Interstellar: Original Motion Picture Soundtrack (Deluxe Version)

~ Release by Hans Zimmer (see all versions of this release, 18 available)

Tracklist

1▼Digital Media
#	Title	Artist	Rating	Length
1	Dreaming of the Crash recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Dreaming of the Crash (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	3.5	3:55
2	Cornfield Chase recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Cornfield Chase (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar (Live in Prague) part of: Interstellar	Hans Zimmer	3.9	2:06
3	Dust recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Dust (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	4	5:41
4	Day One recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Day One (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) publisher: Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar (Live in Prague) part of: Interstellar	Hans Zimmer	4.65	3:19
5	Stay recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Stay (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	4.15	6:52
6	Message From Home recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Message From Home (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3.5	1:40
7	The Wormhole recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: The Wormhole (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3.5	1:30
8	Mountains recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Mountains (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	4	3:39
9	Afraid of Time recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Afraid of Time (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3.5	2:32
10	A Place Among the Stars recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: A Place Among the Stars (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3	3:27
11	Running Out recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Running Out (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3.5	1:57
12	I’m Going Home recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: I’m Going Home (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3	5:48
13	Coward recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Coward (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	4	8:26
14	Detach recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Detach (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	3.5	6:42
15	S.T.A.Y. recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: S.T.A.Y. (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar (Live in Prague) part of: Interstellar	Hans Zimmer	4.5	6:23
16	Where We’re Going recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Where We’re Going (Interstellar) composer: Hans Zimmer (German score composer) premiered at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom part of: Interstellar	Hans Zimmer	4	7:41
17	First Step recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: First Step (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	3	1:47
18	Flying Drone recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Flying Drone (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	2	1:53
19	Atmospheric Entry recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Atmospheric Entry (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	2	1:40
20	No Need to Come Back recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: No Need to Come Back (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	2	4:32
21	Imperfect Lock recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Imperfect Lock (Interstellar) composer: Hans Zimmer (German score composer) part of: Interstellar	Hans Zimmer	2	6:54
22	No Time for Caution recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: No Time for Caution (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) part of: Interstellar (Live in Prague) part of: Interstellar	Hans Zimmer	3	4:06
23	What Happens Now? recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) piano: Hans Zimmer (German score composer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) chorus master: Terry Edwards (British choir director) and Ben Parry (British conductor) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: What Happens Now? (Interstellar) composer: Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer) publisher: Paramount Bella Music and Warner–Barham Music LLC part of: Interstellar	Hans Zimmer	2	2:26
24	Do Not Go Gentle Into That Good Night recording engineer: Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer) additional engineer: Daniel Kresco, Seth Waldmann and Christian Wenger assistant engineer: Leland Cox (engineer) and Jacqueline Friedberg (engineer) engineer: Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry producer: Alex Gibson (musician/editor), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer) assistant mixer: John Witt Chapman (engineer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor) spoken vocals: Casey Affleck, Ellen Burstyn, Jessica Chastain, Mackenzie Foy, John Lithgow and Matthew McConaughey (actor and producer) conductor: Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer) additional orchestrator: Bruce Fowler (trombone, composer, arranger, orchestrator) orchestrator: Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund recorded at: Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Do Not Go Gentle Into That Good Night (Interstellar) lyricist: Dylan Thomas (the poet) composer: Hans Zimmer (German score composer) arrangement of: Do Not Go Gentle Into That Good Night part of: Interstellar	John Lithgow, Ellen Burstyn, Casey Affleck, Jessica Chastain, Matthew McConaughey & Mackenzie Foy	2	1:39

Credits

Release

art direction:	Sandeep Sriram
photography:	Jordan Goldberg (photographer)
synthesizer programming:	Hans Zimmer (German score composer)
alto clarinet [eb clarinet]:	Nick Rodwell (clarinet)
alto flute:	Siobhan Grealy (flute) Anna Noakes (flautist) Rowland Sutherland
bass:	Mary Scully (double bassist)
bass clarinet [bass clarinet c extension]:	Duncan Ashby (clarinetist / saxophonist) Martin Robertson (saxophonist & clarinetist)
bassoon:	Gordon Laing (bassoonist) Rachel Simms (bassoonist) Richard Skinner (bassoon player) Lorna West (bassoon)
cello:	Caroline Dale (cellist)
clarinet:	Alan Andrews (clarinetist) Duncan Ashby (clarinetist / saxophonist) Nicholas Bucknall Dave Fuest (clarinet) Martin Robertson (saxophonist & clarinetist) Nick Rodwell (clarinet)
contrabass clarinet [bb contrabass clarinet]:	Alan Andrews (clarinetist)
contrabass clarinet [eb contrabass clarinet]:	Dave Fuest (clarinet)
contrabassoon:	Gordon Laing (bassoonist) Rachel Simms (bassoonist)
cor anglais:	Jane Marshall Janey Miller (oboist)
flute:	Paul Edmund-Davies (flautist) Siobhan Grealy (flute) Karen Jones (flautist) Helen Keen (flautist) Anna Noakes (flautist) Rowland Sutherland
French horn:	Richard Watkins (hornist)
oboe:	Matthew Draper (oboist) Jane Marshall Janey Miller (oboist) David Theodore (oboist)
piano:	Andrew Vinter Dave Arch (pianist, conductor, arranger and composer) Simon Chamberlain (pianist) John Lenehan (classical pianist)
piccolo:	Paul Edmund-Davies (flautist) Helen Keen (flautist) Anna Noakes (flautist)
solo harp:	Skaila Kanga (harpist)
solo organ:	Roger Sayer (Organist (Soundtrack from Interstellar), Choral director)
solo piano:	Hans Zimmer (German score composer)
solo steel guitar:	Chas Smith
solo vibraphone [tuned percussion]:	Frank Ricotti (percussionist)
solo violin:	Ann Marie Simpson
strings:	Tim Gill (cellist) Rita Manning (violinist) Emlyn Singleton (violinist) Bruce White (violist)
viola:	Peter Lale (violist)
chorus master:	Terry Edwards (British choir director) Ben Parry (British conductor)
choir vocals:	London Voices
concertmaster:	Thomas Bowes (violinist) Roger Garland (violinist)

purchase for download:	https://www.qobuz.com/album/interstellar-original-motion-picture-soundtrack-deluxe-version-hans-zimmer/rxbq96yngij6a [info]

Release group

part of:	Music From Christopher Nolan Films (order: 10)

Discogs:	https://www.discogs.com/master/761723 [info]
other databases:	http://soundtrackcollector.com/title/106426/ [info] https://rateyourmusic.com/release/album/hans_zimmer/interstellar/ [info] https://www.offiziellecharts.de/charts/album-details-260104 [info]
IMDb:	https://www.imdb.com/title/tt0816692/ [info]
Allmusic:	https://www.allmusic.com/album/mw0002770179 [info]
Wikidata:	Q18552823 [info]
discography entry:	https://www.last.fm/music/Hans+Zimmer/Interstellar:+Original+Motion+Picture+Soundtrack [info]

Interstellar: Original Motion Picture Soundtrack (Deluxe Version)

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