Pure Jazz

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1It Never Entered My Mind (Higher & Higher)
produttore:
Alfred Lion
basso e contrabbasso :
Percy Heath (il 1954-03-06)
batteria :
Art Blakey (il 1954-03-06)
pianoforte :
Horace Silver (il 1954-03-06)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1954-03-06)
diritti fonografici (℗) detenuti da:
Blue Note
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1954-03-06)
registrazione strumentale cover di:
It Never Entered My Mind (il 1954-03-06)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
Chappell & Co., Inc. (USA) e Lorenz Hart Publishing Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis4:04
2Darn That Dream
produttore:
Francis Wolff (photographer and record producer)
batteria :
Art Taylor (il 1964-06-02)
contrabbasso :
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (il 1964-06-02)
pianoforte :
Kenny Drew (il 1964-06-02)
sassofono tenore :
Dexter Gordon (il 1964-06-02)
registrata presso:
Studio Hoche (Barclay) in Paris, Île-de-France, Francia (il 1964-06-02)
registrazione strumentale di:
Darn That Dream (il 1964-06-02)
paroliere:
Eddie DeLange (nel 1939)
compositore:
Jimmy Van Heusen (nel 1939)
editore:
Scarsdale Music Corp. (ASCAP)
parte di:
Swingin’ the Dream
Dexter Gordon7:33
3I've Got It Bad (And That Ain't Good)
Donald Byrd5:54
4Fly Me To The Moon (In Other Words)
registrazione cover di:
Fly Me to the Moon (il 1961-12-21)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nat King Cole & George Shearing3:32
5Along Came Betty (Rudy Van Gelder Edition) [1999 Remastered Version]
tecnico di registrazione:
Rudy van Gelder
produttore:
Alfred Lion
batteria :
Art Blakey (il 1958-10-30)
contrabbasso :
Jymie Merritt (il 1958-10-30)
pianoforte :
Bobby Timmons (il 1958-10-30)
sassofono tenore :
Benny Golson (American jazz saxophonist and composer) (il 1958-10-30)
tromba :
Lee Morgan (jazz trumpeter / composer) (il 1958-10-30)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1958-10-30)
registrazione di:
Along Came Betty (il 1958-10-30)
compositore:
Benny Golson (American jazz saxophonist and composer)
editore:
Time Step Music (publisher for Benny Golson)
Art Blakey6:13
6Dancing In The Dark
tecnico:
Rudy van Gelder
produttore:
Alfred Lion
batteria :
Art Blakey (il 1958-03-09)
contrabbasso :
Sam Jones (US jazz bassist) (il 1958-03-09)
pianoforte :
Hank Jones (piano) (il 1958-03-09)
sassofono contralto :
Julian “Cannonball” Adderley (il 1958-03-09)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (nel 1999, nel 2012) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1999)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1958-03-09)
registrazione strumentale di:
Dancing in the Dark (il 1958-03-09)
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
editore:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Band Wagon (1953 film)
Cannonball Adderley44:07
7In A Sentimental Mood
Duke Ellington2:32
8After Supper
registrazione di:
After Supper
compositore e arrangiatore:
Neal Hefti
editore:
International Korwin Corp.
Count Basie & His Orchestra3:26
9(I Loves You) Porgy [Live At the Newport Jazz Festival]
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1957-12)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:05
10Reflections
tecnico di registrazione:
Rudy van Gelder
produttore:
Alfred Lion
batteria :
Art Blakey (il 1957-04-14)
contrabbasso [bass] :
Paul Chambers (US jazz bassist) (il 1957-04-14)
pianoforte :
Thelonious Monk (il 1957-04-14)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1957-04-14)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1957-04-14)
registrazione di:
Reflections (il 1957-04-14)
compositore:
Thelonious Monk
Sonny Rollins7:03
11Willow Weep For Me
registrazione di:
Willow Weep for Me
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Stanley Turrentine & The Three Sounds8:39
12Lover Man (Oh Where Can You Be)
registrazione cover di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Dinah Washington3:02
13Lazy Afternoon (1995 Remastered Version)
registrazione di:
Lazy Afternoon (The Golden Apple, 1954)
orchestratore e compositore:
Jerome Moross (American composer and conductor)
paroliere:
John Latouche
editore:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) e Warner Chappell Music, Inc.
parte di:
The Golden Apple (musical)
Pete La Roca5:33
14'Round Midnight
tecnico di registrazione:
Doug Hawkins (sound engineer)
produttore:
Alfred Lion
batteria :
Art Blakey (il 1947-11-21)
contrabbasso :
Robert Paige (jazz bassist) (il 1947-11-21)
pianoforte :
Thelonious Monk (il 1947-11-21)
sassofono contralto :
Edmond Gregory (American jazz musician) (il 1947-11-21)
tromba :
George Taitt (il 1947-11-21)
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1947-11-21)
registrazione strumentale di:
’Round Midnight (il 1947-11-21)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Thelonious Monk3:11
15Blue And Sentimental
produttore:
Alfred Lion
basso :
Paul Chambers (US jazz bassist) (il 1961-12-16)
batteria :
Philly Joe Jones (US jazz drummer) (il 1961-12-16)
chitarra :
Grant Green (jazz guitarist) (il 1961-12-16)
sassofono tenore :
Ike Quebec (il 1961-12-16)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1961-12-16)
registrazione di:
Blue and Sentimental (il 1961-12-16)
compositore:
Count Basie (pianist), Mack David (American lyricist and songwriter) e Jerry Livingston (songwriter)
Ike Quebec7:28
16You'd Be So Nice To Come Home To (1990 Remastered Version)
Bud Powell Trio2:38
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