80-talet, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Call Me
produttore:
Gary Stevenson
registrazione di:
Call Me
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
Go West3.654:11
2Oh Mama
registrazione di:
Oh Mama
autore:
Ola Håkansson (Oson) e Tim Norell
Lili & Susie3:52
3All of Your Attention
Visitors3:21
4Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:38
5To Be a Lover
programmazione:
Steve Stevens (US guitarist and songwriter)
tecnico:
Dave Concors, Neil Dorfsman e Dave Wittman
produttore:
Keith Forsey (drummer, producer and songwriter)
assistente tecnico di missaggio:
Craig Vogel
tecnico di missaggio:
Gary Langan
basso e chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1986) e Steve Stevens (US guitarist and songwriter) (nel 1986)
pianoforte :
Richard Tee (nel 1986)
sintetizzatore :
Keith Forsey (drummer, producer and songwriter) (nel 1986)
tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1986)
voce di accompagnamento:
Jocelyn Brown (nel 1986), Connie Harvey (nel 1986) e Janet Wright (nel 1986)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1986)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986) e Chrysalis Records, Inc. (not for release label use!) (nel 1986)
registrata presso:
Right Track Studios in Manhattan, New York, New York, Stati Uniti (nel 1986)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
To Be a Lover di Billy Idol (English rock singer‐songwriter)
registrazione cover di:
I Forgot to Be Your Lover (nel 1986)
autore:
William Bell e Booker T. Jones
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. e Universal Music Publishing Group
Billy Idol33:50
6View From a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:30
7Nevermore
+14:42
8Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:41
9Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:54
10I Want You Back
Tove Naess2:49
11Body Rock
diritti fonografici (℗) detenuti da:
Capitol Records Ltd. (not for release label use; UK company)
registrazione di:
Body Rock
autore:
John Bettis e Sylvester Levay
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:40
12Dancing With Tears in My Eyes
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:05
13Empty Rooms
tecnico:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
assistente produttore:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
campionatore [sampled drums] ospite :
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
chitarra [guitars] e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
tastiera [keyboards] ospite :
Andy Richards (Strawbs keyboard player/record producer)
voce di accompagnamento [backing vocals] ospite:
Neil Carter
remixer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1985)
è stato produttore per:
Peter Collins Productions
prodotta presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Empty Rooms
paroliere:
Gary Moore (Thin Lizzy, blues guitar)
compositore:
Neil Carter e Gary Moore (Thin Lizzy, blues guitar)
editore:
10 Music Ltd.
Gary Moore3.754:18
14Sunglasses at Night
basso :
Gary Tibbs
batteria e percussione :
Paul Burgess (UK rock drummer)
chitarra [lead guitar] :
Andy Barnett
chitarra [rhythm guitar] :
Andy Mac e Jon Astley
sassofono contralto e sassofono tenore :
Andy Hamilton (British saxophonist, composer and producer)
tastiera :
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) e Corey Hart
video musicali:
Sunglasses at Night di Corey Hart
registrazione di:
Sunglasses at Night (nel 1983)
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3:48
15Only When You Leave
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
registrazione di:
Only When You Leave
paroliere e compositore:
Gary Kemp
editore:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) e Reformation Publishing Co. Ltd.
Spandau Ballet34:47
16I'm Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
17The Word Girl
tecnico di registrazione e tecnico di missaggio:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
David Gamson, Green Gartside e Fred Maher
batteria :
Fred Maher
chitarra :
Nick Moroch (US guitarist)
tastiera :
David Gamson
voce:
Green
voce di accompagnamento:
B.J. Nelson (backing singer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
The Word Girl
autore:
David Gamson e Green Gartside
editore:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1985) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) (nel 1985)
Scritti Politti4:25
18No Doubt About It
registrazione di:
No Doubt About It
autore:
Mike Burns (songwriter Michael Gerard Burns), Steve Glen e David Most
editore:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:29
19The Light From Fantasia
French Revolution4:28
20Only One Woman
Alien4:02