| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | It’s My Party | Lesley Gore | 4.35 | 2:20 |
| 2 | Hey! Baby | Bruce Channel | | 2:22 |
| 3 | The Locomotion | Little Eva | 2 | 2:19 |
| 4 | My Boy Lollipop | Millie Small | 4.65 | 2:01 |
| 5 | Here Comes My Baby | The Tremeloes | | 3:04 |
| 6 | La Bamba | Ritchie Valens | | 2:07 |
| 7 | Hippy Hippy Shake | The Swinging Blue Jeans | | 1:47 |
| 8 | Sweet Soul Music | Arthur Conley | 4 | 2:21 |
| 9 | Twist and Shout- cover recording of:
- Twist and Shout
- Verfasser(in):
- Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell
- Teil von:
- Baby It’s You!
| Isley Brothers | | 2:34 |
| 10 | Do You Love Me | The Contours | 4.35 | 2:53 |
| 11 | Shop Around | The Miracles | | 3:01 |
| 12 | Dancing in the Street- Produzent(in):
- William Stevenson
- andere Instrumente [tire iron]:
- Ivy Jo Hunter (am 1964-06-29)
- baritone saxophone:
- Thomas Bowles (am 1964-06-29)
- Bassgitarre:
- James Jamerson (am 1964-06-29)
- Gitarre:
- Joe Messina (am 1964-06-29), Robert White (am 1964-06-29) und Eddie Willis (am 1964-06-29)
- Perkussion, Tamburin und Vibraphon [vibes]:
- Jack Ashford (am 1964-06-29)
- Posaune:
- George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
- Schlagzeug:
- Marvin Gaye (am 1964-06-29)
- Tenorsaxophon:
- Henry Cosby (am 1964-06-29)
- Trompete:
- Russell Conway (am 1964-06-29) und Herbert Williams (am 1964-06-29)
- Hintergrundgesang:
- Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (am 1964-06-29)
- Sologesang:
- Martha Reeves (am 1964-06-29)
- Herausgeber:
- EMI Music Publishing
- phonographisches Urheberrecht (℗) von:
- Motown Record Corporation (in 1964) und UMG Recordings, Inc. (in 1964)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (Nummer: 403)
- recording of:
- Dancing in the Street (am 1964-06-29)
- Verfasser(in):
- I. Hunter, M. Gaye und W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Martha & the Vandellas | 3.55 | 2:37 |
| 13 | I Can’t Help Myself (Sugar Pie, Honey Bunch)- recording engineer:
- Russ Terrana
- Produzent(in):
- Lamont Dozier und Brian Holland
- baritone saxophone:
- Mike Terry (in 1965)
- Bass [1962 Fender Precision Bass]:
- James Jamerson
- Gitarre [1964 Gibson Firebird III]:
- Eddie Willis (in 1965)
- Gitarre [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (in 1965)
- Gitarre [Gibson L-5]:
- Robert White (in 1965)
- Instrumente:
- The Funk Brothers (in 1965)
- Klavier:
- Earl Van Dyke (in 1965)
- Saiteninstrumente:
- Detroit Symphony Orchestra (in 1965)
- Schlagzeug:
- Richard "Pistol" Allen (in 1965)
- Tamburin:
- Jack Ashford (in 1965)
- Vibraphon:
- Jack Brokensha (in 1965)
- Hintergrundgesang:
- The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
- Sologesang:
- Levi Stubbs (in 1965)
- aufgenommen bei und mixed at:
- Hitsville in Detroit, Michigan, Vereinigte Staaten (in 1965)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (Nummer: 30), Billboard: The 500 Best Pop Songs (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
- recording of:
- I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
- Texter:
- Lamont Dozier, Brian Holland und Eddie Holland
- Komponist(in):
- Lamont Dozier und Brian Holland
- publisher:
- Stone Agate Music Division
| Four Tops | 3.6 | 2:43 |
| 14 | Uptight (Everything’s Alright) | Stevie Wonder | 4.7 | 2:55 |
| 15 | Baby Love | The Supremes | | 2:35 |
| 16 | Dancin’ Party | Chubby Checker | | 2:25 |
| 17 | Party Doll | Buddy Knox | | 2:14 |
| 18 | Shout | Lulu | | 2:51 |
| 19 | Money | Bern Elliott & the Fenmen | | 2:28 |
| 20 | With a Girl Like You | The Troggs | | 2:08 |
| 21 | Tell Him | Billie Davis | | 2:09 |
| 22 | Will You Love Me Tomorrow- kettle drum:
- Carole King (in 1960)
- Klavier:
- Paul Griffin (in 1960)
- Schlagzeug [drums]:
- Gary Chester (in 1960)
- Sologesang:
- Shirley Owens (in 1960)
- vocals:
- Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (in 1960)
- phonographisches Urheberrecht (℗) von:
- HHO Licensing Ltd.
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
- recording of:
- Will You Love Me Tomorrow (in 1960)
- Texter:
- Gerry Goffin
- Komponist(in):
- Carole King
- publisher:
- Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Warner/Chappell Music Ltd. , イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| The Shirelles | 3.8 | 2:42 |
| 23 | Can’t You Hear My Heartbeat | Goldie & the Gingerbreads | | 1:57 |
| 24 | Sway (Quien sera) | Dean Martin | | 2:41 |
| 25 | If I Had a Hammer | Trini Lopez | | 3:01 |