Living the Blues: Blues Masters

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I'm Your Hoochie Coochie Man
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1954-01-07)
Gitarre:
Muddy Waters (blues musician) (am 1954-01-07) und Jimmy Rogers (blues artist) (am 1954-01-07)
Klavier:
Otis Spann (am 1954-01-07)
Kontrabass:
Willie Dixon (am 1954-01-07)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1954-01-07)
Schlagzeug:
Fred Below (am 1954-01-07)
vocals:
Muddy Waters (blues musician) (am 1954-01-07)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 225)
recording of:
I’m Your Hoochie Coochie Man (am 1954-01-07)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) und Willie Dixon Music
Muddy Waters3.752:52
2Hound Dog
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
recording engineer und Mix:
Joel Moss
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer), Brandon Harris (US engineer) und Sue McLean
Produzent(in):
Hummie Mann, Johnny Otis und Marc Shaiman (American score composer and lyricist)
Editing:
Curtis Roush
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis & His Orchestra (am 1952-08-13)
conductor:
Artie Kane
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Hound Dog (am 1952-08-13)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Big Mama Thornton4.652:51
3Back Door Man
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1960-06)
Gitarre:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1960-06)
Klavier:
Otis Spann (in 1960-06)
Kontrabass:
Willie Dixon (in 1960-06)
Mundharmonika und Sologesang:
Howlin’ Wolf (in 1960-06)
Schlagzeug:
Fred Below (in 1960-06)
recording of:
Back Door Man (in 1960-06)
Texter und Komponist(in):
Willie Dixon
Verfasser(in):
Chester Burnett
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Watertoons (BMI-affiliated - publisher associated with Muddy Waters)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Howlin’ Wolf52:51
4Baby What You Want Me to Do
E-Bass [electric bas]:
Marcus Johnson (bassist) (am 1959-08-07)
Gitarre:
Lefty Bates (am 1959-08-07), Jimmy Reed (blues musician) (am 1959-08-07) und Eddie Taylor (electric blues guitarist and singer) (am 1959-08-07)
Mundharmonika:
Jimmy Reed (blues musician) (am 1959-08-07)
Schlagzeug [drums]:
Earl Phillips (am 1959-08-07)
vocals:
Mama Reed (am 1959-08-07) und Jimmy Reed (blues musician) (am 1959-08-07)
recording of:
Baby What You Want Me to Do (am 1959-08-07)
Texter:
Jimmy Reed (blues musician) (bis 1952-08-07)
Komponist(in):
Jimmy Reed (blues musician) (bis 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music und Tristan Music Ltd.
Jimmy Reed2:25
5The Sky Is Crying
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1959-11)
Bassgitarre:
Homesick James (in 1959-11)
Gitarre:
Elmore James (in 1959-11)
Klavier:
Little Johnny Jones (Chicago blues pianist) (in 1959-11)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (in 1959-11)
Tenorsaxophon [tenor sax]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1959-11) und J.T. Brown (saxophonist) (in 1959-11)
Sologesang:
Elmore James
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1991)
recording of:
The Sky Is Crying (in 1959-11)
Texter und Komponist(in):
Elmore James
publisher:
Longitude Music Co.
Elmore James4.52:49
6Five Long Years
Eddie Boyd2:42
7Boogie Chillun
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1948-09)
Produzent(in):
Bernard Besman (producer, label owner and songwriter)
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1948-09)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1948-09)
recording of:
Boogie Chillen’ (in 1948-09)
Verfasser(in):
Bernard Besman (producer, label owner and songwriter) und John Lee Hooker (US blues singer, songwriter & guitarist) (in 1948)
publisher:
BMG Music Publishing Ltd., La Cienega Music und Sony Music Publishing Ltd.
John Lee Hooker33:10
8Next Time You See Me
Junior Parker2:39
9Baby Scratch My Back
Produzent(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Gitarre:
James Johnson (50s-60s US bass player) und Rudolph Richard
membranophone:
Sammy K. Brown
Mundharmonika:
Slim Harpo
Tenorsaxophon:
Willie Parker
vocals:
Slim Harpo
recording of:
Baby, Scratch My Back
Texter und Komponist(in):
James Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co.
Slim Harpo2:55
10So Many Roads, So Many Trains
Otis Rush3:13
11Rock Me Baby
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960)
Gitarre:
B.B. King (in 1960)
Orgel:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1960)
