Rock & Romance Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Rock and Romance: You’ve Got a Friend
2▼CD: Rock and Romance: You’ve Got a Friend
Nr.TitelKünstlerBewertungLänge
1Feels Like the First Time
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.23:52
2I Keep Forgettin’ (Every Time You’re Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:40
3Hard to Say I’m Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago53:52
4Waiting for a Girl Like You
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.354:50
5I Need You
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dewey Bunnell
Bassgitarre und Klavier und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre:
Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
America3.553:07
6How Sweet It Is (To Be Loved by You)
recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor & The Rock Hall Jam Band3:36
7How Much I Feel
Produzent(in):
Freddie Piro
Bass:
Joe Puerta
Gitarre, Keyboard und Sologesang:
David Pack
Perkussion, Schlagzeug und Hintergrundgesang:
Burleigh Drummond
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
Texter und Komponist(in):
David Pack
publisher:
EMI Longitude Music und Longitude Music Co.
Ambrosia54:48
8Ready for Love
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre und Keyboard [keyboards]:
Mick Ralphs (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Ready for Love (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company4.155:00
9Blue Bayou
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass] und Mandoline:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
cowbell, elektronisches Schlagzeug / E-Drums [syn-drums] und Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hybrid-Piano:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
Marimba:
Steve Forman (US percussionist) (von 1977-05-23 bis 1977-07-22)
Steel-Gitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22) und Don Henley (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
aufgenommen bei:
Sound Factory, LA (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 61)
cover recording of:
Blue Bayou (English) (von 1977-05-23 bis 1977-07-22)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:57
10Baby I’m-A Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Screen Gems–EMI Music Ltd.
Bread42:23
11Steal Away
Techniker(in):
Gary Brandt
Conga:
Miguel Rivera (percussionist)
Gitarre:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) und Brian Ray
Keyboard:
Rick Chudacoff und Bill Elliott (keyboardist/composer)
Marimba:
Alan Estes
Mundharmonika:
Robbie Dupree
Perkussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas und Miguel Rivera (percussionist)
Saxophon:
Jerry Peterson
Synthesizer:
Michael Boddicker und Bill Elliott (conductor, producer)
Hintergrundgesang:
Kal David, Bill LaBounty, Arno Lucas und Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 64)
recording of:
Steal Away
Texter:
Rick Chudacoff
Komponist(in):
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Robbie Dupree3:30
12I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:38
13More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
14Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 89)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:00
15Just Remember I Love You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Just Remember I Love You
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
Stephen Stills Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:14
16That’s the Way I’ve Always Heard It Should Be
Produzent(in):
Eddie Kramer (engineer)
Mix:
Eddie Kramer (engineer) und Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
Akustikgitarre und Klavier:
Carly Simon
Bass:
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch und Jim Wilkins
Cello:
Harvey Shapiro (cellist)
Gitarre:
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) und Jimmy Ryan (American guitarist and singer/songwriter)
Keyboard:
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) und Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
Pedal-Steel-Gitarre:
Jeff Baxter
Saiteninstrumente:
Ed Freeman (producer, arranger, musician, and photographer)
Schlagzeug:
John Siomos
vocals:
Carly Simon
Saiteninstrumente [string arrangement] arranger und Saiteninstrumente arranger:
Ed Freeman (producer, arranger, musician, and photographer)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
That’s the Way I’ve Always Heard It Should Be
Texter:
Jacob Brackman
Komponist(in):
Carly Simon
publisher:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music und Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:17
17You’re the Only Woman
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre und Sologesang:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
You’re the Only Woman (You & I)
Texter und Komponist(in):
David Pack
publisher:
EMI Longitude Music
Ambrosia54:19
3▶CD: Rock and Romance: The Best of Times
4▶CD: Rock and Romance: The Best of Times
5▶CD: Rock and Romance: I’d Do Anything for Love
6▶CD: Rock and Romance: I’d Do Anything for Love
7▶CD: Rock and Romance: Keep on Loving You
8▶CD: Rock and Romance: Keep on Loving You
9▶CD: Power of Love: Feelin’ Good

Nennungen