Lady Sings the Blues: Night & Day

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Don't Know Why
assistente tecnico:
Mark Birkey
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Norah Jones e Jay Newland (producer, engineer and mixer)
produttore aggiunto:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser (nel 2000-10)
chitarra acustica e chitarra elettrica :
Jesse Harris (nel 2000-10)
chitarra basso :
Lee Alexander (US bassist, songwriter & producer) (nel 2000-10)
pianoforte e voce principale:
Norah Jones (nel 2000-10)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti (nel 2000-10) e Sorcerer Sound in New York, New York, Stati Uniti (nel 2000-10)
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Don’t Know Why (nel 2000-10)
paroliere e compositore:
Jesse Harris
editore:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.153:06
2Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:47
3All Night Long
registrata a:
New York, New York, Stati Uniti (il 1960-11-17)
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-11-17)
batteria :
Sticks Evans (il 1960-11-17)
chitarra :
Lord Westbrook (il 1960-11-17)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-11-17)
sassofono tenore :
Al Sears (il 1960-11-17)
trombone :
Quentin Jackson (il 1960-11-17)
arrangiatore:
J. Leslie McFarland (composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
All Night Long (il 1960-11-17)
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Aretha Franklin33:05
4The Man I Love
registrazione cover di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Peggy Lee3:44
5I Wish I Knew How It Would Feel to Be Free
produttore:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
tecnico di missaggio:
Mark Hartry
voce:
Nina Simone
direttore d'orchestra:
Sammy Lowe (trumpeter, arranger and conductor)
arrangiatore:
Sammy Lowe (trumpeter, arranger and conductor)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1967-06-15)
parte di:
CBC Music: 10 Songs That Have Changed the World
registrazione cover di:
I Wish I Knew How It Would Feel to Be Free (il 1967-06-15)
autore:
Billy Taylor (jazz/bop pianist) e Richard Lamb
editore:
Duane Music Inc. e Westminster Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Nina Simone43:06
6Lover Man
registrazione cover di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:58
7It's Only a Paper Moon
registrata a:
New York, New York, Stati Uniti (il 1945-03-27)
batteria :
George Wettling
chitarra :
Hy White
contrabbasso [string bass] :
Haig Stephens
pianoforte :
René DeKnight
voce:
The Delta Rhythm Boys (vocal harmony group) (il 1945-03-27) e Ella Fitzgerald (American jazz singer) (il 1945-03-27)
registrazione cover di:
It’s Only a Paper Moon (il 1945-03-27)
paroliere:
E.Y. Harburg (nel 1933) e Billy Rose (lyricist and Broadway producer) (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald2:36
8Go Slow
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Go Slow
paroliere:
Ned Kronk
compositore:
Russell Garcia
Julie London42:15
9The Closeness of You
Nancy Wilson2:58
10Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:19
11Baby Won't You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:07
12Light My Fire
registrazione cover di:
Light My Fire
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
Erma Franklin52:42
13You Don't Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
14First Cut Is the Deepest
produttore:
Mike Hurst (musician and record producer from London, England)
voce:
P.P. Arnold
arrangiatore:
Art Greenslade
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold43:06
15I Can't Stand the Rain
parte di:
Cachitos Nochevieja 2022 (numero: 24) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 197)
registrazione di:
I Can’t Stand the Rain (nel 1973)
autore:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) e Ann Peebles
editore:
Irving Music, Inc. e JEC Publishing (nel 1977)
Ann Peebles4.252:29
16Time Is on My Side
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione cover di:
Time Is on My Side
paroliere aggiunto:
Jimmy Norman
compositore:
Norman Meade
editore:
Rittenhouse Music Corp., TRO Essex Music Ltd. e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
versione di:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:53
17How Blue Can You Get
tecnico:
Rudy van Gelder
produttore:
Creed Taylor
voce:
Esther Phillips (Little Esther)
arrangiatore:
Pee Wee Ellis
registrazione cover di:
How Blue Can You Get?
autore:
Jane Feather
compositore:
Leonard Feather
editore:
Burlington Music Co., Ltd., Melva Pub. Co. e Modern Age Music
Esther Phillips5:10
18What a Difference a Day Makes
tecnico:
Phil Edwards (recording engineer)
produttore:
Carl E. Jefferson
voce:
Ernestine Anderson
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Ernestine Anderson4:44
19At Last
Dianne Reeves & Lou Rawls3:40
20In the Wee Small Hours of the Morning
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
In the Wee Small Hours of the Morning (nel 1960-08)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Julie London52:50
21Time After Time
tecnico di registrazione:
Danny Kopelson (dal 1998-05 al 1998-09)
bouzouki e chitarra elettrica :
Kevin Breit (dal 1998-05 al 1998-09)
chitarra acustica :
Marvin Sewell (dal 1998-05 al 1998-09)
contrabbasso :
Lonnie Plaxico (dal 1998-05 al 1998-09)
percussione :
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (dal 1998-05 al 1998-09)
voce:
Cassandra Wilson (dal 1998-05 al 1998-09)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1998-05 al 1998-09)
registrazione cover di:
Time After Time (dal 1998-05 al 1998-09)
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:08
22Need Your Love So Bad
basso :
Chris Biondo (guitarist, producer with Eva Cassidy Band)
batteria :
William 'JuJu' House
chitarra [soloist] :
Keith Grimes
chitarra pedal steel e voce principale:
Eva Cassidy
corno , sassofono baritono e sassofono tenore :
Leigh Pilzer
organo :
Lenny Williams (pianist, keyboardist)
pianoforte elettrico :
Kent Wood
tromba :
Chris Walker (trumpet)
trombone :
Dan Haverstock
voce ospite:
Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go")
arrangiatore:
Eva Cassidy
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Eva Cassidy44:39
23Night & Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Keely Smith3:53
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