The Rock ’n’ Roll Era: 1957

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4.351:53
2Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
sub-publisher:
Sony/ATV Music Publishing France (beendet), Sony Music Publishing France und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard2:23
3Don’t Knock the Rock
accordion und Klavier:
Johnny Grande (am 1956-10-04)
E-Gitarre:
Francis 'Franny' Beecher (am 1956-10-04)
Gitarre:
Bill Haley (am 1956-10-04)
Kontrabass:
Al Rex (am 1956-10-04)
Schlagzeug:
Ralph Jones (1950s drummer) (am 1956-10-04)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1956-10-04)
Tenorsaxophon:
Rudy Pompilli (am 1956-10-04)
vocals:
Bill Haley (am 1956-10-04)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1956-10-04)
recording of:
Don’t Knock the Rock (am 1956-10-04)
Verfasser(in):
Freddie Karger (Frederick Maxwell Karger, Jr) und Robert Kent
Bill Haley & His Comets42:22
4School Day
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre:
Chuck Berry (am 1956-12-15) und Hubert Sumlin (Chicago blues guitarist and singer) (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
Sologesang:
Chuck Berry (am 1956-12-15)
vocals:
Chuck Berry
phonographisches Urheberrecht (℗) von:
N2K und Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry4.252:42
5Searchin’
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Adolph Jacobs (am 1957-02-15) und Barney Kessel (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
recording of:
Searchin’ (am 1957-02-15)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
The Coasters52:40
6Young Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-10-30)
Hintergrundgesang:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-10-30)
Sologesang:
Sonny James (US country singer and songwriter) (am 1956-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 40)
cover recording of:
Young Love (am 1956-10-30)
Verfasser(in):
Ric Cartey (US rockabilly singer and songwriter) und Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Sonny James2:30
7I’m Walkin’
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:09
8Baby Baby
recording of:
Baby, Baby (in 1956-10)
Verfasser(in):
Glen Moore (composer of "Lonesome Train") und Milton Subotsky
Frankie Lymon & The Teenagers2:06
9Ma He’s Making Eyes at Me
The Johnny Otis Show2:27
10Ninety Nine Ways
Tab Hunter1:47
11A White Sport Coat
cover recording of:
A White Sport Coat and a Pink Carnation
Texter und Komponist(in):
Marty Robbins
Terry Dene2:27
12The Girl Can’t Help It
recording of:
The Girl Can’t Help It
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
Little Richard2:32
13That’ll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:17
14Whole Lotta Shakin’ Goin’ On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
15Short Fat Fannie
Bass:
Ted Brinson (am 1957-04-26)
Gitarre:
Rene Hall (am 1957-04-26)
Klavier:
Leon M. Silby (am 1957-04-26)
Schlagzeug:
Earl Palmer (am 1957-04-26)
Tenorsaxophon:
Jesse James Jones (am 1957-04-26)
vocals:
Larry Williams (1950s rocker) (am 1957-04-26)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 39)
recording of:
Short Fat Fannie (am 1957-04-26)
Texter und Komponist(in):
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams22:24
16Rock the Joint
Bill Haley & His Comets2:19
17Don’t You Rock Me Daddy O
cover recording of:
Don't You Rock Me Daddy-O
Komponist(in):
Bill Varley und Wally Whyton
Lonnie Donegan & His Skiffle Group41:43
18Love Letters in the Sand
Pat Boone2:24
19Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:08
20Jenny Jenny
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
Verfasser(in):
Enotris Johnson (bis 1956-10-15) und Richard Wayne Penniman (bis 1956-10-15)
publisher:
Sony/ATV Songs LLC
Little Richard2:02
21Blue Monday
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Frank Music (in 1956), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 12)
cover recording of:
Blue Monday (am 1955-03-30)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Chappell Music (UK) und Chappell Music Ltd.
Fats Domino52:17
22Party Doll
recording of:
Party Doll
Texter und Komponist(in):
Buddy Knox (US country rocker, of The Rhythm Orchids)
Verfasser(in):
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) und Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three und Patricia Music Publ. Corp.
Buddy Knox2:15
23I’m Sorry
recorded in:
New York, New York, Vereinigte Staaten (in 1956-04)
cover recording of:
I’m Sorry (in 1956-04)
Verfasser(in):
Buck Ram, Peter Tinturin und William White (Composer, "I'm Sorry")
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Platters2:54
24Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:42

Nennungen

Veröffentlichungsgruppe

Teil von:The Rock 'n' Roll Era (Time-Life Music) (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/404001 [Info]