Greatest Hits of the 80's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD-R
2▶CD-R
3▶CD-R
4▶CD-R
5▶CD-R
6▶CD-R
8▼CD-R
Nr.TitelKünstlerBewertungLänge
1Blue Monday
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
Samples:
Uran von Kraftwerk
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (Nummer: 61) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 235)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order3.77:28
2I Love Little Girls
Oingo Boingo3:46
3Talk Talk
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk33:20
4Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:52
5Major Tom
recording engineer:
Lars Hidde (von 1982 bis 1983), Manfred Lohse (von 1982 bis 1983), Geoff Peacey (von 1982 bis 1983), Frank Reinke (Germany based engineer) (von 1982 bis 1983), Peter Schilling (German synthpop musician) (von 1982 bis 1983) und Peter Schmidt (recording engineer) (von 1982 bis 1983)
assistierende(r) Produzent(in):
Frank Hieber (in 1982)
Produzent(in):
Armin Sabol (von 1982 bis 1983) und Peter Schilling (German synthpop musician) (von 1982 bis 1983)
Mix:
Holger J. Magnussen (in 1982)
E-Bass:
Günther Gebauer (in 1982)
E-Gitarre:
Armin Sabol (in 1982)
Keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
Schlagzeug:
Curt Cress (in 1982)
Sologesang:
Peter Schilling (German synthpop musician) (in 1983)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
aufgenommen bei:
Peer Studio in Hamburg, Deutschland (von 1982 bis 1983)
a cappella versions:
Space Oddity / Major Tom (Coming Home) von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 68)
recording of:
Major Tom (Coming Home) (von 1982 bis 1983)
Texter und Komponist(in):
Peter Schilling (German synthpop musician)
Übersetzer:
David Lodge
gewidmet:
Peer Musikverlag (Peermusic Musikverlag GesmbH)
übersetzte Version von:
Major Tom (Völlig losgelöst)
Peter Schilling4.355:01
6With or Without You
recording engineer:
Flood (British producer Mark Ellis)
Synthesizer [DX7]-Programmierung:
Brian Eno
zusätzliche(r) Techniker(in):
Pat McCarthy und Dave Meegan (producer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistierende(r) Mix:
Mary Kettle
Mix:
Steve Lillywhite und Mark Wallis
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Keyboard:
Brian Eno
Mundharmonika und Sologesang:
Bono (singer of U2)
Omnichord, Tamburin und zusätzlich Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Hintergrundgesang:
The Edge (U2 guitarist David Evans), Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
aufgenommen bei und mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
With or Without You von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 131) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 211)
recording of:
With or Without You
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:58
7One Thing Leads to Another
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Gitarre:
Jamie West‐Oram
Keyboard:
Rupert Greenall
Schlagzeug:
Adam Woods (drummer)
vocals:
Cy Curnin
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
Musikvideos:
One Thing Leads to Another von The Fixx
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 72)
recording of:
One Thing Leads to Another (The Fixx song)
Verfasser(in) und Komponist(in):
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
The Fixx4.353:21
8Red Red Wine
assistierende(r) Techniker(in):
Alan Caves
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
assistierende(r) Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Ray “Pablo” Falconer und UB40
Bass:
Earl Falconer
drum machine und Schlagzeug:
James Brown (UB40 drummer)
Gitarre:
Ali Campbell (UB40’s former vocalist) und Robin Campbell
Keyboard:
Michael Virtue (keyboardist)
Perkussion:
Astro (UB40 toast, trumpet & percussion) und Norman Hassan
Saxophon:
Brian Travers
Sprecher [toasting, rhyming]:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist), Robin Campbell und Norman Hassan
arranger:
UB40
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB404.15:23
9You Keep Me Hanging On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:21
10Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:31
11In a Big Country
Techniker(in):
Will Gosling
Produzent(in):
Steve Lillywhite
Musikvideos:
In a Big Country von Big Country
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 17)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country44:48
12Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:31
13Boys Don't Cry
Techniker(in):
Mike Hedges (UK producer/recording engineer)
Produzent(in) und Mix:
Chris Parry
Bassgitarre:
Michael Dempsey
Gitarre und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Schlagzeug:
Lol Tolhurst
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Boys Don’t Cry von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 242)
recording of:
Boys Don’t Cry (in 1979)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure4.352:37
14Caribbean Queen
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean53:46
15Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.54:04

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Veröffentlichungsgruppe

enthält:Monster '80s