70’s Smash Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer)

(As of 2023-02-18).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
  • Caribbean: 🇧🇸 Bahamas (bs) 🇻🇨 Saint Vincent and Grenadines (vc)
  • Western Asia: 🇵🇸 Palestine (ps)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
Anmerkung zuletzt geändert am 2023-02-18 17:56 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Shoorah! Shoorah!
Produzent(in):
Willie Clarke
recording of:
Shoorah! Shoorah!
Verfasser(in):
A. Toussaint
Betty Wright42:55
2Minute By Minute
recording of:
Minute by Minute
Verfasser(in):
Lester Abrams und Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) und Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3:28
3You’re All I Need to Get By
recording engineer und Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:35
4Brother Louie
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und RAK Records Ltd. (in 1973)
recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Hot Chocolate4.54:59
5Pool Hall Richard
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood)
recording of:
Pool Hall Richard
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Faces4:23
6On the Border
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
On the Border
Texter und Komponist(in):
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
Al Stewart43:22
7America (Single Version)
Produzent(in):
Eddy Offord und Yes (British progressive rock band)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1972) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
Bearbeitung von:
America von Yes (British progressive rock band)
cover recording of:
America
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
Yes34:10
8Baby, What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:04
9Teaser
The Trammps6:17
10I Love You More Than You’ll Ever Know
Donny Hathaway5:20
11I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
12Oh Atlanta
Techniker(in):
Sneed Urn
Produzent(in):
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
Blue Seas Recording Studio in Baltimore County, Maryland, Vereinigte Staaten
recording of:
Oh Atlanta
Verfasser(in):
Bill Payne
Little Feat3:29
13My Feet Keep Dancing
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
My Feet Keep Dancing
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
CHIC6:36
14Let Your Love Go
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
Let Your Love Go
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
Bread52:27
15I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
16You Are My Love
recording of:
You Are My Love
Verfasser(in):
Roger Scott Craig und Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:09
17Love Has Found Me
recording of:
Love Has Found Me
Verfasser(in):
Don Freeman und Kathy Sledge (R&B singer-songwriter)
Sister Sledge3:34
18Long, Long Way from Home
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ian Lloyd (of Stories)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Long, Long Way From Home
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Screen Gems–EMI Music Ltd., Somerset Songs Publishing Inc., WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3.752:56
19Mr Radio
Techniker(in):
Peter Olliff und Roger Wake (engineer)
Produzent(in):
Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1970-11-18)
Geige / Violine:
Steve Woolam (von 1970-11-18 bis 1971-06)
Klavier:
Jeff Lynne (von 1970-11-18 bis 1971-06)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1970-11-18 bis 1971-06)
Waldhorn:
Bill Hunt (UK keyboards, horn player) (von 1970-11-18 bis 1971-06)
vocals:
Jeff Lynne (von 1970-11-18 bis 1971-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2005)
aufgenommen bei:
Philips Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-11-18 bis 1971-06)
recording of:
Mr. Radio (von 1970-11-18 bis 1971-06)
Texter und Komponist(in):
Jeff Lynne
Electric Light Orchestra3:54
20On Broadway
Produzent(in):
Tommy LiPuma
Bass:
Stanley Banks (bassist)
Gitarre:
George Benson (jazz guitarist/singer)
Gitarre [rhythm guitar]:
Phil Upchurch
Keyboard:
Jorge Dalto und Ronnie Foster
Klavier:
Jorge Dalto
Perkussion:
Ralph MacDonald
Schlagzeug:
Harvey Mason (jazz drummer)
vocals:
George Benson (jazz guitarist/singer)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 55)
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
Verfasser(in):
Barry Mann und Cynthia Weil
zusätzliche(r) Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Version von:
On Broadway (original Mann/Weil version)
cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
Verfasser(in):
Barry Mann und Cynthia Weil
zusätzliche(r) Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Version von:
On Broadway (original Mann/Weil version)
George Benson5:16
21Look at You
George McCrae5:00
22I’ll Play for You
Produzent(in):
Louie Shelton
recording of:
I’ll Play for You
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
Seals and Crofts34:06
23I’m In Love (And I Love the Feeling)
recording of:
I’m in Love (and I Love the Feeling)
Texter und Komponist(in):
Norman Whitfield
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce23:44
24I Wanna Learn a Love Song
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) und Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
I Wanna Learn a Love Song
Texter und Komponist(in):
Harry Chapin
publisher:
Story Songs, Ltd
Harry Chapin4:23
25Only In Your Heart
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Only in Your Heart
Texter und Komponist(in):
Gerry Beckley
live recording of:
Only in Your Heart
Texter und Komponist(in):
Gerry Beckley
America2.853:17
26I Can’t Tell the Bottom from the Top
The Hollies3:53
27Love Hit Me
recording of:
Love Hit Me
Texter und Komponist(in):
J. Vincent Edwards
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Maxine Nightingale32:47
28Young Blood
recording of:
Young Blood
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4:03
29Night Owl (Edit)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty24:24
30How Can This Be Love
recording of:
How Can This Be Love
Verfasser(in):
Mark Goldenberg und Mark Safan
Andrew Gold4:02
31It’s All I Can Do
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s All I Can Do
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
The Cars3.653:46
32Quits
Danny O’Keefe3:19