The Nation’s Favourite Soul

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
2Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
3Walk on By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:50
4When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:55
5What Becomes of the Broken Hearted
produttore:
William "Mickey" Stevenson (Motown songwriter)
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin4.652:57
6My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:41
7The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:53
8Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:39
9Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:04
10In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:37
11Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
basso :
Tommy Cogbill (il 1967-02-14)
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
pianoforte :
Dewey "Spooner" Oldham (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
tromba :
Melvin Lastie (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin42:23
12Try a Little Tenderness
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] , organo , pianoforte e vibrafono [vibes] :
Booker T. Jones
batteria [drums] :
Al Jackson (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono tenore :
Gilbert Caple e Andrew Love
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
voce:
Otis Redding
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966)
registrazione cover di:
Try a Little Tenderness (nel 1966)
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding33:24
13Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:37
14Clean Up Woman
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione di:
Clean Up Woman
autore:
Willie Clarke e Clarence Reid
editore:
EMI Longitude Music
Betty Wright52:46
15Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:04
16This Old Heart of Mine (Is Weak for You)
produttore:
Lamont Dozier, Holland–Dozier (with Brian Holland) e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
This Old Heart of Mine (Is Weak for You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Sylvia Moy
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) e Stone Agate Music Division
The Isley Brothers4.252:46
17Nowhere to Run
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 359)
registrazione di:
Nowhere to Run
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas4.652:49
18You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.752:53
19Reach Out I’ll Be There
registrazione di:
Reach Out, I’ll Be There
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops2:58
20Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:14
21Everybody Needs Somebody to Love
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 429)
registrazione di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Solomon Burke52:42
22I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.552:43
23Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar-Kays4.52:19
24Didn’t I (Blow Your Mind This Time)
voce:
The Delfonics (nel 1969-11)
orchestra:
The Thom Bell Orchestra (nel 1969-11)
mixata presso:
Longwear Plating in Long Island, New York, Stati Uniti (nel 1969-11)
registrazione di:
Didn’t I (Blow Your Mind This Time) (nel 1969-11)
autore:
Thom Bell (keyboards, songwriter, producer) (nel 1969) e William Hart (of The Delfonics) (nel 1969)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
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