Instant Party Disc: Extra Strength

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:15
2Got to Be Real
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Bearbeitung von:
Got to Be Real (LP / 12" version) von Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn4.53:42
3Hooked on Swing
The Larry Elgart Orchestra6:32
4Louie Louie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 156) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 169)
cover recording of:
Louie Louie (in 1963)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:44
5Surfin' U.S.A.
Techniker(in):
Chuck Britz
Produzent(in):
Nick Venet
Sologesang:
Mike Love (Beach Boys) (am 1963-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-01-31)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 9) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Surfin’ U.S.A. (am 1963-01-31)
Texter:
Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
ロックンロール ミュージック (Rock ’n’ Roll Music)
basiert auf:
Sweet Little Sixteen
The Beach Boys4.452:28
6That'll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:15
7Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
8Caribbean Queen
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean53:41
9Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
10The Hustle
recording of:
The Hustle
Texter und Komponist(in):
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy & The Soul City Symphony3:45
11Dazz
assistierende(r) Techniker(in):
Phil Benton
Techniker(in):
Johnny Duncan (producer)
Produzent(in):
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy und Robert E. Lee
Saiteninstrumente:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) und Willard Shull
Orchester:
Atlanta Symphony Players
Saiteninstrumente arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
aufgenommen bei:
The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Dazz
Verfasser(in):
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons und Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
Teil von:
10 Things I Hate About You
Brick45:36
12Banana Boat (Day-O)
Produzent(in):
Herman Diaz, Jr.
Conga:
Alexander Cambrelen (am 1955-10-20) und Mario Castillo (am 1955-10-20)
flute:
Herbert Levy (am 1955-10-20)
Gitarre:
Millard Thomas (am 1955-10-20)
Kontrabass:
Milt Hinton (am 1955-10-20)
Schlagzeug:
Osie Johnson (am 1955-10-20)
Chorgesang:
Charles Colman (am 1955-10-20), J. Hamilton Grandison (am 1955-10-20), Herbert L. Stubbs (am 1955-10-20), Joseph Lewis (am 1955-10-20), Lord Burgess (am 1955-10-20), Brock Peters (am 1955-10-20), Sherman Sneed (am 1955-10-20), John White (50s US vocalist) (am 1955-10-20) und Gloria Wynder (am 1955-10-20)
Sologesang:
Harry Belafonte (am 1955-10-20)
vocals:
Harry Belafonte
Orchester:
Tony Scott's Orchestra & Chorus (am 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-10-20)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (am 1955-10-20)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.33:04
13China Grove
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
China Grove
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:14
14Bust a Move
Produzent(in) und Mix:
Matt Dike (American producer) und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Gast-Bassgitarre:
Flea (US bassist)
arranger:
Matt Dike (American producer) und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographisches Urheberrecht (℗) von:
Delicious Vinyl, Inc. (in 1989)
gemixt für, arranged for und produced for:
Delicious Vinyl Inc.
Samples:
Daytime Hustler von Bette Midler, Found a Child von Ballin’ Jack und Scorpio von Dennis Coffey & The Detroit Guitar Band
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1990 winner) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 60)
recording of:
Bust a Move
Verfasser(in):
Matt Dike (American producer), Marvin Young und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Young MC44:23
15U Can't Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:15
16I'm Too Sexy
Programmierung und Produzent(in):
Tommy D.
Techniker(in):
Graham Bonnett (Sound Engineer)
Bassgitarre:
Phil Spalding
Gitarre:
Robert Manzoli
Sologesang:
Richard Fairbrass
arranger:
Tommy D.
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Joe's Garage (Bristol) in Bristol, England, Vereinigtes Königreich und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 475)
recording of:
I’m Too Sexy
Verfasser(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:50
17Devil With a Blue Dress On / Good Golly Miss Molly
Mitch Ryder3:29
18Lean on Me
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.353:59