Jeepers Creepers

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Stardust
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:39
2I Got Rhythm
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Klarinette und Sopransaxophon:
George James (US jazz saxophonist) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
I Got Rhythm (am 1931-11-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:06
3Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
42:39
4Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
cover recording of:
Basin Street Blues (am 1933-01-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:27
5Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
3:01
6Some Sweet Day
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Some Sweet Day (am 1933-01-27)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
recording of:
Some Sweet Day (in 1933)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
3:01
7I'm in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:07
8Swing That Music
recorded in:
New York, New York, Vereinigte Staaten (am 1936-05-18)
Gitarre:
Lee Blair (am 1936-05-18)
Klavier:
Luis Russell (am 1936-05-18)
Kontrabass:
George "Pops" Foster (am 1936-05-18)
Posaune:
Jimmy Archey (am 1936-05-18) und Snub Mosley (am 1936-05-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-05-18), Henry “Moon” Jones (swing era reeds) (am 1936-05-18) und Greely Walton (am 1936-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-05-18)
Tenorsaxophon:
Bingie Madison (am 1936-05-18)
Trompete:
Gus Aiken (am 1936-05-18), Louis Armstrong (am 1936-05-18), Louis Bacon (am 1936-05-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-05-18)
vocals:
Louis Armstrong (am 1936-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-05-18)
recording of:
Swing That Music (am 1936-05-18)
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
2:49
9Ev'entide
recording of:
Ev'ntide
Texter und Komponist(in):
Hoagy Carmichael
2:52
10Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:19
11Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1929-07-19)
alto saxophone:
Bert Curry (am 1929-07-19) und Crawford Wethington (am 1929-07-19)
Banjo:
Mancy "Peck" Carr (am 1929-07-19)
Geige / Violine:
Carroll Dickerson (am 1929-07-19)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-19)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-19)
Schlagzeug:
Zutty Singleton (am 1929-07-19)
Tenorsaxophon:
Jimmy Strong (am 1929-07-19)
Trompete:
Louis Armstrong (am 1929-07-19) und Homer Hobson (am 1929-07-19)
Tuba:
Pete Briggs (am 1929-07-19)
vocals:
Louis Armstrong (am 1929-07-19)
conductor:
Carroll Dickerson (am 1929-07-19)
recording of:
Ain’t Misbehavin’ (am 1929-07-19)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
4.853:23
12I Ain't Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:46
13I'm Confessin'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:22
14My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:22
15Dear Old Southland
Orchester:
Louis Armstrong and His Orchestra (am 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (am 1930-04-05)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
3:19
16That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
3:09
17Knockin' a Jug
recording of:
Knockin’ a Jug
Komponist(in):
Louis Armstrong und Eddie Condon
3:26
18St Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:01