Rock Times, Volume 1: 1955-1956

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:18
2Honey Don’t
registrazione di:
Honey, Don’t!
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins2:42
3Sweet Little Sixteen
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (dal 1957-12-29 al 1957-12-30)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-12-29 al 1957-12-30)
contrabbasso :
Willie Dixon (dal 1957-12-29 al 1957-12-30)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1957-12-29 al 1957-12-30)
diritti fonografici (℗) detenuti da:
Geffen Records Ltd. (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (dal 1957-12-29 al 1957-12-30)
registrazione di:
Sweet Little Sixteen (dal 1957-12-09 al 1957-12-30)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:01
4Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
Elvis Presley3.82:04
5Only You
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:37
6Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:28
7Tweedle Dee
registrata a:
New York, New York, Stati Uniti (il 1954-10-20)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
altri strumenti :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
batteria e batteria [drums] :
Connie Kay (il 1954-10-20)
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1954-10-20)
voce:
LaVern Baker (US rhythm & blues singer) (il 1954-10-20)
voce di accompagnamento:
The Gliders (UK rock trio) (il 1954-10-20)
voce principale:
LaVern Baker (US rhythm & blues singer) (il 1954-10-20)
registrazione di:
Tweedlee Dee (il 1954-10-20)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
registrazione cover di:
Tweedlee Dee (il 1954-10-20)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
LaVern Baker3:09
8I Almost Lost My Mind
Pat Boone2:36
9I Walk the Line
produttore:
Sam Phillips (founder of Sun Records)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1956-04-02)
chitarra elettrica :
Luther Perkins (il 1956-04-02)
contrabbasso :
Marshall Grant (il 1956-04-02)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1956) e Sun Record Company (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1956-04-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 76)
registrazione di:
I Walk the Line (il 1956-04-02)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:45
10Rock Island Line
registrazione di:
Rock Island Line
paroliere e compositore:
Lead Belly
editore:
Folkways Music Publishers Inc.
parte di:
Roud Folk Song Index (numero: 15211)
Lonnie Donegan3:23
11Bo Diddley
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer)
registrazione di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley2:24
12Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
13Lucille
registrazione di:
Lucille
autore:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
sub-editore:
Sony/ATV Music Publishing France (conclusa), Sony Music Publishing France e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard2:28
14See You Later, Alligator
Bill Haley & His Comets2:47
15Be Bop‐a‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:37
16That’s All Right
registrazione cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
Elvis Presley1:58
17I’m a Man
armonica (a bocca) :
Lester Davenport
batteria :
Frank Kirkland
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer)
maracas :
Jerome Green
pianoforte :
Henry Gray
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer)
registrazione di:
I’m a Man
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
editore:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley4.52:50
18Lost John
registrazione cover di:
Lost John
compositore:
[traditional] (special purpose artist)
arrangiatore:
Lonnie Donegan
editore:
Exile Publishing Ltd., Shalon Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lonnie Donegan2:45
19Hummingbird
registrazione di:
Hummingbird
paroliere:
Don Robertson (“Happy Whistler” songwriter)
compositore:
Don Robertson (“Happy Whistler” songwriter) (nel 1955)
Frankie Laine2:25
20Whatever Will Be, Will Be
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:06
21I’ll Be Home
Pat Boone3:02
22Heimweh
voce principale:
Freddy Quinn (Austrian singer and actor) (il 1956-02-22)
orchestra:
Horst Wende Tanzsolisten (il 1956-02-22)
registrata presso:
Musikhalle, Großer Saal in Hamburg, Germania (il 1956-02-22)
registrazione di:
Heimweh (il 1956-02-22)
paroliere e compositore:
Richard Dehr, Terry Gilkyson e Frank Miller (American singer & songwriter)
traduttore:
Ernst Bader (actor, songwriter and composer) e Dieter Rasch
versione tradotta di:
Memories Are Made of This
Freddy Quinn3:31
23Bonjour Katrin
voce:
Caterina Valente (French-born Italian multilingual singer, guitarist, dancer, and actress)
registrazione di:
Bonjour, Kathrin
paroliere:
Kurt Feltz
compositore:
Heinz Gietz
Caterina Valente2:45

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parte di:Rock Times (numero: 1) (ordine: 1)