Wotan]:
Hans Hotter (German operatic bass-baritone)
bass-baritone vocals:
Hans Hotter (German operatic bass-baritone) (in 1966)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber (in 1966)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner4:39
18Der Rosenkavalier: „Hab' mir's gelobt”
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano)
soprano vocals [Marschallin]:
Régine Crespin (soprano)
soprano vocals [Sophie]:
Helen Donath (soprano)
orchestra:
Vienna State Opera Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:01
19Tristan und Isolde: „Mild und leise”
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (from 1959-09-22 until 1959-09-25)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-09-22 until 1959-09-25)
conductor:
Hans Knappertsbusch (German conductor) (from 1959-09-22 until 1959-09-25)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1959-09-22 until 1959-09-25)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:59
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