| # | Title | Artist | Rating | Length |
|---|
| 1 | We Are the Champions | Queen | 3.95 | 3:01 |
| 2 | You've Lost That Lovin' Feelin'- phonographic copyright (℗) by:
- Universal Records (in 1965)
- recording of:
- You’ve Lost That Lovin’ Feelin’
- writer:
- Barry Mann, Phil Spector and Cynthia Weil
- publisher:
- ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. , Columbia Music , EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- EMI Music Publishing Germany , Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Righteous Brothers | 4 | 3:42 |
| 3 | Your Song- engineer:
- Robin Geoffrey Cable
- producer:
- Gus Dudgeon
- 12 string guitar:
- Clive Hicks
- acoustic guitar:
- Frank Clark
- bass guitar:
- Dave Richmond
- drums (drum set):
- Barry Morgan
- guitar:
- Colin Green
- piano and lead vocals:
- Elton John
- conductor:
- Paul Buckmaster
- arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- This Record Co. Ltd.
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- part of:
- Billboard: The 500 Best Pop Songs (number: 54), Rolling Stone: 500 Greatest Songs of All Time (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 202)
- recording of:
- Your Song
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Dick James Music Ltd. (ended), Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Elton John | 3.75 | 4:00 |
| 4 | Space Oddity- producer:
- Gus Dudgeon
- 12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
- David Bowie (in 1969-06)
- bass:
- Herbie Flowers (in 1969-06)
- cello:
- Paul Buckmaster (in 1969-06)
- drums (drum set):
- Terry Cox (in 1969-06)
- electric guitar:
- Mick Wayne (in 1969-06)
- mellotron:
- Rick Wakeman (in 1969-06)
- arranger:
- David Bowie and Paul Buckmaster
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1969-06)
- music videos:
- Space Oddity by David Bowie and Space Oddity by David Bowie
- a cappella versions:
- Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
- recording of:
- Space Oddity (in 1969-06)
- lyricist and composer:
- David Bowie
- publisher:
- Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
| David Bowie | 4.25 | 5:13 |
| 5 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968) and Project 3 Records Inc. (in 1988)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 3.95 | 2:16 |
| 6 | All I Have to Do Is Dream | The Everly Brothers | 4 | 2:20 |
| 7 | The House of the Rising Sun | The Animals | 4.15 | 4:28 |
| 8 | The Sun Ain't Gonna Shine Anymore | The Walker Brothers | 3.5 | 3:01 |
| 9 | Oh Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:58 |
| 10 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 36), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 4.25 | 2:13 |
| 11 | It's Not Unusual | Tom Jones | 4.5 | 1:59 |
| 12 | Baby Love | The Supremes | 4.35 | 2:33 |
| 13 | I Was Made to Love Her- producer:
- Henry Cosby
- bass:
- James Jamerson (on 1967-03-31)
- electric sitar:
- Eddie Willis (on 1967-03-31)
- harmonica and lead vocals:
- Stevie Wonder (on 1967-03-31)
- instruments:
- The Funk Brothers (on 1967-03-31)
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1966) and Motown Record Corporation (in 1967)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1967-03-31)
- recording of:
- I Was Made to Love Her (on 1967-03-31)
- writer:
- Henry Cosby, Lula Mae Hardaway , Sylvia Moy and Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
| Stevie Wonder | 4.7 | 2:32 |
| 14 | The Tears of a Clown | Smokey Robinson & The Miracles | 3.9 | 2:59 |
| 15 | Band of Gold | Freda Payne | 4.5 | 2:54 |
| 16 | You Sexy Thing | Hot Chocolate | 3.85 | 4:03 |
| 17 | Spirit in the Sky | Norman Greenbaum | 4.05 | 3:57 |
| 18 | All Right Now- engineer:
- Roy Thomas Baker
- producer:
- Free and John Kelly
- bass:
- Andy Fraser
- drums (drum set):
- Simon Kirke
- guitar:
- Paul Kossoff
- lead vocals:
- Paul Rodgers
- remixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970, in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Trident Studios in Soho, Westminster, London , England, United Kingdom
- music videos:
- All Right Now by Free
- recording of:
- All Right Now
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing
| Free | 4.65 | 4:14 |
| 19 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:13 |
| 20 | Mr. Tambourine Man- recorded in:
- Hollywood, Los Angeles, California, United States (on 1965-01-20)
- producer:
- Terry Melcher
- 12 string guitar:
- Jim McGuinn (on 1965-01-20)
- bass guitar:
- Chris Hillman (on 1965-01-20)
- drums (drum set):
- Michael Clarke (on 1965-01-20)
- guitar:
- David Crosby (on 1965-01-20)
- tambourine:
- Gene Clark (on 1965-01-20)
- vocals:
- Gene Clark (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
- phonographic copyright (℗) by:
- Columbia Records (in 1965) and Sony Music Entertainment Inc. (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
- cover recording of:
- Mr. Tambourine Man (on 1965-01-20)
- lyricist and composer:
- Bob Dylan (from 1964-02 until 1964-04)
- publisher:
- Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Bros. Music , Warner Brothers Music Ltd. , Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
- adaptations:
- Setä pelimanni
| The Byrds | 4.15 | 2:19 |
| 21 | Wonderful Land | The Shadows | 4 | 2:01 |
| 22 | It Doesn't Matter Anymore- producer:
- Dick Jacobs and Norman Petty
- bass:
- Joe B. Mauldin
- bass guitar:
- Sanford Bloch (on 1958-10-21)
- cello:
- Maurice Bialkin (on 1958-10-21) and Maurice Brown (on 1958-10-21)
- drums (drum set):
- Jerry Allison and Cliff Leeman (on 1958-10-21)
- guitar:
- Buddy Holly , Niki Sullivan and Al Caiola (on 1958-10-21)
- harp:
- Doris Johnson (on 1958-10-21)
- piano:
- Ernest Hayes (on 1958-10-21)
- tenor saxophone:
- Abraham “Boomie” Richman (on 1958-10-21)
- viola:
- Howard Kay (on 1958-10-21) and David Schwartz (on 1958-10-21)
- violin:
- Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (on 1958-10-21) and Paul Winter (on 1958-10-21)
- vocals:
- Buddy Holly (on 1958-10-21)
- orchestra:
- Dick Jacobs & His Orchestra (on 1958-10-21)
- conductor:
- Dick Jacobs (on 1958-10-21)
- phonographic copyright (℗) by:
- Geffen Records (in 1959) and MCA Records, Inc. (in 1959)
- recorded at:
- Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
- recording of:
- It Doesn’t Matter Anymore (on 1958-10-21)
- lyricist and composer:
- Paul Anka
- publisher:
- Copyright Control , EMI Music Publishing Ltd. and Robert Mellin Ltd.
| Buddy Holly | 2.75 | 2:03 |
| 23 | Living Doll | Cliff Richard | | 2:38 |
| 24 | The Carnival Is Over | The Seekers | | 3:09 |
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