The Number One Swing Album 2004

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Let’s Face the Music & Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Nat King Cole2:25
2My Baby Just Cares for MeGeorge Michael21:42
3The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Ella Fitzgerald4.653:22
4Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Bing Crosby2:29
5Let’s Fall in Love
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
Vibraphon:
Larry Bunker
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Diana Krall4:25
6Old Devil Moon
alto saxophone:
Alan Barnes (English jazz musician)
Bass:
Geoff Gascoyne
Bratsche / Viola:
Bruce White (violist)
Cello:
David Daniels (cellist)
Geige / Violine:
Jackie Shane und Gavyn Wright (UK violinist, conductor)
Perkussion:
Francis Fuster
Posaune:
Mark Nightingale (trombonist)
Tenorsaxophon:
Ben Castle
Tuba:
Oren Marshall (acoustic/electric tuba player)
Horn und Saiteninstrumente arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Jamie Cullum44:12
7It’s Crazy
Natalie Cole2:11
8Sway
cover recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Peter Cincotti44:12
9Fly Me to the Moon
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:34
10Black Coffee
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
cover recording of:
Black Coffee (1948 song) (am 1953-05-04)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Peggy Lee3:06
11Miracle
Matt Dusk3:34
12Comin’ Home Baby
Mel Tormé2:42
13Volare
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Dean Martin42:58
14Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Anita O’Day3:19
15Take the “A” TrainDuke Ellington & His Orchestra2:53
16On Days Like These
recording of:
On Days Like These
Texter:
Don Black (English lyricist)
Komponist(in):
Quincy Jones
Matt Monro3:38
17I Will Talk and Hollywood Will Listen
recording engineer und Mix:
Al Schmitt
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
recording of:
I Will Talk and Hollywood Will Listen
Orchestrator(in):
Vince Mendoza
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Robbie Williams2.73:18

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Veröffentlichung

ASIN:UK: B000293NDK [Info]