Soul for Your Soul: The Very Best of Black Music

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Cat# (CD 1): 555 299-2
Cat# (CD 2): 555 300-2

This compilation:
(p) 1998 PolyGram GmbH, Hamburg
(c) 1998 PolyGram GmbH, Hamburg

Rights societies: B.I.E.M./MCPS
Label code: LC 0881

Annotazione modificata l'ultima volta il 2013-03-17 20:29 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Don't Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:38
2ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
Michael Jackson & The Jackson 54.12:58
3Touch Me in the Morning
produttore:
Tom Baird (Motown producer) e Michael Masser
arrangiatore:
Tom Baird (Motown producer) e Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
Touch Me in the Morning
autore:
Michael Masser e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross3.53:28
4Love Machine
registrazione di:
Love Machine
paroliere e compositore:
Billy Griffin e Warren Moore
arrangiatore corno e archi :
Wade Marcus
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles2:51
5Ben
produttore:
The Corporation (Motown songwriters)
voce principale:
Michael Jackson (“King of Pop”) (nel 1972)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
registrazione di:
Ben (nel 1972)
paroliere:
Don Black (English lyricist)
compositore:
Walter Scharf
editore:
Jobette Music (nel 1972)
parte di:
The 45th Academy Award for Best Original Song (numero: 2)
Michael Jackson3.852:45
6Let's Get Serious
Jermaine Jackson3:35
7You're All I Need to Get By
produttore:
Nickolas Ashford e Valerie Simpson
voce:
Tammi Terrell
registrazione di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell42:50
8(Get Up I Feel Like Being a) Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:18
9Cherish
diritti fonografici (℗) detenuti da:
Delite Recorded Sound (not for release) (nel 1984) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4.54:46
10With You I'm Born Again
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1979)
registrazione di:
With You I’m Born Again
paroliere:
Carol Connors
compositore:
David Shire (American score composer)
editore:
Check Out Music, EMI Music Publishing (do not use as a release label!) e Jobete Music (UK) Ltd.
Billy Preston & Syreeta43:40
11Don't Look Any Further
tecnico di registrazione:
Jeremy Smith (producer/engineer)
programmazione degli strumenti e co-produttore associato:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
produttore:
Dennis Lambert
cabassa , shaker , tamburello , tamburo parlante e timbales :
Paulinho da Costa (Brazilian percussionist)
chitarra basso :
Nathan East
chitarra elettrica [Valley Arts Stratocaster] e sintetizzatore basso :
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
sintetizzatore :
Dennis Lambert
voce ospite:
Siedah Garrett
esecutore:
Siedah Garrett
arrangiatore:
Dennis Lambert e Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
registrata presso:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
mixata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Don’t Look Any Further
autore:
Franne Golde, Duane Hitchings e Dennis Lambert
editore:
BMG Platinum Songs US, Universal Music Careers e VMG Worldwide
Dennis Edwards44:05
12Love to Love You Baby
produttore:
Pete Bellotte (English lyricist and producer)
registrazione di:
Love to Love You Baby (nel 1975)
autore:
Pete Bellotte (English lyricist and producer), Giorgio Moroder e Donna Summer (soul/disco diva)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell e WB Music Corp. (1929–2019)
Donna Summer43:22
13Let the Music Play
registrazione di:
Let the Music Play
paroliere e compositore:
Barry White
Barry White6:17
14Celebrate the World
registrazione di:
Celebrate the World
autore:
Cecil Womack e Linda Womack
Womack & Womack4:15
15Get Here
produttore:
David Bascombe e Roland Orzabal (UK musician, songwriter and producer)
basso :
Pino Palladino
batteria :
John Cushon
percussione :
Luís Jardim
pianoforte e tastiera :
Oleta Adams
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (nel 1990) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1990)
parte di:
The Downloader’s Music Source Book (numero: 191)
registrazione cover di:
Get Here
paroliere e compositore:
Brenda Russell (US singer-songwriter & keyboardist)
editore:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e WB Music Corp. (1929–2019)
Oleta Adams44:35
16I Love Your Smile
produttore:
Narada Michael Walden
arrangiatore:
Narada Michael Walden
è stato produttore per:
Perfection Light Productions
registrazione di:
I Love Your Smile
autore:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox e Narada Michael Walden
editore:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music e WB Music Corp. (1929–2019)
Shanice44:18