Queen of Soul: The Atlantic Recordings

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
3.652:18
2See Saw
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-16) und Floyd Newman (am 1968-04-16)
Bassgitarre:
Jerry Jemmott (am 1968-04-16)
Gitarre:
Tommy Cogbill (am 1968-04-16) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-16)
Hybrid-Piano:
Spooner Oldham (am 1968-04-16)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-16)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-16)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-16) und Andrew Love (am 1968-04-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-16)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-16)
cover recording of:
See Saw (am 1968-04-16)
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:45
3The House That Jack Built
cover recording of:
The House That Jack Built
Verfasser(in):
Bob Lance und Fran Robins
publisher:
Cotillion und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:20
4Night Time Is the Right Time
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-17) und Floyd Newman (am 1968-04-17)
Bassgitarre:
Jerry Jemmott (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-17) und Andrew Love (am 1968-04-17)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
cover recording of:
Night Time Is the Right Time (am 1968-04-17)
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
44:46
5I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.33:34
6You Send Me
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-16) und Floyd Newman (am 1968-04-16)
Bassgitarre:
Jerry Jemmott (am 1968-04-16)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-16)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-16)
Orgel:
Spooner Oldham (am 1968-04-16)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-16)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-16) und Andrew Love (am 1968-04-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-16)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-16)
cover recording of:
You Send Me (am 1968-04-16)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
32:27
7My Song
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
My Song
Verfasser(in):
John Marshall Alexander (1950s rhythm & blues) und David James Mattis
publisher:
Universal/MCA Music Ltd. (not for release label use!)
3:31
8I Take What I Want
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-18) und Floyd Newman (am 1968-04-18)
Bassgitarre:
Jerry Jemmott (am 1968-04-18)
Hybrid-Piano:
Spooner Oldham (am 1968-04-18)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-18)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-18)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-18) und Andrew Love (am 1968-04-18)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-18)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-18)
arranger:
Tom Dowd und Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-18)
cover recording of:
I Take What I Want (am 1968-04-18)
Verfasser(in):
Isaac Hayes, Mabon Hodges (“Teenie”, soul guitarist) und David Porter (US soul musician, producer & songwriter)
publisher:
Shapiro Bernstein & Co. Ltd.
42:32
9I Can’t See Myself Leaving You
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-18) und Floyd Newman (am 1968-04-18)
Bassgitarre:
Jerry Jemmott (am 1968-04-18)
Gitarre:
Tommy Cogbill (am 1968-04-18) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-18)
Hybrid-Piano:
Spooner Oldham (am 1968-04-18)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-18)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-18)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-18) und Andrew Love (am 1968-04-18)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-18)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-18)
arranger:
Tom Dowd und Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-18)
recording of:
I Can’t See Myself Leaving You (am 1968-04-18)
Texter und Komponist(in):
Ronnie Shannon
43:02
10Night Life (live)
Produzent(in):
Jerry Wexler
Hintergrundgesang:
Carolyn Franklin (am 1968-05-07), Wyline Ivy (am 1968-05-07) und Charnessa Jones (am 1968-05-07)
conductor:
Donald Townes (US/Detroit jazz trumpeter)
aufgenommen bei:
L’Olympia in Paris, Île-de-France, Frankreich (am 1968-05-07)
live cover recording of:
Night Life (Willie Nelson) (am 1968-05-07)
Verfasser(in):
Walt Breeland (American songwriter), Paul Buskirk und Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing und Glad Music Publishing (in 1962)
43:44
11Today I Sing the Blues
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-04-17) und Frank Wess (am 1968-04-17)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-04-17)
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre [lead guitar]:
Tommy Cogbill (am 1968-04-17)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-17)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-04-17)
Klavier:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-04-17), Urbie Green (am 1968-04-17), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-04-17) und Benny Powell (jazz trombonist) (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-04-17) und Seldon Powell (am 1968-04-17)
Trompete:
Bernie Glow (am 1968-04-17), Joe Newman (US jazz trumpeter) (am 1968-04-17), Ernie Royal (am 1968-04-17), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-04-17) und Snookie Young (am 1968-04-17)
Vibraphon:
Jack Jennings (am 1968-04-17)
conductor:
Arif Mardin (am 1968-04-17)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
cover recording of:
Today I Sing the Blues (am 1968-04-17)
Verfasser(in):
Curley Hamner
Komponist(in):
Curtis Lewis (US songwriter)
publisher:
Bess Music und BMG Music Publishing Ltd.