Schlagzeug:
Jesse Sailes (in 1960)
vocals:
B.B. King (in 1960)
recording of:
Rock Me Baby (in 1960)
Verfasser(in):
Joe Josea und B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) und Modern Sparta Music Ltd. (in 1994)
basiert auf:
Rockin’ and Rollin’
B.B. King23:01
12You're So Fine
Gitarre:
Dave Myers (in 1953) und Louis Myers (Blues musician, 1929-1994) (in 1953)
membranophone:
Fred Below (in 1953)
Mundharmonika:
Little Walter (blues performer and songwriter) (in 1953)
vocals:
Little Walter (blues performer and songwriter) (in 1953)
recording of:
You’re So Fine (in 1953)
Texter und Komponist(in):
Walter Jacobs (blues performer and songwriter)
Little Walter3:05
13I'm a Man
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Kontrabass:
Willie Dixon (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Mundharmonika:
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2018) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 370)
recording of:
I’m a Man (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley4.352:59
14Don't Start Me to Talkin'
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1955-08-12)
Gitarre:
Muddy Waters (blues musician) (am 1955-08-12) und Jimmy Rogers (blues artist) (am 1955-08-12)
Klavier:
Otis Spann (am 1955-08-12)
Kontrabass [bass]:
Willie Dixon (am 1955-08-12)
Mundharmonika:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (am 1955-08-12)
Schlagzeug [drums]:
Fred Below (am 1955-08-12)
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (am 1955-08-12)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1996)
recording of:
Don’t Start Me Talkin’ (am 1955-08-12)
Texter und Komponist(in):
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Arc Music (U.S. rock & blues publisher)
Sonny Boy Williamson52:36
15The Things That I Used to Do
alto saxophone:
Gus Fontenette (am 1953-10-26)
Bassgitarre [bass]:
Lloyd Lambert (am 1953-10-26)
Gitarre:
Eddie "Guitar Slim" Jones (Eddie Jones) (am 1953-10-26)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1953-10-26)
Schlagzeug [drums]:
Oscar Moore (am 1953-10-26)
Tenorsaxophon:
Charles Burbank (am 1953-10-26) und Joseph Tillman (am 1953-10-26)
Trompete:
Frank S. Mitchell (trumpet) (am 1953-10-26)
vocals:
Eddie "Guitar Slim" Jones (Eddie Jones) (am 1953-10-26)
arranger:
Ray Charles (soul musician, singer and songwriter) (am 1953-10-26)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1953-10-26)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984)
recording of:
The Things That I Used to Do (am 1953-10-26)
Texter und Komponist(in):
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC und Venice Music
Guitar Slim23:02
16Reconsider Baby
Lowell Fulson3:12
17Turn on Your Love Light
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 16) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Turn On Your Love Light
Verfasser(in):
Deadric Malone und J. Scott (Joseph Wade Scott)
publisher:
Don Music, Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) und Universal Duchess Music Corporation
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby “Blue” Bland52:39
18Grits Ain't Groceries
cover recording of:
All Around the World (aka “Grits Ain’t Groceries”)
Texter und Komponist(in):
Titus Turner
publisher:
Bro ’n Sis Music, Rockland Music und Titus Turner Songs Co.
Little Milton2:41
19Crosscut Saw
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-02)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-11-02)
Gitarre:
Steve Cropper (am 1966-11-02) und Albert King (well‐known US blues guitarist & singer) (am 1966-11-02)
Horn:
Joe Arnold (am 1966-11-02), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-11-02) und Andrew Love (am 1966-11-02)
Klavier:
Isaac Hayes (am 1966-11-02) und Booker T. Jones (am 1966-11-02)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1966-11-02)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (am 1966-11-02)
Interpret(in):
Booker T. & the MG’s (am 1966-11-02) und The Memphis Horns (am 1966-11-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 77) und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2018)
cover recording of:
Cross Cut Saw Blues (am 1966-11-02)
Verfasser(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Irving Music, Inc.
Albert King2:35
20I'd Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:39

Nennungen

Veröffentlichung

ASIN:US: B000MSET84 [Info]

Veröffentlichungsgruppe

Teil von:Living the Blues (Time-Life Music) (Nummer: 2) (Reihenfolge: 2)