Celebrating 50 Years of Motown: Heart & Soul

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Stop! In the Name of Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes3:01
2(Love Is Like a) Heat Wave
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 154) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 257)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha and the Vandellas42:44
3I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:45
4My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:56
5Ain’t Nothing Like the Real Thing
Produzent(in):
Nickolas Ashford und Valerie Simpson
Instrumente:
The Funk Brothers (am 1967-10-06)
Hintergrundgesang:
Valerie Simpson (in 1967) und Nickolas Ashford (am 1967-10-06)
Sologesang:
Marvin Gaye (am 1967-10-06) und Tammi Terrell (am 1967-10-06)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (am 1967-10-06)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye & Tammi Terrell3.752:15
6Signed, Sealed, Delivered (I’m Yours)
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:40
7My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:52
8Love Machine
recording of:
Love Machine
Texter und Komponist(in):
Billy Griffin und Warren Moore
Horn und Saiteninstrumente arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles3:00
9Brick House
Produzent(in):
James Anthony Carmichael
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 296)
recording of:
Brick House (original version)
Texter:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange und Lionel Richie
Komponist(in):
Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Commodores3.73:28
10Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.54:25

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