The Absolute Very Best of the World’s Best Ever Beer Songs, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Summer of 69
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-22)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-22)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-22)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-22)
Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocal]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-22)
Schlagzeug [drums]:
Pat (von 1984-03-27 bis 1984-09-22)
Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-22)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 10) und The Downloader’s Music Source Book (Nummer: 179)
recording of:
Summer of ’69 (von 1984-03-27 bis 1984-09-22)
geschrieben in:
Vancouver, British Columbia, Kanada (am 1984-01-25)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1984-01-25) und Jim Vallance (am 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) und Testatyme Music (in 1984)
Bryan Adams4.43:31
2Cheap Wine
Techniker(in):
Mark Opitz und Neil Rawle
Produzent(in):
Cold Chisel
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Schlagzeug:
Steve Prestwich
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) und Ian Moss
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) und Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor und Rondor Music (Australia) Pty Ltd
Cold Chisel33:24
3Rock and Roll All Night
assistierende(r) Techniker(in):
George Lopez (engineer)
Techniker(in):
Dave Wittman
Produzent(in):
Neil Bogart und KISS (US rock band)
E-Bass und Sologesang:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre:
Ace Frehley (American rock guitarist) und Paul Stanley (KISS frontman)
Schlagzeug:
Peter Criss
Hintergrundgesang:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto und JR Smalling
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1975)
aufgenommen bei:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1975-01-24 bis 1975-01-25) und Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1975-02-06 bis 1975-02-25)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 404)
recording of:
Rock and Roll All Nite
Verfasser(in):
Gene Simmons (KISS bassist and vocalist) und Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (beendet), Café Americana Inc., Hori Productions America Inc. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
geschrieben bei:
Continental Hyatt House in West Hollywood, California (Kalifornien), Vereinigte Staaten
KISS3.82:44
4Take a Long Line
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1978)
recording of:
Take a Long Line
Verfasser(in):
John Brewster, Rick Brewster und Doc Neeson
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Mushroom Music International und J. Albert & Son Pty. Ltd. (in 1978)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Angels53:01
5Hit Me With Your Best Shot
Techniker(in):
Chris Minto (engineer) und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer)
Bass:
Roger Capps
Gitarre:
Scott St. Clair Sheets
Gitarre und Keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Schlagzeug:
Myron Grombacher
Hintergrundgesang:
Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Hintergrundgesang und Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs und Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:51
6Bad Boy for Love
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Bass:
Ian Riland
Gitarre:
Michael Cocks und Peter Wells (Rose Tattoo guitarist)
Schlagzeug:
Dallas Royal
vocals:
Angry Anderson
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978) und J. Albert & Son Pty. Ltd. (in 1977)
recording of:
Bad Boy for Love
Texter und Komponist(in):
Ian Rilen
publisher:
J. Albert & Son und J. Albert & Son Pty. Ltd.
Rose Tattoo3:03
7Cum on Feel the Noise
cover recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4:43
8Rollover DJ
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Keyboard und Keyboard [keyboards]:
Billy Preston
Schlagzeug:
Chris Cester
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rollover D.J.
Verfasser(in):
Chris Cester, Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jet3.53:16
9Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:46
10Boys in Town
Bass:
Rick Grossman
Gitarre:
Bjarn Ohlin und Mark McEntee
Keyboard:
Bjarn Ohlin
Schlagzeug:
Richard Harvey (Australian drummer)
vocals:
Christina Amphlett
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
Verfasser(in):
Chrissy Amphlett, Mark McEntee und Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Divinyls32:51
11Run Runaway
Produzent(in):
John Punter
recording of:
Run Runaway
Verfasser(in):
Noddy Holder und Jim Lea
Slade43:43
12Dumb Things
recording of:
Dumb Things
Texter und Komponist(in):
Paul Kelly (Australian singer/songwriter)
Paul Kelly & the Coloured Girls2:30
13And We Danced
recording engineer:
John Agnello (engineer & producer) und William Wittman
assistierende(r) Techniker(in):
Carol Cafiero und Dan Nash
Produzent(in):
Rick Chertoff
Mix:
David Thoener
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
And We Danced
Verfasser(in):
Eric Bazilian und Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Human Boy Music
The Hooters3:45
14Save the Day
Assistent recording engineer und assistierende(r) Techniker(in):
Matt Voight
recording engineer und Techniker(in):
Lindsay Gravina (engineer & guitarist)
Produzent(in):
Lindsay Gravina (engineer & guitarist) und The Living End (Australian punk band)
Mix:
Jerry Finn
aufgenommen bei:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australien
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Save the Day
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End2.652:56
15Real Wild Child (Wild One)
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:36
16Get Free
recording engineer:
Doug Boehm (von 2001-07 bis 2002-02)
Produzent(in):
Rob Schnapf (producer and audio engineer)
assistierende(r) Mix:
Brian Douglass
Mix:
Andy Wallace (engineer) (in 2001)
Bass:
Patrick Matthews (von 2001-07 bis 2002-02)
E-Gitarre, Tamburin, Hintergrundgesang und Sologesang:
Craig Nicholls (von 2001-07 bis 2002-02)
Schlagzeug:
Joey Waronker (von 2001-07 bis 2002-02)
zusätzlich Perkussion:
Ethan Johns und Steven Rhodes (Engineer)
vocals:
Craig Nicholls
phonographisches Urheberrecht (℗) von:
Engine Room Music Pty Limited (in 2002)
aufgenommen bei:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-07 bis 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
Get Free (Vines song) (von 2001-07 bis 2002-02)
Texter und Komponist(in):
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:06
17Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:56
18Some Like It Hot
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Rob Eaton, Steve Rinkoff und Tony Taverner
Produzent(in):
Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
Interpret(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Tony Thompson (drummer, best known for his work in CHIC)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at und engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Some Like It Hot
Verfasser(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) und John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music und Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:05
19Wild Wild Life
Assistent recording engineer:
Kathy Botich, Nick Del Re und Melanie West (engineer)
recording engineer:
Eric “E.T.” Thorngren
Produzent(in):
Talking Heads
assistierende(r) Mix:
Charles Brocco, Robin Laine und Tom Nist (engineer)
Mix:
Mick Guzauski
Bassgitarre [bass]:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug [drums]:
Chris Frantz
Hintergrundgesang:
Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1986)
aufgenommen bei:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
O’Henry Studios in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wild Wild Life
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3.653:40
20I Drink Alone
recording of:
I Drink Alone
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
George Thorogood & the Destroyers4:32
21The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:27
22You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:13
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