Essential Collection

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:24
2Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
performer:
Louis Armstrong & His Orchestra
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Louis Armstrong42:43
3Ain’t Misbehavin’
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
lead vocals:
Louis Armstrong (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
Ain’t Misbehavin’ (on 1938-06-24)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Armstrong32:53
4C’est si bon
recording of:
C’est si bon (It's So Good, English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
translator:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
Louis Armstrong3:03
5When It’s Sleepy Time Down South
recorded in:
Chicago, Illinois, United States (on 1931-04-20)
alto saxophone:
George James (US jazz saxophonist) (on 1931-04-20)
alto saxophone [alto sax]:
Lester Boone (on 1931-04-20)
drums (drum set):
Tubby Hall (on 1931-04-20)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-20)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-20)
tenor saxophone [tenor sax]:
Albert Washington (jazz tenor sax) (on 1931-04-20)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-20)
trumpet:
Louis Armstrong (on 1931-04-20)
spoken vocals [speech]:
Charlie Alexander (US jazz pianist) (on 1931-04-20) and Louis Armstrong (on 1931-04-20)
vocals:
Louis Armstrong (on 1931-04-20)
recording of:
When It’s Sleepy Time Down South (on 1931-04-20)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong3:16
6A Kiss to Build a Dream On
trumpet and lead vocals:
Louis Armstrong (on 1951-07-24)
performer:
Sy Oliver and His Orchestra (on 1951-07-24)
recording of:
A Kiss to Build a Dream On (on 1951-07-24)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
Fallout 2: A Post Nuclear Role Playing Game
part of:
The Strip (1951 film)
Louis Armstrong43:03
7Blueberry Hill
lead vocals:
Louis Armstrong (on 1949-09-06)
orchestra:
Gordon Jenkins’ Orchestra and Choir (on 1949-09-06)
conductor:
Gordon Jenkins (on 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (on 1949-09-06)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Louis Armstrong2:53
8La vie en rose
cover recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Louis Armstrong3:25
9Lazy River
recording of:
Lazy River (on 1956-12-10)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Armstrong3:51
10That Lucky Old Sun
recording of:
That Lucky Old Sun (on 1949-09-06)
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
Louis Armstrong3:06
11Makin’ Whoopee
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Louis Armstrong with Ella Fitzgerald3:59
12Chloe (Song of the Swamp)
recording of:
Chloë (Song of the Swamp)
lyricist:
Gus Kahn (in 1927)
composer:
Gus Kahn and Charles N. Daniels (in 1927)
Louis Armstrong3:06
13When You’re Smiling (The Whole World Smiles with You)
cover recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong4:03
14A Fine Romance
instruments:
Instrumental Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
performer:
Ella Fitzgerald (American jazz singer)
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Louis Armstrong with Ella Fitzgerald3:37
15Lazy Bones
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong3:11
16Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong with Ella Fitzgerald4:13
17I’m in the Mood for Love
recorded in:
New York, New York, United States (on 1935-10-03)
bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Louis Armstrong43:09
18On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
On the Sunny Side of the Street (on 1937-11-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Louis Armstrong2:57
19Stormy WeatherLouis Armstrong4:16
20When the Saints Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong2:42
2CD
3CD

Credits

Release

ASIN:UK: B004IWP6KU [info]