Christmas with the Vienna Boys' Choir

~ Release by Vienna Boys' Choir (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Mass in C K.317 “Coronation”: Kyrie
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie (Mass in C, K. 317 "Coronation Mass": I. Kyrie)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart2:50
2Mass in C K.317 “Coronation”: Gloria
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart4:38
3Mass in C K.317 “Coronation”: Credo
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: III. Credo (Mass in C, K. 317 "Coronation Mass": III. Credo)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:27
4Mass in C K.317 “Coronation”: Sanctus
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus (Mass in C, K. 317 "Coronation Mass": IV. Sanctus)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart1:42
5Mass in C K.317 “Coronation”: Benedictus
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (Mass in C, K. 317 "Coronation Mass": V. Benedictus)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart3:26
6Mass in C K.317 “Coronation”: Agnus Dei
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
solo alto vocals:
Albin Lenzer (Boy Alto)
solo bass vocals:
Ernst Jankowitsch
solo tenor vocals:
Michael Knapp (tenor)
solo treble vocals:
Benjamin Schmidinger (singer)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:17
7Cantata For The Third Sunday After Trinity, Prima Parte: Sinfonia - Adagio assai
harpsichord and organ:
Georg Stangelberger
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:50
88. Cantata For The Third Sunday After Trinity, Prima Parte: Coro “Ich Hatte Viel Bekummernis”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:53
9Cantata For The Third Sunday After Trinity, Prima Parte: Aria “Seufzer, Thanen, Krummer, N”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:36
10Cantata For The Third Sunday After Trinity, Prima Parte: Recitativo “Wie hast du Dich, Mein”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo tenor vocals:
Michael Knapp (tenor)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:34
11Cantata For The Third Sunday After Trinity, Prima Parte: Aria “Bache von Gesalznen Zahren”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo tenor vocals:
Michael Knapp (tenor)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:59
12Cantata For The Third Sunday After Trinity, Prima Parte: Coro “Was Betrubst du Mich, Meine Seele”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
solo alto vocals:
Albin Lenzer (Boy Alto)
solo bass vocals:
Ernst Jankowitsch
solo tenor vocals:
Michael Knapp (tenor)
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:21
13Cantata For The Third Sunday After Trinity, Seconds Parte: Recitativo “Ach, Jesu, Meine Ruh”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo bass vocals:
Ernst Jankowitsch
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:25
14Cantata For The Third Sunday After Trinity, Seconds Parte: Duetto “Komm, Mein Jesu”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo bass vocals:
Ernst Jankowitsch
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:11
15Cantata For The Third Sunday After Trinity, Seconds Parte: Coro “Sei Nun Wieder Zufrieden”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
solo bass vocals:
Ernst Jankowitsch
solo tenor vocals:
Michael Knapp (tenor)
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:12
16Cantata For The Third Sunday After Trinity, Seconds Parte: Aria “Erfreue Dich, Seele”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Vienna Boys' Choir (The Vienna Boys Choir)
solo tenor vocals:
Michael Knapp (tenor)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:47
17Cantata For The Third Sunday After Trinity, Seconds Parte: Coro “Das Lamm, Das Erwurget Ist”
harpsichord and organ:
Georg Stangelberger
choir vocals:
Chorus Viennensis and Vienna Boys' Choir (The Vienna Boys Choir)
solo alto vocals:
Albin Lenzer (Boy Alto)
solo bass vocals:
Ernst Jankowitsch
solo tenor vocals:
Michael Knapp (tenor)
solo treble vocals:
Stefan Prejer (Boy Soprano)
orchestra:
Stuttgart Philharmonic Orchestra
conductor:
Peter Marschik (chorus master)
chorus master:
Guido Mancusi (conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:09