4:24
12Pitiful
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-24) und Frank Wess (am 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-24)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-24)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-24), Urbie Green (am 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-24) und Benny Powell (jazz trombonist) (am 1968-09-24)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-24) und Seldon Powell (am 1968-09-24)
Trompete:
Bernie Glow (am 1968-09-24), Joe Newman (US jazz trumpeter) (am 1968-09-24), Ernie Royal (am 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-24) und Snookie Young (am 1968-09-24)
Vibraphon:
Jack Jennings (am 1968-09-24)
conductor:
Arif Mardin (am 1968-09-24)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-24)
recording of:
Pitiful (am 1968-09-24)
Verfasser(in):
Charlie Singleton (composer/lyricist) und Rose Marie McCoy
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
53:02
13Tracks of My Tears
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-04-18) und Frank Wess (am 1968-04-18)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-04-18)
Bass:
Jerry Jemmott (am 1968-04-18)
Gitarre [lead guitar]:
Tommy Cogbill (am 1968-04-18)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-18)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-04-18)
Klavier:
Aretha Franklin (am 1968-04-18)
Orgel:
Spooner Oldham (am 1968-04-18)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-04-18), Urbie Green (am 1968-04-18), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-04-18) und Benny Powell (jazz trombonist) (am 1968-04-18)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-18)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-04-18) und Seldon Powell (am 1968-04-18)
Trompete:
Bernie Glow (am 1968-04-18), Joe Newman (US jazz trumpeter) (am 1968-04-18), Ernie Royal (am 1968-04-18), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-04-18) und Snookie Young (am 1968-04-18)
Vibraphon:
Jack Jennings (am 1968-04-18)
conductor:
Arif Mardin (am 1968-04-18)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-18)
cover recording of:
The Tracks of My Tears (am 1968-04-18)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
2:55
14River’s Invitation
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-27) und Frank Wess (am 1968-09-27)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-27)
Bass:
Ron Carter (US jazz double-bassist) (am 1968-09-27)
Gitarre:
Kenny Burrell (am 1968-09-27)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-27)
Klavier:
Junior Mance (am 1968-09-27)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-27), Urbie Green (am 1968-09-27), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-27) und Benny Powell (jazz trombonist) (am 1968-09-27)
Schlagzeug:
Bruno Carr (am 1968-09-27)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-27) und Seldon Powell (am 1968-09-27)
Trompete:
Bernie Glow (am 1968-09-27), Joe Newman (US jazz trumpeter) (am 1968-09-27), Ernie Royal (am 1968-09-27), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-27) und Snookie Young (am 1968-09-27)
Vibraphon:
Jack Jennings (am 1968-09-27)
conductor:
Arif Mardin (am 1968-09-27)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-27)
cover recording of:
River’s Invitation (am 1968-09-27)
Texter und Komponist(in):
Percy Mayfield
publisher:
Sony/ATV Songs LLC
2:39
15Share Your Love With Me
recorded in:
New York, Vereinigte Staaten (am 1969-01-08)
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-08)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-01-08)
Klavier:
Aretha Franklin (am 1969-01-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-08)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-08)
vocals:
Aretha Franklin (am 1969-01-08)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
cover recording of:
Share Your Love With Me (am 1969-01-08)
Verfasser(in):
Alfred Braggs und Deadric Malone
publisher:
Don Music Co., Leeds Music Ltd., Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
43:19
16It Ain’t Fair
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-08)
Gitarre:
Duane Allman (am 1969-01-08)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-01-08)
Klavier:
Aretha Franklin (am 1969-01-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-08)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-08)
vocals:
Aretha Franklin (am 1969-01-08)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
It Ain’t Fair (am 1969-01-08)
Texter und Komponist(in):
Ron Miller (US songwriter Ronald Alonzo Miller)
3:22
17Sit Down and Cry
recorded in:
New York, Vereinigte Staaten (am 1969-01-09)
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-09)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-01-09)
Klavier:
Aretha Franklin (am 1969-01-09)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-09)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-09)
vocals:
Aretha Franklin (am 1969-01-09)
recording of:
Sit Down and Cry (am 1969-01-09)
Verfasser(in):
Clyde Otis (American songwriter and record producer) und Lou Stallman (Songwriter and producer active since the 1950s)
3:52
18Honest I Do
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-05-27)
Gitarre:
Duane Allman (am 1969-05-27), Eddie Hinton (am 1969-05-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-05-27)
Hybrid-Piano und Orgel:
Barry Beckett (am 1969-05-27)
Klavier:
Aretha Franklin (am 1969-05-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-05-27)
vocals:
Aretha Franklin (am 1969-05-27)
cover recording of:
Honest I Do (am 1969-05-27)
Texter und Komponist(in):
Jimmy Reed (blues musician)
Verfasser(in):
Ewart G. Abner, Jr. (record label executive and songwriter)
43:17
19The Weight
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-08)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-01-08)
Hybrid-Piano:
Barry Beckett (am 1969-01-08)
Klavier:
Aretha Franklin (am 1969-01-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-08)
Slide-Gitarre:
Duane Allman (am 1969-01-08)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-08)
Hintergrundgesang:
Cissy Houston (am 1969-01-08), Sylvia Shemwell (am 1969-01-08) und Dee Dee Warwick (am 1969-01-08)
vocals:
Aretha Franklin (am 1969-01-08)
conductor:
Arif Mardin
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
The Weight (am 1969-01-08)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:53
20When the Battle Is Over
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-05-27)
Gitarre:
Eddie Hinton (am 1969-05-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-05-27)
Hybrid-Piano:
Barry Beckett (am 1969-??-27)
Klavier:
Aretha Franklin (am 1969-05-27)
Orgel:
Barry Beckett (am 1969-05-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-05-27)
Hintergrundgesang:
Margaret Branch (am 1969-05-27), Brenda Bryant (am 1969-05-27) und Almeda Lattimore (am 1969-05-27)
vocals:
Aretha Franklin (am 1969-05-27)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1969-05-27)
recording of:
When the Battle Is Over (am 1969-05-27)
Verfasser(in):
Jessie Hill (US R&B/Louisiana blues singer) und Mac Rebennack (New Orleans blues pianist, singer and songwriter)
32:40
21Eleanor Rigby
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
cover recording of:
Eleanor Rigby (am 1969-10-03)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
2:35
22One Way Ticket
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass:
Harold Cowart (in 1970-03)
Gitarre:
Cornell Dupree (in 1970-03)
Klavier:
Aretha Franklin (in 1970-03)
Orgel:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (in 1970-03)
Schlagzeug:
Ray Lucas (in 1970-03)
Hintergrundgesang:
Margaret Branch (in 1970-03), Brenda Bryant (in 1970-03) und Almeda Lattimore (in 1970-03)
vocals:
Aretha Franklin (in 1970-03)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1970-03)
recording of:
One Way Ticket (in 1970-03)
Texter und Komponist(in):
Aretha Franklin
42:49
23Call Me
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
Hintergrundgesang:
Brenda Bryant (am 1969-10-03), Cissy Houston (am 1969-10-03) und Pat Lewis (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 100)
recording of:
Call Me (am 1969-10-03)
Texter und Komponist(in):
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. und Springtime Music, Inc.
4.53:55
24Pullin’
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Duane Allman (am 1969-10-03), Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Hybrid-Piano und Orgel:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
recording of:
Pullin’ (am 1969-10-03)
Verfasser(in):
Carolyn Franklin und Jimmy Radcliffe
publisher:
Springtime Music, Inc.
43:34
3CD
4CD

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
art direction:Geoff Gans
Fotografie:David Alexander (photographer)
Joel Brodsky
Ken Cunningham
David Gahr (photographer)
James J. Kriegsman (photographer)
Michael Ochs Archives
R. Bosboom (photographer)
Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Thulani Davis (playwright, journalist, librettist, novelist, poet, screenwriter)
Tom Dowd
Ahmet Ertegun (US songwriter/producer)
Arif Mardin
Dave Marsh (US music critic)
Jerry Wexler
assistierende(r) Produzent(in):Michael Mazzarella
leitende(r) Produzent(in):Gary Stewart (Rhino Records)
Produzent(in):Yves Beauvais
remastering:Ted Jensen (American mastering engineer) (in 1992-07)
design:Brigid Pearson
urheberrechtlich geschützt (©) von:Rhino Records, Inc. (company credits only; not for release label use!) (in 1992)
phonographisches Urheberrecht (℗) von:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (von 1972 bis 1976, in 1992)
Rhino Records, Inc. (company credits only; not for release label use!) (in 1992)
remastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten (in 1992-07)
Discogs:https://www.discogs.com/release/2688985 [Info]
https://www.discogs.com/release/11395159 [Info]
ASIN:US: B0000032VS [Info]
Allmusic:https://www.allmusic.com/album/release/mr0000778003 [Info]