Music for Torching

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Don’t Want to Cry Any More
alto saxophone:
Benny Carter (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
recording of:
I Don’t Want to Cry Anymore (am 1955-08-23)
Texter und Komponist(in):
Victor Schertzinger
2.53:57
2Prelude to a Kiss
vocals:
Billie Holiday
recording of:
Prelude to a Kiss (am 1955-08-23)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
45:35
3(I Don’t Stand a) Ghost of a Chance (With You)
alto saxophone:
Benny Carter (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
recording of:
(I Don’t Stand) A Ghost of a Chance (am 1955-08-23)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
44:29
4When Your Lover Has Gone
recording of:
When Your Lover Has Gone (am 1955-08-23)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
34:58
5Gone with the Wind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
E-Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Gone With the Wind (am 1955-08-23)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2.353:26
6Please Don't Talk About Me when I’m Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
alto saxophone:
Benny Carter (am 1955-08-23)
Bass:
John Simmons (bassist) (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
Sologesang:
Billie Holiday (am 1955-08-23)
recording of:
Please Don’t Talk About Me When I’m Gone (am 1955-08-23)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
44:22
7It Had to Be You
recording of:
It Had to Be You (am 1955-08-23)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
54:03
8Nice Work If You Can Get It
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Nice Work If You Can Get It (am 1955-08-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
53:50
9Come Rain or Come Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-25)
alto saxophone:
Benny Carter (am 1955-08-25)
E-Gitarre:
Barney Kessel (am 1955-08-25)
Klavier:
Jimmy Rowles (am 1955-08-25)
Kontrabass:
John Simmons (bassist) (am 1955-08-25)
Schlagzeug:
Larry Bunker (am 1955-08-25)
Trompete:
Harry “Sweets” Edison (am 1955-08-25)
vocals:
Billie Holiday (am 1955-08-25)
recording of:
Come Rain or Come Shine (am 1955-08-25)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
44:25
10I Got a Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
5:54
11What’s New?
recording of:
What’s New? (am 1955-08-25)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
34:19
12A Fine Romance (alternative take)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:47
13A Fine Romance (master take)
alto saxophone:
Benny Carter (am 1954-08-25)
E-Gitarre:
Barney Kessel (am 1954-08-25)
Klavier:
Jimmy Rowles (am 1954-08-25)
Kontrabass:
John Simmons (bassist) (am 1954-08-25)
Schlagzeug:
Larry Bunker (am 1954-08-25)
Trompete:
Harry “Sweets” Edison (am 1954-08-25)
vocals:
Billie Holiday (am 1954-08-25)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
43:35
14I Hadn’t Anyone Till You
recording of:
I Hadn’t Anyone Till You (am 1955-08-25)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
44:05
15I Get a Kick out of You
vocals:
Billie Holiday (am 1955-08-25)
recording of:
I Get a Kick Out of You (am 1955-08-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.655:43
16Everything I Have Is Yours
recording of:
Everything I Have Is Yours (am 1955-08-25)
Texter:
Harold Adamson
Komponist(in):
Burton Lane
44:33
17Isn’t This a Lovely Day?
alto saxophone:
Benny Carter (am 1955-08-25)
E-Gitarre:
Barney Kessel (am 1955-08-25)
Klavier:
Jimmy Rowles (am 1955-08-25)
Kontrabass:
John Simmons (bassist) (am 1955-08-25)
Schlagzeug:
Larry Bunker (am 1955-08-25)
Trompete:
Harry “Sweets” Edison (am 1955-08-25)
vocals:
Billie Holiday (am 1955-08-25)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (am 1955-08-25)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
44:17
18Prelude to a Kiss (rehearsal excerpt)
recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
2:46

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Veröffentlichungsgruppe

enthalten in:Integral Billie Holiday 1946 - 1959