| # | Title | Rating | Length |
|---|
| 1 | She's Got a Way- recording engineer:
- Bob Hughes (in 1971-07)
- assistant engineer:
- Gordon Watanabe
- engineer:
- Larry Elliott, Michael Stone and Artie Ripp
- producer:
- Artie Ripp
- mixer and editor:
- Larry Elliott and Artie Ripp
- piano:
- Billy Joel (in 1971)
- vocals:
- Billy Joel (in 1971)
- arranger:
- Jimmie Haskell and Artie Ripp
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1981) and CBS, Inc. (in 1983)
- produced for:
- Family Productions, Inc. and Just Sunshine, Inc.
- recorded at:
- The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
- mixed at and edited at:
- Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
- recording of:
- She’s Got a Way (in 1971-07)
- lyricist and composer:
- Billy Joel (in 1970)
- publisher:
- April Music Inc. and Impulsive Music (in 1971)
| 3.8 | 2:55 |
| 2 | You Can Make Me Free | 3 | 2:58 |
| 3 | Everybody Loves You Now- recording engineer:
- Bob Hughes (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
- assistant engineer:
- Gordon Watanabe
- engineer:
- Larry Elliott, Michael Stone and Artie Ripp
- producer:
- Artie Ripp
- mixer and editor:
- Larry Elliott and Artie Ripp
- drums (drum set):
- Mike McGee (from 1983-07 until 1983-09)
- arranger:
- Jimmie Haskell and Artie Ripp
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983)
- recorded at:
- The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07) and Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
- mixed at and edited at:
- Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
- recording of:
- Everybody Loves You Now (from 1971-07 until 1983-09)
- lyricist and composer:
- Billy Joel
- publisher:
- April Music Inc., Joelsongs and Impulsive Music (in 1971)
| 3.75 | 2:50 |
| 4 | Why Judy Why | 3.65 | 2:57 |
| 5 | Falling of the Rain | 3.25 | 2:42 |
| 6 | Turn Around- recording engineer:
- Bob Hughes (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
- assistant engineer:
- Gordon Watanabe
- engineer:
- Larry Elliott, Michael Stone and Artie Ripp
- producer:
- Artie Ripp
- mixer and editor:
- Larry Elliott and Artie Ripp
- drums (drum set):
- Mike McGee (from 1983-07 until 1983-09)
- keyboard:
- Al Campbell (from 1983-07 until 1983-09)
- Rhodes piano [Fender Rhodes Piano]:
- L.D. Dixon (from 1983-07 until 1983-09)
- arranger:
- Jimmie Haskell and Artie Ripp
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983)
- recorded at:
- The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07) and Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
- mixed at and edited at:
- Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
- recording of:
- Turn Around (from 1971-07 until 1983-09)
- writer:
- Billy Joel
- publisher:
- April Music Inc.
| 4 | 3:07 |
| 7 | You Look So Good to Me | 3 | 2:28 |
| 8 | Tomorrow Is Today | 3.65 | 4:42 |
| 9 | Nocturne | 4 | 2:53 |
| 10 | Got to Begin Again | 3.35 | 2:52 |
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